What did the sarcophagus of Symmachus look like?

What did the sarcophagus of Symmachus look like?
Author: Niels Hannestad
Publisher: Aarhus Universitetsforlag
Total Pages: 99
Release: 2019-10-11
Genre: History
ISBN: 8771841563

This book concerns the chronology of Roman mythological sarcophagi. The traditional chronology assumes a peak in production during the reign of Gallienus (AD 259-268) that fades away in the reign of Constantine. This chronology has some obvious flaws. The supposed peak under the reign of Gallienus, when the empire was falling apart, can only be described as a mirage. Some very fine sarcophagi were indeed produced in this period, but the number is very limited. With the reign of Constantine (AD 306-337) came wealth, and the so-called 'villa boom' that also revived sculpture in the round. At that time, it is believed that production of pagan sarcophagi had ceased to be replaced by Christian sarcophagi. This raises a very simple question, however: how were pagans buried? No doubt production of pagan sarcophagi continued beyond the turn of the century and Symmachus, who died in AD 402, was buried in such a sarcophagus.

What Did the Sarcophagus of Symmachus Look Like?

What Did the Sarcophagus of Symmachus Look Like?
Author: Niels Hannestad
Publisher:
Total Pages: 0
Release: 2019
Genre: HISTORY
ISBN: 9788771847437

This book concerns the chronology of Roman mythological sarcophagi. The traditional chronology assumes a peak in production during the reign of Gallienus (AD 259-268) that fades away in the reign of Constantine. This chronology has some obvious flaws. The supposed peak under the reign of Gallienus, when the empire was falling apart, can only be described as a mirage. Some very fine sarcophagi were indeed produced in this period, but the number is very limited. With the reign of Constantine (AD 306-337) came wealth, and the so-called 'villa boom' that also revived sculpture in the round. At that time, it is believed that production of pagan sarcophagi had ceased to be replaced by Christian sarcophagi. This raises a very simple question, however: how were pagans buried? No doubt production of pagan sarcophagi continued beyond the turn of the century and Symmachus, who died in AD 402, was buried in such a sarcophagus.

The Religious World of Quintus Aurelius Symmachus

The Religious World of Quintus Aurelius Symmachus
Author: Jill Mitchell
Publisher: Trivent Publishing
Total Pages: 362
Release: 2021-12-31
Genre: History
ISBN: 615817937X

The Religious World of Quintus Aurelius Symmachus examines the religious life of one of the last pagan senators of Rome, dates c. 340-402, who lived in a tumultuous time during the Late Antique period of the Roman Empire, dying just a few years before the Western Empire began to break up. Symmachus could not have imagined the political reality developing so soon after his death, so he is important as a late example of the old Roman Western aristocracy, as well as one of the last pagans of Rome. He was regarded as the foremost orator of his time and was a prolific letter-writer who had correspondents in high places and throughout the Empire. He also filled the posts of Urban Prefect of Rome and Consul - and was the opponent of Bishop Ambrose of Milan during the so-called 384 CE "Altar of Victory Dispute," which was one episode of many leading to the " triumph" of Christianity over traditional Roman polytheism. Symmachus' cache of 900 private letters and his official despatches while Urban Prefect have provided the raw material for this book.

The Last Pagans of Rome

The Last Pagans of Rome
Author: Alan Cameron
Publisher: OUP USA
Total Pages: 891
Release: 2011
Genre: History
ISBN: 019974727X

Rufinus' vivid account of the battle between the Eastern Emperor Theodosius and the Western usurper Eugenius by the River Frigidus in 394 represents it as the final confrontation between paganism and Christianity. It is indeed widely believed that a largely pagan aristocracy remained a powerful and active force well into the fifth century, sponsoring pagan literary circles, patronage of the classics, and propaganda for the old cults in art and literature. The main focus of much modern scholarship on the end of paganism in the West has been on its supposed stubborn resistance to Christianity. The dismantling of this romantic myth is one of the main goals of Alan Cameron's book. Actually, the book argues, Western paganism petered out much earlier and more rapidly than hitherto assumed.The subject of this book is not the conversion of the last pagans but rather the duration, nature, and consequences of their survival. By re-examining the abundant textual evidence, both Christian (Ambrose, Augustine, Jerome, Paulinus, Prudentius) and "pagan" (Claudian, Macrobius, and Ammianus Marcellinus), as well as the visual evidence (ivory diptychs, illuminated manuscripts, silverware), Cameron shows that most of the activities and artifacts previously identified as hallmarks of a pagan revival were in fact just as important to the life of cultivated Christians. Far from being a subversive activity designed to rally pagans, the acceptance of classical literature, learning, and art by most elite Christians may actually have helped the last reluctant pagans to finally abandon the old cults and adopt Christianity. The culmination of decades of research, The Last Pagans of Rome will overturn many long-held assumptions about pagan and Christian culture in the late antique West.

The Art Bulletin

The Art Bulletin
Author:
Publisher:
Total Pages: 430
Release: 1927
Genre: Art
ISBN:

Includes section: Notes and reviews.

Shared Stories, Rival Tellings

Shared Stories, Rival Tellings
Author: Robert C. Gregg
Publisher: Oxford University Press
Total Pages: 753
Release: 2015-08-05
Genre: Religion
ISBN: 0190231505

Judaism, Christianity, and Islam are considered kindred religions-holding ancestral heritages and monotheistic belief in common-but there are definitive distinctions between these "Abrahamic" peoples. Shared Stories, Rival Tellings explores the early exchanges of Jews, Christians, and Muslims, and argues that their interactions were dominated by debates over the meanings of certain stories sacred to all three communities. Robert C. Gregg shows how Jewish, Christian, and Muslim interpreters--artists as well as authors--developed their unique and particular understandings of narratives present in the two Bibles and the Qur'an. Gregg focuses on five stories: Cain and Abel, Sarah and Hagar, Joseph and Potiphar's Wife, Jonah and the Whale, and Mary the Mother of Jesus. As he guides us through the often intentional variations introduced into these shared stories, Gregg exposes major issues under contention and the social-intellectual forces that contributed to spirited, and sometimes combative, exchanges among Jews, Christians, and Muslims. Offering deeper insight into these historical moments and their implications for contemporary relations among the three religions, Shared Stories, Rival Tellings will inspire readers to consider--and reconsider--the dynamics of traditional and current social-religious competition.

Roman Perspectives

Roman Perspectives
Author: John Matthews
Publisher: Classical Press of Wales
Total Pages: 420
Release: 2009-12-31
Genre: History
ISBN: 1910589276

The fifteen papers in this volume discuss issues of Roman social, cultural and political history from the foundation of the Principate to the age of barbarian settlements of the west. Working imaginatively from within the diverse evidence, they show the institutional continuity of the Roman empire between its early and later periods, and reveal the roots of political behaviour in social practice. Five of the papers, including three of the most substantial, are previously unpublished; others have appeared in collections which are now difficult to find. The author has edited the whole to bring out thematic connections as well as for consistency of presentation.

The Art of the Roman Empire

The Art of the Roman Empire
Author: Jaś Elsner
Publisher: Oxford University Press
Total Pages: 337
Release: 2018-04-27
Genre: Art
ISBN: 0191081094

The passage from Imperial Rome to the era of late antiquity, when the Roman Empire underwent a religious conversion to Christianity, saw some of the most significant and innovative developments in Western culture. This stimulating book investigates the role of the visual arts, the great diversity of paintings, statues, luxury arts, and masonry, as both reflections and agents of those changes. Jas' Elsner's ground-breaking account discusses both Roman and early Christian art in relation to such issues as power, death, society, acculturation, and religion. By examining questions of reception, viewing, and the culture of spectacle alongside the more traditional art-historical themes of imperial patronage and stylistic change, he presents a fresh and challenging interpretation of an extraordinarily rich cultural crucible in which many fundamental developments of later European art had their origins. This second edition includes a new discussion of the Eurasian context of Roman art, an updated bibliography, and new, full colour illustrations.

Walks in Rome

Walks in Rome
Author: Augustus John Cuthbert Hare
Publisher:
Total Pages: 368
Release: 1902
Genre: Rome (Italy)
ISBN: