When Etudes Become Form
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Author | : Russell Ferguson |
Publisher | : Rizzoli Publications |
Total Pages | : 0 |
Release | : 2018-09-18 |
Genre | : Art |
ISBN | : 0847862690 |
This is Gagosian’s 500th book. It fittingly marks the achievement, as Chris Burden was among the first artists to work with Larry Gagosian. Chris Burden: Streetlamps is the definitive publication on Burden’s iconic series. Chris Burden: Streetlamps explores the artist’s work with antique streetlamps, which he began to amass in the early 2000s. Burden fully restored 202 streetlamps from the 1920s to create his renowned Urban Light, which was acquired by the Los Angeles County Museum of Art. He realized four more major streetlamp sculptures in both public and private spaces, all of which are lavishly documented here from conception through installation.
Author | : Mark Gonzales |
Publisher | : |
Total Pages | : 128 |
Release | : 2000 |
Genre | : |
ISBN | : 9789075883114 |
Author | : John Marx |
Publisher | : |
Total Pages | : 160 |
Release | : 2019-09 |
Genre | : Architecture |
ISBN | : 9781943532421 |
John Marx's watercolors, first published in the Architectural Review, are a captivating example of an architect's way of thinking. Subtle and quiet they are nonetheless compelling works in how they tackle a sense of place, of inhabiting space and time all the while resonating with the core of one's inner being. There is an existential quality to these watercolors that is rare to be found in this medium. Something akin to the psychologically piercing observational quality of artists like De Chirico or Hopper. As architects strive to communicate their ideas, it is interesting to explore the world of Marx's watercolors as an example of a humane approach to conveying emotional meaning in relation to our environment. Marx's subject matter read like "built landscapes" heightening the role of the manmade yet wholly in balance with the natural world. This is a message and sentiment that is perhaps more important than ever to relay to audiences.
Author | : Jim Samson |
Publisher | : Cambridge University Press |
Total Pages | : 364 |
Release | : 1994-12-08 |
Genre | : Music |
ISBN | : 1139824996 |
The Cambridge Companion to Chopin provides the enquiring music-lover with helpful insights into a musical style which recognises no contradiction between the accessible and the sophisticated, the popular and the significant. Twelve essays by leading Chopin scholars make up three parts. Part 1 discusses the sources of Chopin's style in the music of his predecessors and the social history of the period. Part 2 profiles the mature music, and Part 3 considers the afterlife of the music - its reception, its criticism and its compositional influence in the works of subsequent composers.
Author | : |
Publisher | : |
Total Pages | : 496 |
Release | : 1916 |
Genre | : Music |
ISBN | : |
A monthly journal for the musician, the music student, and all music lovers.
Author | : Dewan |
Publisher | : CUA Press |
Total Pages | : 284 |
Release | : 2006 |
Genre | : Philosophy |
ISBN | : 0813214610 |
Contains thirteen essays by Lawrence Dewan on metaphysics, the vision of reality from the viewpoint of being.
Author | : |
Publisher | : |
Total Pages | : 812 |
Release | : 1899 |
Genre | : Music |
ISBN | : |
Author | : Gianmario Borio |
Publisher | : Routledge |
Total Pages | : 389 |
Release | : 2017-12-14 |
Genre | : Music |
ISBN | : 1315406365 |
Improvisation was a crucial aspect of musical life in Europe from the late eighteenth century through to the middle of the nineteenth, representing a central moment in both public occasions and the private lives of many artists. Composers dedicated themselves to this practice at length while formulating the musical ideas later found at the core of their published works; improvisation was thus closely linked to composition itself. The full extent of this relation can be inferred from both private documents and reviews of concerts featuring improvisations, while these texts also inform us that composers quite often performed in public as both improvisers and interpreters of pieces written by themselves or others. Improvisations presented in concert were distinguished by a remarkable degree of structural organisation and complexity, demonstrating performers’ consolidated abilities in composition as well as their familiarity with the rules for improvising outlined by theoreticians.
Author | : Albert Mendoza |
Publisher | : Alfred Music |
Total Pages | : 155 |
Release | : 2015-08-18 |
Genre | : Music |
ISBN | : 1470632705 |
This essential collection of 100 piano études is divided into 15 units that survey the technical challenges at the early intermediate, intermediate, and late intermediate levels. The early units review technical issues that students experience at the elementary levels, such as five-finger patterns and articulations. The later units introduce more difficult technical challenges that prepare students for advanced repertoire, such as playing ornamentation, octaves, and large chords. Each unit contains between five and ten études written by master composers from the Baroque, Classical, Romantic, and Contemporary periods. Within each unit, the études are arranged in order of difficulty. Each piece appears in its original form; notes have not been added or removed. The composers' original dynamics, tempo marks, phrase indications, and articulations have been preserved. Ornamentation is realized in footnotes. Added measure numbers provide easy reference, and editorial suggestions for fingering and pedaling have been provided. A concise foreword discusses technique at the intermediate levels. Two indexes are included: one by unit and technical skill, and another by level and composer. Unit listing: * Five-Finger Patterns * Articulation * Coordination between the Hands * Scales * Triads, Inversions, and Broken Chords * Double Notes * Left-Hand Development * Velocity * Arpeggios * Finger and Hand Independence * Repeated Notes * Accompaniment Patterns * Ornamentation * Octaves * Four- and Five-Note Chords Titles: * Alla Tarantella (from 12 Études), Op. 39, No. 2 (MacDowell) * Étude in A Minor ("Arabesque") (from 25 Easy and Progressive Studies), Op. 100, No. 2 (Burgmüller) * Étude in B-flat Major (from 25 Melodious Studies), Op. 108, No. 10 (Schytte) * Étude in C Major (from Practical Method for the Pianoforte), Op. 249, No. 65 (Köhler) * Étude in F Major (from The First Steps of the Young Pianist), Op. 82, No. 39 (Gurlitt) * Étude in G Major (from 25 Elementary Studies), Op. 176, No. 20 (Duvernoy) * Étude in D Minor ("Warrior's Song") (from 25 Melodic Studies), Op. 45, No. 15 (Heller) * Étude in G Minor (from Training of the Left Hand), Op. 89, Book II, No. 6 (Berens) * Exercise in C Major (from Étude for the Pianoforte), Op. 39, No. 1 (Cramer) * Little Étude (from Album for the Young), Op. 68, No. 14 (Schumann) * Maria (romanza sin palabras) (from Six Expressive Studies) (Granados) * Menuetto (from First Term at the Piano), Sz. 53, No. 16 (Bartók) and many more!
Author | : Theodore Presser |
Publisher | : |
Total Pages | : 954 |
Release | : 1924 |
Genre | : Music |
ISBN | : |