When God Was A Black Woman
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Author | : Ann duCille Associate Professor of English and African American Studies Wesleyan University |
Publisher | : Oxford University Press, USA |
Total Pages | : 222 |
Release | : 1993-10-19 |
Genre | : Literary Criticism |
ISBN | : 0195359119 |
What does the tradition of marriage mean for people who have historically been deprived of its legal status? Generally thought of as a convention of the white middle class, the marriage plot has received little attention from critics of African-American literature. In this study, Ann duCille uses texts such as Nella Larsen's Quicksand (1928) and Zora Neale Hurston's Their Eyes Were Watching God (1937) to demonstrate that the African-American novel, like its European and Anglo-American counterparts, has developed around the marriage plot--what she calls "the coupling convention." Exploring the relationship between racial ideology and literary and social conventions, duCille uses the coupling convention to trace the historical development of the African-American women's novel. She demonstrates the ways in which black women appropriated this novelistic device as a means of expressing and reclaiming their own identity. More than just a study of the marriage tradition in black women's fiction, however, The Coupling Convention takes up and takes on many different meanings of tradition. It challenges the notion of a single black literary tradition, or of a single black feminist literary canon grounded in specifically black female language and experience, as it explores the ways in which white and black, male and female, mainstream and marginalized "traditions" and canons have influenced and cross-fertilized each other. Much more than a period study, The Coupling Convention spans the period from 1853 to 1948, addressing the vital questions of gender, subjectivity, race, and the canon that inform literary study today. In this original work, duCille offers a new paradigm for reading black women's fiction.
Author | : Shawn James |
Publisher | : Shawn James |
Total Pages | : |
Release | : |
Genre | : Family & Relationships |
ISBN | : |
Statistics state that 70 Percent of Black women are single. And many believe that it’s because Black women can’t find a “good” Black man. However, what’s keeping Black women single isn’t a shortage of “good” Black men it’s the fact that most Black women have learned a life paradigm from her mother that prevents her from having a successful relationship with any man. In this eBook Shawn James explains all the historical, economic, political and social reasons leading to many Black women being single and how many of the approaches Black women have learned growing up from their mothers and grandmothers will keep them single and their daughters single in some cases for the rest of their lives.
Author | : Marjorie Procter-Smith |
Publisher | : Westminster John Knox Press |
Total Pages | : 260 |
Release | : 1993-01-01 |
Genre | : Religion |
ISBN | : 9780664252533 |
These diverse but unified descriptions of original ceremonies, liturgies, and rites offer suggestions for revitalizing traditional liturgical expressions in relation to women's experiences. The works collected here are drawn from the perspectives of Christian, Jewish, African-American, Native American, and Hispanic women.
Author | : Kimberly Rae Connor |
Publisher | : Univ. of Tennessee Press |
Total Pages | : 332 |
Release | : 1994 |
Genre | : Literary Criticism |
ISBN | : 9780870499081 |
The subsequent achievement of selfhood is then based on the interplay of individual and community identities. Connor suggests that the distinctiveness of African-American women's experiences and writings can transcend their immediate communities and be brought to bear on women's experiences in general, making their individual stories more accessible and meaningful to the whole of humankind.
Author | : Deborah Gray White |
Publisher | : W. W. Norton & Company |
Total Pages | : 258 |
Release | : 1999-02-02 |
Genre | : History |
ISBN | : 9780393314816 |
This new edition reviews and updates the scholarship on slave women and the slave family, exploring new ways of understanding the intersection of race and gender and comparing the myths that stereotyped female slaves with the realities of their lives.
Author | : Lori Latrice Martin |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 166 |
Release | : 2019-03-14 |
Genre | : Social Science |
ISBN | : |
This book examines how black women have identified challenges in major social institutions across history and demonstrated adaptive leadership in mobilizing people to tackle those challenges facing black communities. Most studies about black women and social justice issues focus on the responses of black women to racism within the context of the feminist movement and/or the responses of black women to sexism in black liberation movements. Such discussions often fail to explore the ways in which black women's commitment to negotiating their racial, gender, and class identities, while engaged in the practice of leadership, is discouraged and ignored. Black Women as Leaders analyzes the commitment of contemporary black women to social justice issues from the perspective of adaptive leadership. It shows how black women are often forced into the public practice of leadership due to violent attacks from people with whom they are in engaged in interpersonal relationships. The book also breaks new ground by revealing how black women suffer from the devaluation and vilification of their engagement in the practice of leadership in private settings, such as their homes and selected religious and institutional settings.
Author | : Gloria Thomas Pillow |
Publisher | : McFarland |
Total Pages | : 200 |
Release | : 2014-01-10 |
Genre | : Social Science |
ISBN | : 078645640X |
This book closely examines the mother figure in six works by African American women at various times in American history: Harriet Jacobs's Incidents in the Life of a Slave Girl, Pauline Hopkins's Contending Forces, Nella Larsen's Passing, Gwendolyn Brooks's Maud Martha, Alice Walker's The Color Purple, and Toni Morrison's Beloved. It studies how the mother in each novel negotiates the ragged, hostile landscape of a prohibitive environment to love, protect, and raise her children. Delving far deeper than surface explanations, it is informed by psychological analysis to reveal the forces that create the unique tensions of the African American mother's life, her inspired strategies for survival, and the character of the nurturing she gives her children.
Author | : |
Publisher | : iUniverse |
Total Pages | : 308 |
Release | : |
Genre | : |
ISBN | : 0595234720 |
Author | : Susan E Meisenhelder |
Publisher | : University of Alabama Press |
Total Pages | : 273 |
Release | : 2001-06-18 |
Genre | : Literary Criticism |
ISBN | : 0817311319 |
Zora Neale Hurston is a controversial figure, equally praised and criticized for her representation of African-Americans; while some critics emphasize her ebullience and celebration of Black culture, others call her fiction stereotypical and essentialist. Observing the workings of the recurrent humor in her works helps explode this critical binary opposition. Specifically, the carnivalesque and the heteroglossia often subvert essentialist notions of (Black) identity. Jonah's Gourd Vine's protagonist, the preacher-womanizer John Pearson, can be seen as an African rather than an African-American trickster figure, i.e. as a mobile character whose liminality helps him fight essentialist definitions imposed on him by both the white establishment and his own community. Janie's romantic search for self-fulfillment in Their Eyes Were Watching God is undermined by the humor and the carnival, which emphasize her shifting and multiply defined identity. Finally, the African-Americanized story of Moses and the Hebrews shows the conflicts involved in their search for a unified national and cultural identity. In these three novels, Hurston appears as a subversive presence whose manipulation of humor underscores a complex political vision.
Author | : Vincent L. Wimbush |
Publisher | : Wipf and Stock Publishers |
Total Pages | : 912 |
Release | : 2012-09-01 |
Genre | : Religion |
ISBN | : 1725230895 |
Perhaps no other group of people has been as much formed by biblical texts and tropes as African Americans. From literature and the arts to popular culture and everyday life, the Bible courses through black society and culture like blood through veins. Despite the enormous recent interest in African American religion, relatively little attention has been paid to the diversity of ways in which African Americans have utilized the Bible. African Americans and the Bible is the fruit of a four-year collaborative research project directed by Vincent L. Wimbush and funded by the Lilly Endowment. It brings together scholars and experts (sixty-eight in all) from a wide range of academic and artistic fields and disciplines--including ethnography, cultural history, and biblical studies as well as art, music, film, dance, drama, and literature. The focus is on the interaction between the people known as African Americans and that complex of visions, rhetorics, and ideologies known as the Bible. As such, the book is less about the meaning(s) of the Bible than about the Bible and meaning(s), less about the world(s) of the Bible than about how worlds and the Bible interact--in short, about how a text constructs a people and a people constructs a text. It is about a particular sociocultural formation but also about the dynamics that obtain in the interrelation between any group of people and sacred texts in general. Thus African Americans and the Bible provides an exemplum of sociocultural formation and a critical lens through which the process of sociocultural formation can be viewed.