When The Ox Dances Tango
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Author | : Mike Gonzalez |
Publisher | : Reaktion Books |
Total Pages | : 218 |
Release | : 2013-07-15 |
Genre | : Music |
ISBN | : 1780231458 |
Born on the unlit streets of Buenos Aires, tango was inspired by the music of European immigrants who crossed the ocean to Argentina, lured by the promise of a better life. It found its home in the city’s marginal districts, where it was embraced and shaped by young men who told stories of prostitutes, petty thieves, and disappointed lovers through its music and movements. Chronicling the stories told through tango’s lyrics, Mike Gonzalez and Marianella Yanes reveal in Tango how the dance went from slumming it in the brothels and cabarets of lower-class Buenos Aires to the ballrooms of Paris, London, Berlin, and beyond. Tracing the evolution of tango, Gonzalez and Yanes set its music, key figures, and the dance itself in their place and time. They describe how it was not until Paris went crazy for tango just before World War I that it became acceptable for middle-class Argentineans to perform the seductive dance, and they explore the renewed enthusiasm with which each new generation has come to it. Telling the sexy, enthralling story of this stylish and dramatic dance, Tango is a book for casual fans and ballroom aficionados alike.
Author | : Martin Allwood |
Publisher | : New Directions Publishing Corporation |
Total Pages | : 408 |
Release | : 1982 |
Genre | : Literary Criticism |
ISBN | : |
A panorama of poetry from Kalatdlit-nunat (Greenland, Iceland, the Faroe Islands, Denmark, Saame poetry, Norway, Sweeden, and Finland from 1900-1975, Modern Scandinavian Poetry, under the general editorship of Martin Allwood, is the work of many hands - assisting editors and advisors, eighty-eight translators, and some 275 poets. Arranged by nationality, each section is introduced by an authority on the poetry of the country ... --New DirectionsDonated by Wendy Larsen, 8/2011.
Author | : Mark Knowles |
Publisher | : McFarland |
Total Pages | : 273 |
Release | : 2009-06-08 |
Genre | : Performing Arts |
ISBN | : 0786453605 |
The waltz, perhaps the most beloved social dance of the 19th and early 20th centuries, once provoked outrage from religious leaders and other self-appointed arbiters of social morality. Decrying the corrupting influence of social dancing, they failed to suppress the popularity of the waltz or other dance crazes of the period, including the Charleston, the tango, and "animal dances" such as the Turkey Trot, Grizzly Bear, and Bunny Hug. This book investigates the development of these popular dances, considering in particular how their very existence as "taboo" cultural fads ultimately provided a catalyst for lasting social reform. In addition to examining the impact of the waltz and other scandalous dances on fashion, music, leisure, and social reform, the text describes the opposition to dance and the proliferation of literature on both sides.
Author | : |
Publisher | : |
Total Pages | : 780 |
Release | : 1914 |
Genre | : Glassworkers |
ISBN | : |
Author | : David Caditz |
Publisher | : Lulu.com |
Total Pages | : 74 |
Release | : 2010-11-29 |
Genre | : Art |
ISBN | : 0557596386 |
An in-depth analysis of the geometrical structure of Argentine Tango. Seventy-two pages, 18 full color photos, 24 diagrams, 25 tables describing the inner workings of tango. A must for any serious student of dance.
Author | : Stewart King |
Publisher | : University of Delaware Press |
Total Pages | : 154 |
Release | : 2004 |
Genre | : History |
ISBN | : 9780874139174 |
The essays range from colonial domination and international struggles over territorial claims, to a meditation on the politics of location, to the issue of spatial representation of mature-age women and gay men within a dialectic of visibility/invisibility in Spanish theatre and cinema."--Jacket.
Author | : Egil Bakka |
Publisher | : Open Book Publishers |
Total Pages | : 294 |
Release | : 2020-09-10 |
Genre | : Music |
ISBN | : 1783747358 |
From ‘folk devils’ to ballroom dancers, Waltzing Through Europe explores the changing reception of fashionable couple dances in Europe from the eighteenth century onwards. A refreshing intervention in dance studies, this book brings together elements of historiography, cultural memory, folklore, and dance across comparatively narrow but markedly heterogeneous localities. Rooted in investigations of often newly discovered primary sources, the essays afford many opportunities to compare sociocultural and political reactions to the arrival and practice of popular rotating couple dances, such as the Waltz and the Polka. Leading contributors provide a transnational and affective lens onto strikingly diverse topics, ranging from the evolution of romantic couple dances in Croatia, and Strauss’s visits to Hamburg and Altona in the 1830s, to dance as a tool of cultural preservation and expression in twentieth-century Finland. Waltzing Through Europe creates openings for fresh collaborations in dance historiography and cultural history across fields and genres. It is essential reading for researchers of dance in central and northern Europe, while also appealing to the general reader who wants to learn more about the vibrant histories of these familiar dance forms.
Author | : |
Publisher | : |
Total Pages | : 1426 |
Release | : 1912 |
Genre | : |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 648 |
Release | : 1939 |
Genre | : Health |
ISBN | : |
Author | : Anthony Shay |
Publisher | : Oxford University Press |
Total Pages | : 1307 |
Release | : 2016-04-20 |
Genre | : Performing Arts |
ISBN | : 0190493933 |
Dance intersects with ethnicity in a powerful variety of ways and at a broad set of venues. Dance practices and attitudes about ethnicity have sometimes been the source of outright discord, as when African Americans were - and sometimes still are - told that their bodies are 'not right' for ballet, when Anglo Americans painted their faces black to perform in minstrel shows, when 19th century Christian missionaries banned the performance of particular native dance traditions throughout much of Polynesia, and when the Spanish conquistadors and church officials banned sacred Aztec dance rituals. More recently, dance performances became a locus of ethnic disunity in the former Yugoslavia as the Serbs of Bosnia attended dance concerts but only applauded for the Serbian dances, presaging the violent disintegration of that failed state. The Oxford Handbook of Dance and Ethnicity brings together scholars from across the globe in an investigation of what it means to define oneself in an ethnic category and how this category is performed and represented by dance as an ethnicity. Newly-commissioned for the volume, the chapters of the book place a reflective lens on dance and its context to examine the role of dance as performed embodiment of the historical moments and associated lived identities. In bringing modern dance and ballet into the conversation alongside forms more often considered ethnic, the chapters ask the reader to contemplate previous categories of folk, ethnic, classical, and modern. From this standpoint, the book considers how dance maintains, challenges, resists or in some cases evolves new forms of identity based on prior categories. Ultimately, the goal of the book is to acknowledge the depth of research that has been undertaken and to promote continued research and conceptualization of dance and its role in the creation of ethnicity. Dance and ethnicity is an increasingly active area of scholarly inquiry in dance studies and ethnomusicology alike and the need is great for serious scholarship to shape the contours of these debates. The Oxford Handbook of Dance and Ethnicity provides an authoritative and up-to-date survey of original research from leading experts which will set the tone for future scholarly conversation.