What The Music Said
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Author | : Mark Anthony Neal |
Publisher | : Psychology Press |
Total Pages | : 198 |
Release | : 1999-01 |
Genre | : Music |
ISBN | : 9780415920728 |
A lively and provocative account of the arts in Britain, Building Jerusalem suggests that even after fifty years of state planning of Britain's "leisure industries" the country is nevertheless approaching the millennium in a state of cultural confusion. Drawing on a wealth of historical material from Scotland, Wales, and English provincial towns, as well as the more familiar London story, Pick and Anderton contend that the original meaning of cultural language has been distorted by the fashionable phrase-making of modern government agencies, and by the inaccurate and misleading view of cultural history that is constantly presented to the public. The authors unfold fascinating stories of Britain's cultural past, before state support of the arts. They vividly relate the great changes wrought by the industrial revolution and by the development of the twentieth century media and describe the long history of Church and Royal support for the arts, as well as the long periods when all of the arts
Author | : Mark Anthony Neal |
Publisher | : Psychology Press |
Total Pages | : 216 |
Release | : 1999 |
Genre | : Art |
ISBN | : 9780415920711 |
Mark Anthony Neal reads the story of black communities through the black tradition in popular music. His history challenges the view that hip-hop was the first black cultural movement to speak truth to power.
Author | : Edward Said |
Publisher | : A&C Black |
Total Pages | : 352 |
Release | : 2013-05-09 |
Genre | : Art |
ISBN | : 1408845873 |
_______________ 'Edward Said had a lifelong passion for music, and possessed the rare ability to write about it for the general reader with a lucid and penetrating intelligence' - TLS 'There are few whose command of words is sufficient not only to illuminate music, but to help music illuminate the world of those who make and listen to it. Said was one' - Daily Telegraph 'The sheer eloquence of Said's writings reminds us that with his untimely death we have lost one of our most distinguished music critics.' - Maynard Solomon, The Julliard School _______________ WITH A FOREWORD BY DANIEL BARENBOIM Music at the Limits brings together three decades of Edward W. Said's essays and articles on music. Addressing the work of a wide variety of composers and performers, Said analyses music's social and political contexts, and provides rich and often surprising assessments. He reflects on the censorship of Wagner in Israel; the relationship between music and feminism; and the works of Beethoven, Bruckner, Rossini, Schumann, Stravinsky and others. Always eloquent and often surprising, Music at the Limits reinforces Said's reputation as one of the most influential writers of the twentieth century. _______________ 'This fine collection by one of the most perceptive music critics of the last half-century is highly recommended' - Library Journal
Author | : Edward Said |
Publisher | : A&C Black |
Total Pages | : 178 |
Release | : 2014-07-08 |
Genre | : Literary Criticism |
ISBN | : 140884625X |
_______________ 'A series of dazzling case studies exploring the idea of lateness in a range of composers, writers and artists' - London Review of Books 'Gracefully unquiet, probing and wise ... Said's own elegiac masterpiece of late style' - Financial Times 'What Said stands for - critical intelligence, high art and the preservation of the language - must be at the centre of our lives. This book is a fine monument to his life and work' - Hanif Kureishi 'His own late style, if it is acceptable to call it that, mixes an easy mastery of material with an unquenched desire to preserve difficulties' - Guardian _______________ On Late Style examines the work produced by great artists -Beethoven, Thomas Mann, Jean Genet among them - at the end of their lives. Said makes it clear that, rather than the resolution of a lifetime's artistic endeavour, most of the late works discussed are rife with contradiction and almost impenetrable complexity. He helps us see how, though these works often stood in direct contrast to the tastes of society, they were, just as often, announcements of what was to come in the artist's discipline - works of true artistic genius.
Author | : Prince |
Publisher | : One World |
Total Pages | : 290 |
Release | : 2019-10-29 |
Genre | : Biography & Autobiography |
ISBN | : 0399589651 |
#1 NEW YORK TIMES BESTSELLER • The brilliant coming-of-age-and-into-superstardom story of one of the greatest artists of all time, in his own words—featuring never-before-seen photos, original scrapbooks and lyric sheets, and the exquisite memoir he began writing before his tragic death NAMED ONE OF THE BEST MUSIC BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW AND ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST AND THE GUARDIAN • NOMINATED FOR THE NAACP IMAGE AWARD Prince was a musical genius, one of the most beloved, accomplished, and acclaimed musicians of our time. He was a startlingly original visionary with an imagination deep enough to whip up whole worlds, from the sexy, gritty funk paradise of “Uptown” to the mythical landscape of Purple Rain to the psychedelia of “Paisley Park.” But his most ambitious creative act was turning Prince Rogers Nelson, born in Minnesota, into Prince, one of the greatest pop stars of any era. The Beautiful Ones is the story of how Prince became Prince—a first-person account of a kid absorbing the world around him and then creating a persona, an artistic vision, and a life, before the hits and fame that would come to define him. The book is told in four parts. The first is the memoir Prince was writing before his tragic death, pages that bring us into his childhood world through his own lyrical prose. The second part takes us through Prince’s early years as a musician, before his first album was released, via an evocative scrapbook of writing and photos. The third section shows us Prince’s evolution through candid images that go up to the cusp of his greatest achievement, which we see in the book’s fourth section: his original handwritten treatment for Purple Rain—the final stage in Prince’s self-creation, where he retells the autobiography of the first three parts as a heroic journey. The book is framed by editor Dan Piepenbring’s riveting and moving introduction about his profound collaboration with Prince in his final months—a time when Prince was thinking deeply about how to reveal more of himself and his ideas to the world, while retaining the mystery and mystique he’d so carefully cultivated—and annotations that provide context to the book’s images. This work is not just a tribute to an icon, but an original and energizing literary work in its own right, full of Prince’s ideas and vision, his voice and image—his undying gift to the world.
Author | : Daniel Barenboim |
Publisher | : A&C Black |
Total Pages | : 184 |
Release | : 2014-07-08 |
Genre | : Music |
ISBN | : 1408846241 |
______________ 'A beautifully poised series of dialogues about literature, music and politics, and they're a testimony to the enormous gifts and courage of both men' - Tom Paulin, Guardian 'A marvellous eavesdrop on the discourse of exchange between two great intellects' - Nadine Gordimer, TLS 'An extraordinary meeting of minds in troubled times' - Financial Times 'A fascinating exchange of ideas on music, politics and literature' - Classic FM Magazine ______________ Israeli Daniel Barenboim, one of the finest musicians of our times, and Palestinian Edward Said, eminent literary critic and leading expert on the Middle East, were close friends for years. Parallels and Paradoxes is a series of discussions between the two friends about music, politics, literature and society. Barenboim and Said talk about, among other subjects, the differences between writing prose and music; the compromising politician versus the uncompromising artist; Beethoven as the ultimate sonata composer, Wagner (Barenboim is considered by many to be the greatest living conductor of his work); great teachers; and the power of culture to transcend national differences. Illuminating and deeply moving, Parallels and Paradoxes is an affectionate and impassioned exchange of ideas.
Author | : Amir Said |
Publisher | : Superchamp Books |
Total Pages | : 430 |
Release | : 2015-08-25 |
Genre | : Law |
ISBN | : 9780974970417 |
The art of sampling -- one of the most innovative music processes to emerge in the late-twentieth century -- stands today as both a celebrated art form and a cultural activity within the hip hop/rap music tradition and beyond. 'The Art of Sampling' (Amir Said, author of 'The BeatTips Manual'), examines this complex and controversial music process, and presents a study that illuminates the history, creative mechanics, and philosophy of sampling, while also exploring the implications that it holds for copyright law. Divided into three primary parts, including an in-depth History part, a robust Instruction (how-to) part, and a highly comprehensive Copyright Law part, 'The Art of Sampling' is detailed, sharply informative, and engaging. Astute and intensely thought-provoking, it's the definitive book on sampling in the hip hop/rap music tradition and copyright law, and one of the most striking and poignant music studies to come along in years.
Author | : Arthur William Barrow |
Publisher | : Createspace Independent Publishing Platform |
Total Pages | : 206 |
Release | : 2016-03-29 |
Genre | : |
ISBN | : 9781522979838 |
Arthur Barrow shares stories of his life as a performer, composer, studio musician, and producer. He vividly describes his work with a wide range of artists including Frank Zappa, Giorgio Moroder, Robby Krieger of The Doors, Joe Cocker, Diana Ross, and many others. Zappa fans will be thrilled to have a look into Frank's creative process by someone who was actually there, and see the enormous effort made by his musicians to perform his astonishing and challenging music.
Author | : Denise Von Glahn |
Publisher | : University of Illinois Press |
Total Pages | : 569 |
Release | : 2021-09-14 |
Genre | : Music |
ISBN | : 0252052951 |
Composers like Charles Ives, Duke Ellington, Aaron Copland, and Ellen Taaffe Zwilich created works that indelibly commemorated American places. Denise Von Glahn analyzes the soundscapes of fourteen figures whose "place pieces" tell us much about the nation's search for its own voice and about its ever-changing sense of self. She connects each composer's feelings about the United States and their reasons for creating a piece to the music, while analyzing their compositional techniques, tunes, and styles. Approaching the compositions in chronological order, Von Glahn reveals how works that celebrated the wilderness gave way to music engaged with humanity's influence--benign and otherwise--on the landscape, before environmentalism inspired a return to nature themes in the late twentieth century. Wide-ranging and astute, The Sounds of Place explores high art music's role in the making of national myth and memory.
Author | : David Byrne |
Publisher | : Crown |
Total Pages | : 386 |
Release | : 2017-05-02 |
Genre | : Music |
ISBN | : 0804188947 |
NEW YORK TIMES BESTSELLER • David Byrne’s incisive and enthusiastic look at the musical art form, from its very inceptions to the influences that shape it, whether acoustical, economic, social, or technological—now updated with a new chapter on digital curation. “How Music Works is a buoyant hybrid of social history, anthropological survey, autobiography, personal philosophy, and business manual”—The Boston Globe Utilizing his incomparable career and inspired collaborations with Talking Heads, Brian Eno, and many others, David Byrne taps deeply into his lifetime of knowledge to explore the panoptic elements of music, how it shapes the human experience, and reveals the impetus behind how we create, consume, distribute, and enjoy the songs, symphonies, and rhythms that provide the backbeat of life. Byrne’s magnum opus uncovers thrilling realizations about the redemptive liberation that music brings us all.