Wen Tingyun
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| Author | : Huaichuan Mou |
| Publisher | : State University of New York Press |
| Total Pages | : 303 |
| Release | : 2012-02-01 |
| Genre | : Literary Criticism |
| ISBN | : 0791485838 |
In this book, Huaichuan Mou takes a fresh look at the life, times, and work of Wen Tingyun, the great poet of the late Tang dynasty in China, whose reputation has been overshadowed by notoriety and misunderstanding for more than a thousand years. In probing the political intricacies of the major events of Wen's life and the complex contexts in which these events took place, Mou presents a historical key to Wen's artistic labyrinth, unraveling many of Wen's poetic puzzles and rediscovering a historical past that vividly represents his unyielding pursuit of ideal government and true love. This reconstruction of the poet's life results in a new understanding not only of his literary work but also of late Tang history as well. Translations and close readings of a number of poems and prose essays are included.
| Author | : Fusheng Wu |
| Publisher | : State University of New York Press |
| Total Pages | : 292 |
| Release | : 1998-04-30 |
| Genre | : History |
| ISBN | : 1438424507 |
This intertextual study of decadent (tuifei) poetry demystifies it by using tuifei as a critical term and by situating it within a conventional system of signs. The Poetics of Decadence focuses on four major poets during the Southern Dynasties (420-869) and Late Tang Periods (826-904) when decadent poetry was produced in great quantity, namely Xiao Gang, Li He, Wen Tingyun, and Li Shangyin. The author argues that decadent poetry challenged the canonical concept and practice of poetry as established by "The Great Preface" to The Book of Songs and by the poetry of the Han, Wei, and Jin periods. In so doing, decadent poetry formed a poetic genre with a unique, complex, and self-reflexive verbal system. The rich and complex nature of decadent poetry gives it remarkable resilience in the face of violent condemnation by traditional criticism and allows its successful negotiation with and integration into the canonical tradition. Decadent poetry is not a marginal trend as it has been commonly perceived, but rather a vital part of the Chinese poetic tradition.
| Author | : Stephen Owen |
| Publisher | : BRILL |
| Total Pages | : 608 |
| Release | : 2020-03-17 |
| Genre | : Literary Criticism |
| ISBN | : 1684174317 |
" The poetry of the Late Tang often looked backward, and many poets of the period distinguished themselves through the intensity of their retrospective gaze. Chinese poets had always looked backward to some degree, but for many Late Tang poets the echoes and the traces of the past had a singular aura. In this work, Stephen Owen resumes telling the literary history of the Tang that he began in his works on the Early and High Tang. Focusing in particular on Du Mu, Li Shangyin, and Wen Tingyun, he analyzes the redirection of poetry that followed the deaths of the major poets of the High and Mid-Tang and the rejection of their poetic styles. The Late Tang, Owen argues, forces us to change our very notion of the history of poetry. Poets had always drawn on past poetry, but in the Late Tang, the poetic past was beginning to assume the form it would have for the next millennium; it was becoming a repertoire of available choices--styles, genres, the voices of past poets. It was this repertoire that would endure. "
| Author | : Anna Shields |
| Publisher | : BRILL |
| Total Pages | : 429 |
| Release | : 2020-03-23 |
| Genre | : Literary Criticism |
| ISBN | : 1684174309 |
"Compiled in 940 at the court of the kingdom of Shu, the Huajian ji is the earliest extant collection of song lyrics by literati poets. The collection has traditionally been studied as the precursor to the lyrics of the Song dynasty, or in terms of what it contributed to the later development of the genre. But scholars have rarely examined the work as an anthology, and have more often focused on the work of individual poets and their respective contributions to the genre. In this book, Anna Shields examines the influence of court culture on the creation of the anthology and the significance of imitation and convention in its lyrics. Shields suggests that by considering the Huajian ji only in terms of its contributions to a later “model,” we unnecessarily limit ourselves to a single literary form, and risk overlooking the broader influence of Tang culture on the Huajian ji. By illuminating the historical and literary contexts of the anthology, the author aims to situate the Huajian ji within larger questions of Chinese literary history, particularly the influence of cultural forces on the emergence of genres and the development of romantic literature."
| Author | : Florence Chia-Ying Yeh |
| Publisher | : Routledge |
| Total Pages | : 176 |
| Release | : 2018-12-12 |
| Genre | : Literary Collections |
| ISBN | : 1351611143 |
Renjian cihua is a masterpiece of literary criticism written by Wang Guowei (1877–1927), a scholar of the Chinese classics who lived during the late Qing and early Republican periods. Since its publication in 1908 and 1909, it has been one of the most influential academic works in China. Elegantly written, Wang’s set of "remarks on ci poetry" (cihua) retains a traditional Chinese impressionistic critical approach, and can present difficulties to the common reader. This set of lectures by Florence Chia-ying Yeh explains the text to readers, making accessible Wang’s famous theory of jingjie ("aesthetic realm" or "artistic conception"), his views on how the ci differs from the shi genre of Chinese poetry, and his critical judgments of various famous ci poets from the Tang, Five Dynasties, and Song periods. The lectures are presented here in an English translation by Maija Bell Samei.
| Author | : Zhang Longxi |
| Publisher | : Taylor & Francis |
| Total Pages | : 369 |
| Release | : 2022-11-04 |
| Genre | : History |
| ISBN | : 1000778851 |
Zhang Longxi, an internationally renowned scholar of Chinese and comparative literature, is your guide to the three-millennia-long history of Chinese literature from the remote antiquity of oracle bones to contemporary works. Professor Zhang charts the development of the major literary forms in Chinese, including poetry, prose, song lyrics, and plays, and introduces the most famous poets and writers and their representative texts. Taking a period-based approach through the major dynasties, he places these forms, texts, and authors within their historical contexts and tells the fascinating story of Chinese literature with copious examples in English translation. He writes in a clear and accessible style and assumes no prior knowledge of Chinese history or Chinese literature. This book is an ideal introduction for students and the general readers who want to get a broad but thorough overview of Chinese literature in all its richness and diversity.
| Author | : Yuming Luo |
| Publisher | : BRILL |
| Total Pages | : 1024 |
| Release | : 2011-06-09 |
| Genre | : Literary Criticism |
| ISBN | : 9004203672 |
A history of Chinese literature from its early beginnings through the end of the Qing dynasty, this recent work from Professor Luo Yuming of China’s Fudan University seeks to provide, by adopting new theoretical perspectives and using updated research, a coherent, panoramic description of the development of Chinese literature and its major characteristics. As one of the very few English translations of such works by Chinese authors it seeks to inform the Western audience of the recent viewpoints and scholarship on the topic from a leading Chinese scholar. It may also provide some grounds of comparison and contrast with equivalent works in the West.
| Author | : Yuming Luo |
| Publisher | : BRILL |
| Total Pages | : 1025 |
| Release | : 2011 |
| Genre | : Literary Criticism |
| ISBN | : 9004203664 |
Adopting new theoretical perspectives and using updated research, this book by a leading Chinese scholar seeks to provide a coherent, panoramic description of the development of premodern Chinese literature and its major characteristics.
| Author | : Dan Yao |
| Publisher | : Cambridge University Press |
| Total Pages | : 261 |
| Release | : 2012-03-09 |
| Genre | : History |
| ISBN | : 0521186781 |
This accessible, illustrated introduction takes the reader through the rich Chinese literary tradition from ancient times to the twentieth century, exploring poetry, drama, opera, novels, short stories, the modern media and the authors who created these cultural treasures.
| Author | : William H. Nienhauser |
| Publisher | : Indiana University Press |
| Total Pages | : 604 |
| Release | : 1986 |
| Genre | : Literary Criticism |
| ISBN | : 9780253334565 |
""A vertitable feast of concise, useful, reliable, and up-to-dateinformation (all prepared by top scholars in the field), Nienhauser's now two-volumetitle stands alone as THE standard reference work for the study of traditionalChinese literature. Nothing like it has ever been published."" --Choice The second volume to The Indiana Companion to TraditionalChinese Literature is both a supplement and an update to the original volume. VolumeII includes over 60 new entries on famous writers, works, and genres of traditionalChinese literature, followed by an extensive bibliographic update (1985-1997) ofeditions, translations, and studies (primarily in English, Chinese, Japanese, French, and German) for the 500+ entries of Volume I.
