Western India In The Nineteenth Century
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Author | : Ravinder Kumar |
Publisher | : Routledge |
Total Pages | : 376 |
Release | : 2013-11-05 |
Genre | : Social Science |
ISBN | : 1136545646 |
Hinduism flourished in the districts around Poona in Bombay to a far greater extent than in the rest of India, hence the problems facing the British administrators of Maharashtra were quite different from those confronting them in other parts of India. The solutions they proposed and the policies which emerged determined the social changes which took place in the Maharashtra in the nineteenth century. This book analyses these changes by focussing on the rise of new social groups and the dissemination of new values and shows how these social groups and values interacted with the traditional order in Maharashtra to create a stable regional society. Originally published in 1968.
Author | : Rosalind O'Hanlon |
Publisher | : Cambridge University Press |
Total Pages | : 346 |
Release | : 2002-08-22 |
Genre | : History |
ISBN | : 9780521523080 |
The nineteenth century saw the beginning of a violent and controversial movement of protest amongst western India's low and untouchable castes, aimed at the effects of their lowly position within the Hindu caste hierarchy. This study concentrates on the first leader of this movement, Mahatma Jotirao Phule.
Author | : Vinayak Chaturvedi |
Publisher | : Univ of California Press |
Total Pages | : 330 |
Release | : 2007-06-19 |
Genre | : History |
ISBN | : 0520250788 |
Author | : Prachi Deshpande |
Publisher | : Columbia University Press |
Total Pages | : 321 |
Release | : 2007-05-08 |
Genre | : History |
ISBN | : 0231511434 |
The "Maratha period" of the seventeenth and eighteenth centuries, when an independent Maratha state successfully resisted the Mughals, is a defining era in the history of the region of Maharashtra in western India. In this book, Prachi Deshpande considers the importance of this period for a variety of political projects including anticolonial/Hindu nationalism and the non-Brahman movement, as well as popular debates throughout the nineteenth and twentieth centuries concerning the meaning of tradition, culture, and the experience of colonialism and modernity. Sampling from a rich body of literary and cultural sources, Deshpande highlights shifts in history writing in early modern and modern India and the deep connections between historical and literary narratives. She traces the reproduction of the Maratha period in various genres and public arenas, its incorporation into regional political symbolism, and its centrality to the making of a modern Marathi regional consciousness. She also shows how historical memory provided a space for Indians to negotiate among their national, religious, and regional identities, pointing to history's deeper potential in shaping politics within thoroughly diverse societies. A truly unique study, Creative Pasts examines the practices of historiography and popular memory within a particular colonial context, and illuminates the impact of colonialism on colonized societies and cultures. Furthermore, it shows how modern history and historical memory are jointly created through the interplay of cultural activities, power structures, and political rhetoric.
Author | : Véronique Bénéï |
Publisher | : Stanford University Press |
Total Pages | : 368 |
Release | : 2008 |
Genre | : Social Science |
ISBN | : 0804759065 |
This book explores how regional and national senses of belonging are produced and transmitted in elementary schools in western India.
Author | : David Arnold |
Publisher | : Univ of California Press |
Total Pages | : 370 |
Release | : 1993-08-12 |
Genre | : History |
ISBN | : 9780520082953 |
In this innovative analysis of medicine and disease in colonial India, David Arnold explores the vital role of the state in medical and public health activities, arguing that Western medicine became a critical battleground between the colonized and the colonizers. Focusing on three major epidemic diseases—smallpox, cholera, and plague—Arnold analyzes the impact of medical interventionism. He demonstrates that Western medicine as practiced in India was not simply transferred from West to East, but was also fashioned in response to local needs and Indian conditions. By emphasizing this colonial dimension of medicine, Arnold highlights the centrality of the body to political authority in British India and shows how medicine both influenced and articulated the intrinsic contradictions of colonial rule.
Author | : J. P. Losty |
Publisher | : |
Total Pages | : 200 |
Release | : 2019-09 |
Genre | : Company painting |
ISBN | : 9788193860816 |
Defining a distinct style of painting produced in India during the British period and influenced by European artistic norms, this catalogue of Company Paintings in the TAPI (Textiles & Art of the People of India) Collection is a unique illustration of the social milieu prevailing in India in the nineteenth century. Tracing the origins and evolution of this genre of painting, the volume shines a fresh beam on subjects commissioned to be painted by officials of the East India Company, such as occupations, customs, dress, bazaars, festivals and daily life of ordinary people, a world removed from the elite and princely environment that was the chosen subject of Indian miniature artists. The catalogue of the TAPI Collection of Company Paintings highlights works from the major regions where such paintings were produced - Murshidabad, Calcutta, Patna, Lucknow, Delhi, Punjab, Kutch, Tanjore, Trichinopoly, Madras, Kerala and the Andhra Coast. It comprises a rich and accurate record of the diverse modes of dress and manners of the people before the advent of photography. This catalogue documents the first-ever exhibition on the subject to be held in India, being a collaboration between TAPI and CSMVS (Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, formerly the Prince of Wales Museum of Western India).
Author | : Holly Shaffer |
Publisher | : Paul Mellon Centre |
Total Pages | : 320 |
Release | : 2022-05-24 |
Genre | : |
ISBN | : 9781913107284 |
Conceptualizes "graft"-- the violent and creative processes of suturing arts as a method of empire building in western eighteenth-century India Grafted Arts focuses on Maratha military rulers and British East India Company officials who used the arts to engage in diplomacy, wage war, compete for prestige, and generate devotion as they allied with (or fought against) each other to control western India in the eighteenth century. This book conceptualizes the artistic combinations that resulted as ones of "graft"--a term that acknowledges the violent and creative processes of suturing arts, and losing and gaining goods, as well as the shifting dynamics among agents who assembled such materials. By tracing grafted arts from multiple perspectives--Maratha and British, artist and patron, soldier and collector--this book charts the methods of empire-building that recast artistic production and collection in western India and from there across India and in Britain. This mercenary method of artistry propagated mixed, fractured, and plundered arts. Indeed, these "grafted arts"--disseminated across India and Britain over the nineteenth century to aid in consolidating empire or revolting against it entirely--remain instigators of nationalist agitation today.
Author | : Shraddha Kumbhojkar |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 120 |
Release | : 2020-10-27 |
Genre | : History |
ISBN | : 1527561232 |
Maharashtra in the nineteenth century exhibits all the characteristics of a society standing at the crossroads of civilization. Western education, press, industrialisation and material changes in production and consumption patterns resulted in fundamental changes in the thinking of the people. The first half of the nineteenth century witnessed the beginning of the Postal Service in 1837, rise and spread of the native press and rudimentary education. The second half witnessed more dramatic events such as the coming of the Railways and the establishment of the of Indian National Congress that changed the destiny of the subcontinent forever. The book takes a fresh look at the various aspects of nineteenth century Maharashtra. It includes the critiques and reviews of literature, language, history writing and women’s reforms in this period. It argues that the elite attempts at social reform had their own inherent limitations. They could not reach the level of radicality reached by the subalterns whose lived experience of discrimination was the biggest stimulus for reform. Mahatma Phule stands out from among a range of thinkers in this period for his innovative understanding of the Indian reality. Phule was one of the rare thinkers who reconciled the Indian reality with its Universal counterpart.
Author | : Douglas E. Haynes |
Publisher | : Cambridge University Press |
Total Pages | : 363 |
Release | : 2012-03-12 |
Genre | : History |
ISBN | : 1107375711 |
This book charts the history of artisan production and marketing in the Bombay Presidency from 1870 to 1960. While the textile mills of western India's biggest cities have been the subject of many rich studies, the role of artisan producers located in the region's small towns have been virtually ignored. Based upon extensive archival research as well as numerous interviews with participants in the handloom and powerloom industries, this book explores the role of weavers, merchants, consumers and laborers in the making of what the author calls 'small-town capitalism'. By focusing on the politics of negotiation and resistance in local workshops, the book challenges conventional narratives of industrial change. The book provides the first in-depth work on the origins of powerloom manufacture in South Asia. It affords unique insights into the social and economic experience of small-town artisans as well as the informal economy of late colonial and early post-independence India.