When Alice Lay Down With Peter
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| Author | : Margaret Sweatman |
| Publisher | : Vintage Canada |
| Total Pages | : 434 |
| Release | : 2011-01-28 |
| Genre | : Fiction |
| ISBN | : 0307365980 |
When Alice Lay Down with Peter is a sweeping, magical novel that follows four generations of the McCormack family through more than a century of Canadian history, as it unfolds on the flood plains of southern Manitoba. The story of Alice and Peter McCormack and their progeny is a glorious, witty, and intimate epic that truly reminds us that life stories not only include the details of the past, but also expand into the present and future, encompassing much more than the statistics of life and death would seem to admit. Narrated by Blondie McCormack--Alice and Peter’s daughter, who has just died at the age of 109--When Alice Lay Down with Peter is a novel that rejoices in the inevitability of change, and in the hauntings that reward our choosing to remember our own history. Just as When Alice Lay Down with Peter is a story of a family, it is a story of a particular place over time. Margaret Sweatman’s characters are never separate from the story of the land itself, or from the natural and political events that work away at its edges. The history of the McCormacks is a history of life on the land: of bountiful crops and devastating floods, the renewal of spring and the death that marks each fall. It is in the connection between the place and its inhabitants that we find the deceptively simple meaning of “home.” And it is to this conjoining of histories that Sweatman brings the lightning spark of her imagination, and out of which this wonderful novel has been born.
| Author | : Herb Wyile |
| Publisher | : Wilfrid Laurier Univ. Press |
| Total Pages | : 337 |
| Release | : 2009-10-22 |
| Genre | : Literary Criticism |
| ISBN | : 1554588251 |
“Speaking in the Past Tense participates in an expanding critical dialogue on the writing of historical fiction, providing a series of reflections on the process from the perspective of those souls intrepid enough to step onto what is, practically by definition, contested territory.” — Herb Wyile, from the Introduction The extermination of the Beothuk ... the exploration of the Arctic ... the experiences of soldiers in the trenches during World War I ... the foibles of Canada’s longest-serving prime minister ... the Ojibway sniper who is credited with 378 wartime kills—these are just some of the people and events discussed in these candid and wide-ranging interviews with eleven authors whose novels are based on events in Canadian history. These sometimes startling conversations take the reader behind the scenes of the novels and into the minds of their authors. Through them we explore the writers’ motives for writing, the challenges they faced in gathering information and presenting it in fictional form, the sometimes hostile reaction they faced after publication, and, perhaps most interestingly, the stories that didn’t make it into their novels. Speaking in the Past Tense provides fascinating insights into the construction of national historical narratives and myths, both those familiar to us and those that are still being written.
| Author | : Andrea Cabajsky |
| Publisher | : Wilfrid Laurier Univ. Press |
| Total Pages | : 277 |
| Release | : 2010-07-09 |
| Genre | : Literary Criticism |
| ISBN | : 1554581613 |
Fiction that reconsiders, challenges, reshapes, and/or upholds national narratives of history has long been an integral aspect of Canadian literature. Works by writers of historical fiction (from early practitioners such as John Richardson to contemporary figures such as Alice Munro and George Elliott Clarke) propose new views and understandings of Canadian history and individual relationships to it. Critical evaluation of these works sheds light on the complexity of these depictions. The contributors in National Plots: Historical Fiction and Changing Ideas of Canada critically examine texts with subject matter ranging from George Vancouver’s west coast explorations to the eradication of the Beothuk in Newfoundland. Reflecting diverse methodologies and theoretical approaches, the essays seek to explicate depictions of “the historical” in individual texts and to explore larger questions relating to historical fiction as a genre with complex and divergent political motivations and goals. Although the topics of the essays vary widely, as a whole the collection raises (and answers) questions about the significance of the roles historical fiction has played within Canadian culture for nearly two centuries.
| Author | : Cynthia Sugars |
| Publisher | : University of Wales Press |
| Total Pages | : 295 |
| Release | : 2014-01-15 |
| Genre | : Literary Criticism |
| ISBN | : 1783160772 |
This book explores the Gothic tradition in Canadian literature by tracing a distinctive reworking of the British Gothic in Canada. It traces the ways the Gothic genre was reinvented for a specifically Canadian context. On the one hand, Canadian writers expressed anxiety about the applicability of the British Gothic tradition to the colonies; on the other, they turned to the Gothic for its vitalising rather than unsettling potential. After charting this history of Gothic infusion, Canadian Gothic turns its attention to the body of Aboriginal and diasporic writings that respond to this discourse of national self-invention from a post-colonial perspective. These counter-narratives unsettle the naturalising force of this invented history, rendering the sense of Gothic comfort newly strange. The Canadian Gothic tradition has thus been a conflicted one, which reimagines the Gothic as a form of cultural sustenance. This volume offers an important reconsideration of the Gothic legacy in Canada.
| Author | : Catherine Ford |
| Publisher | : McClelland & Stewart |
| Total Pages | : 268 |
| Release | : 2009-02-24 |
| Genre | : History |
| ISBN | : 1551991446 |
A contrarian view of Alberta and Albertans from the outspoken and often controversial former Calgary Herald columnist. In 2005, Alberta celebrates its centenary: a hundred-year stretch that has seen the province catapulted from being little more than thinly populated grassland and mountain to one of Canada’s richest provinces, one with a fair claim to being perpetually misunderstood. Albertans, of course, are passionate about their province, even when to outsiders the sentiment is baffling. For instance, can a liberal feminist like renowned columnist Catherine Ford find happiness in a right-wing, neo-conservative province? The short form of Ford’s answer is “Yes, I can. But . . .” The long version is the intimate, revealing, entertaining, and opinionated picture of the province she paints in Against the Grain. On the surface, the province is monolithic in its politics, anti-gay, anti-feminist, anti-choice in its opinions, and macho in its demeanour. But Ford shows that this is a lopsided, outsider’s view of Alberta, and to prove it she takes readers on a tour from Calgary to Banff and Jasper, Fort McMurray, Edmonton, and beyond, pointing out the good, the bad, and the plain bewildering. Tough-minded but loving, Against the Grain gives outsiders the real goods on Alberta in this, its centenary year.
| Author | : Herb Wyile |
| Publisher | : Wilfrid Laurier Univ. Press |
| Total Pages | : 415 |
| Release | : 2011-04-25 |
| Genre | : Literary Criticism |
| ISBN | : 1554583519 |
Anne of Tim Hortons: Globalization and the Reshaping of Atlantic-Canadian Literature is a study of the work of over twenty contemporary Atlantic-Canadian writers that counters the widespread impression of Atlantic Canada as a quaint and backward place. By examining their treatment of work, culture, and history, author Herb Wyile highlights how these writers resist the image of Atlantic Canadians as improvident and regressive, if charming, folk. After an introduction that examines the current place of the region within the Canadian federation and the broader context of economic globalization, Anne of Tim Hortons explores how Atlantic-Canadian writers present a picture of the region that is much more complex and less quaint than the stereotypes through which it is typically viewed. Through the works of authors such as Michael Winter, Lisa Moore, George Elliott Clarke, Rita Joe, Frank Barry, Alistair MacLeod, and Bernice Morgan, among others, the book looks at the changing (and increasingly corporate) nature of work, the cultural diversification and subversive self-consciousness of Atlantic-Canadian literature, and Atlantic-Canadian writers’ often revisionist approach to the region’s history. What these writers are engaged in, the book contends, is a kind of collective readjustment of the image of the region. Rather than a marginal place stranded outside of time, Atlantic Canada in these works is very much caught up in contemporary economic, political, and cultural developments, particularly the broad sweep of economic globalization.
| Author | : Cynthia Conchita Sugars |
| Publisher | : Oxford University Press |
| Total Pages | : 993 |
| Release | : 2016 |
| Genre | : History |
| ISBN | : 0199941866 |
The Oxford Handbook of Canadian Literature provides a broad-ranging introduction to some of the key critical fields, genres, and periods in Canadian literary studies. The essays in this volume, written by prominent theorists in the field, reflect the plurality of critical perspectives, regional and historical specializations, and theoretical positions that constitute the field of Canadian literary criticism across a range of genres and historical periods. The volume provides a dynamic introduction to current areas of critical interest, including (1) attention to the links between the literary and the public sphere, encompassing such topics as neoliberalism, trauma and memory, citizenship, material culture, literary prizes, disability studies, literature and history, digital cultures, globalization studies, and environmentalism or ecocriticism; (2) interest in Indigenous literatures and settler-Indigenous relations; (3) attention to multiple diasporic and postcolonial contexts within Canada; (4) interest in the institutionalization of Canadian literature as a discipline; (5) a turn towards book history and literary history, with a renewed interest in early Canadian literature; (6) a growing interest in articulating the affective character of the "literary" - including an interest in affect theory, mourning, melancholy, haunting, memory, and autobiography. The book represents a diverse array of interests -- from the revival of early Canadian writing, to the continued interest in Indigenous, regional, and diasporic traditions, to more recent discussions of globalization, market forces, and neoliberalism. It includes a distinct section dedicated to Indigenous literatures and traditions, as well as a section that reflects on the discipline of Canadian literature as a whole.
| Author | : Bruce K. Alexander |
| Publisher | : Oxford University Press |
| Total Pages | : 549 |
| Release | : 2008-07-03 |
| Genre | : Psychology |
| ISBN | : 0191068543 |
'The Globalization of Addiction' presents a radical rethink about the nature of addiction. Scientific medicine has failed when it comes to addiction. There are no reliable methods to cure it, prevent it, or take the pain out of it. There is no durable consensus on what addiction is, what causes it, or what should be done about it. Meanwhile, it continues to increase around the world. This book argues that the cause of this failure to control addiction is that the conventional wisdom of the 19th and 20th centuries focused too single-mindedly on the afflicted individual addict. Although addiction obviously manifests itself in individual cases, its prevalence differs dramatically between societies. For example, it can be quite rare in a society for centuries, and then become common when a tribal culture is destroyed or a highly developed civilization collapses. When addiction becomes commonplace in a society, people become addicted not only to alcohol and drugs, but to a thousand other destructive pursuits: money, power, dysfunctional relationships, or video games. A social perspective on addiction does not deny individual differences in vulnerability to addiction, but it removes them from the foreground of attention, because social determinants are more powerful. This book shows that the social circumstances that spread addiction in a conquered tribe or a falling civilisation are also built into today's globalizing free-market society. A free-market society is magnificently productive, but it subjects people to irresistible pressures towards individualism and competition, tearing rich and poor alike from the close social and spiritual ties that normally constitute human life. People adapt to their dislocation by finding the best substitutes for a sustaining social and spiritual life that they can, and addiction serves this function all too well. The book argues that the most effective response to a growing addiction problem is a social and political one, rather than an individual one. Such a solution would not put the doctors, psychologists, social workers, policemen, and priests out of work, but it would incorporate their practices in a larger social project. The project is to reshape society with enough force and imagination to enable people to find social integration and meaning in everyday life. Then great numbers of them would not need to fill their inner void with addictions.
| Author | : Bruce K. Alexander |
| Publisher | : |
| Total Pages | : 486 |
| Release | : 2008 |
| Genre | : Medical |
| ISBN | : 0199230129 |
Addiction is increasing globally, and the conventional remedies don't work. Arguing that the cause of this failure to control addiction is that treatments have focused too single-mindedly on the afflicted individual addict, this book presents a radical rethink about the nature of addiction.
| Author | : Sophie Tamas |
| Publisher | : Left Coast Press |
| Total Pages | : 209 |
| Release | : 2011-07 |
| Genre | : Drama |
| ISBN | : 1611320623 |
Both personal and theoretical, autoethnographic and analytical, this book offers a performative, arts-based narrative about the aftermath of abusive marriages, using the stories, drawings, songs of other women to compare with Tamas's own lived experience.
