Welcome To Lagos
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Author | : Chibundu Onuzo |
Publisher | : Faber & Faber |
Total Pages | : 348 |
Release | : 2017-01-03 |
Genre | : Fiction |
ISBN | : 057126896X |
Shortlisted for the RSL Encore Award 2018Five runaways ride the bus from Bayelsa to a better life in a megacity.They are unlikely allies -- a private, a housewife, an officer, a militant and a young girl. They share a need for escape and a dream for the future. Soon, they will also share a burden none of them expected, but for now, the five sit quietly with their hopes, as the billboards fly past and shout: Welcome to Lagos.
Author | : Chibundu Onuzo |
Publisher | : Faber & Faber |
Total Pages | : 270 |
Release | : 2012-03-13 |
Genre | : Fiction |
ISBN | : 0571268900 |
Winner of a Betty Trask Award Shortlisted for the Dylan Thomas Prize and the Commonwealth Book Prize Longlisted for the Desmond Elliot Prize The Spider King's Daughter is a modern-day Romeo and Juliet set against the backdrop of a changing Lagos, a city torn between tradition and modernity, corruption and truth, love and family loyalty. Seventeen-year-old Abike Johnson is the favourite child of her wealthy father. She lives in a She lives in a sprawling mansion in Lagos, protected by armed guards and ferried everywhere in a huge black jeep. But being her father's favourite comes with uncomfortable duties, and she is often lonely behind the high walls of her house. A world away from Abike's mansion, in the city's slums, lives a seventeen-year-old hawker struggling to make sense of the world. His family lost everything after his father's death and now he runs after cars on the roadside selling ice cream to support his mother and sister. When Abike buys ice cream from the hawker one day, they strike up an unlikely and tentative romance, defying the prejudices of Nigerian society. But as they grow closer, revelations from the past threaten their relationship and both Abike and the hawker must decide where their loyalties lie.
Author | : Chibundu Onuzo |
Publisher | : Hachette UK |
Total Pages | : 304 |
Release | : 2021-06-03 |
Genre | : Fiction |
ISBN | : 0349013128 |
A REESE WITHERSPOON BOOK CLUB PICK A BBC 2 BETWEEN THE COVERS BOOK CLUB PICK SHORTLISTED FOR THE WOMEN'S PRIZE FOR FICTION FUTURES PRIZE AN AMAZON BEST BOOK OF THE YEAR 'A captivating story about a mixed-race British woman who goes in search of the West African father she never knew' REESE WITHERSPOON Anna is at a stage of her life when she's beginning to wonder who she really is. She has separated from her husband, her daughter is all grown up, and her mother - the only parent who raised her - is dead. Searching through her mother's belongings, she finds clues about the West African father she never knew. Through reading his student diary, chronicling his involvement in radical politics in 1970s London, she discovers that he eventually became the president (some would say the dictator) of a small nation in West Africa - and he is still alive. She decides to track him down and so begins a funny, painful, fascinating journey, and an exploration of race, identity and what we pass on to our children. 'A real pleasure, it's funny, thought-provoking and holds a light up to everything from cultural differences to colonialism' STYLIST 'I LOVED Sankofa SO MUCH' MARIAN KEYES 'Slick pacing and unpredictable developments keep the reader alert right up to the novel's exhilarating ending' GUARDIAN BOOK OF THE DAY 'Onuzo's sneakily breezy, highly entertaining novel leaves the reader rethinking familiar narratives of colonisation, inheritance and liberation' NEW YORK TIMES BOOK REVIEW 'A really great book, very poignant' SARA COX
Author | : Uloma Okoro |
Publisher | : Independently Published |
Total Pages | : 128 |
Release | : 2019-02-13 |
Genre | : Fiction |
ISBN | : 9781796816686 |
Ever been to Lagos Nigeria?Then welcome to Lagos! The city of hustlers; where anything can happen to just about anybody. From the bright lights of Victoria Island and Lekki, to the streets of Surulere and Ikeja and even through less desirous places like Ajegunle, Sisi Eko takes you on an interesting ride through the city of Lagos. Sassy material girl, Ochuko had seen it all. From her experiences and those of her three friends; beautiful nerdy good girl Nnedi, insecure but talented Oge and wannabe social climber Ebere, we are shown several expressions of love, religious hypocrisy, deception, greed, vanity, and all other peculiar experiences that make the fast and furious city of Lagos very special to Nigerians.
Author | : Chibundu Onuzo |
Publisher | : Catapult |
Total Pages | : 305 |
Release | : 2019-05-14 |
Genre | : Fiction |
ISBN | : 1948226219 |
“Storylines and twists abound. But action is secondary to atmosphere: Onuzo excels at evoking a stratified city, where society weddings feature ‘ice sculptures as cold as the unmarried belles’ and thugs write tidy receipts for kickbacks extorted from homeless travelers.” —The New Yorker When army officer Chike Ameobi is ordered to kill innocent civilians, he knows it is time to desert his post. As he travels toward Lagos with Yemi, his junior officer, and into the heart of a political scandal involving Nigeria’s education minister, Chike becomes the leader of a new platoon, a band of runaways who share his desire for a different kind of life. Among them is Fineboy, a fighter with a rebel group, desperate to pursue his dream of becoming a radio DJ; Isoken, a 16–year–old girl whose father is thought to have been killed by rebels; and the beautiful Oma, escaping a wealthy, abusive husband. Full of humor and heart, Welcome to Lagos is a high–spirited novel about aspirations and escape, innocence and corruption. It offers a provocative portrait of contemporary Nigeria that marks the arrival in the United States of an extraordinary young writer.
Author | : Chibundu Onuzo |
Publisher | : Catapult |
Total Pages | : 304 |
Release | : 2018-05-01 |
Genre | : Fiction |
ISBN | : 1936787814 |
“Storylines and twists abound. But action is secondary to atmosphere: Onuzo excels at evoking a stratified city, where society weddings feature ‘ice sculptures as cold as the unmarried belles’ and thugs write tidy receipts for kickbacks extorted from homeless travelers.” —The New Yorker When army officer Chike Ameobi is ordered to kill innocent civilians, he knows it is time to desert his post. As he travels toward Lagos with Yemi, his junior officer, and into the heart of a political scandal involving Nigeria’s education minister, Chike becomes the leader of a new platoon, a band of runaways who share his desire for a different kind of life. Among them is Fineboy, a fighter with a rebel group, desperate to pursue his dream of becoming a radio DJ; Isoken, a 16–year–old girl whose father is thought to have been killed by rebels; and the beautiful Oma, escaping a wealthy, abusive husband. Full of humor and heart, Welcome to Lagos is a high–spirited novel about aspirations and escape, innocence and corruption. It offers a provocative portrait of contemporary Nigeria that marks the arrival in the United States of an extraordinary young writer.
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Total Pages | : 32 |
Release | : 1900 |
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Total Pages | : 330 |
Release | : 1998 |
Genre | : Lagos State (Nigeria) |
ISBN | : |
Author | : Diego Granja do Amaral |
Publisher | : Springer Nature |
Total Pages | : 305 |
Release | : 2023-09-16 |
Genre | : Social Science |
ISBN | : 3031315901 |
This book undertakes an interdisciplinary and cross-cultural interrogation of the Global South through the prisms of media and cultural studies. It closely explores the quotidian (re)territorialization, and brazen ruination of the material geographies of this vast expanse of the world by forces and proxies of (neo)colonialism and global capitalism of resource extraction. We cite the ongoing expulsion of Palestinians from their homelands by occupational forces, the emerging detritus dump across Mexico City and Lagos, the infrastructural precariousness of the favelas of Brazil, the unending resource-war in the Democratic Republic of Congo (DRC), and the flagrant operation of the oil industry in the Niger Delta region of Nigeria as examples of this geographic cataclysm. The centripetal forces of neo-colonialism and resource extraction at full-flight in the Global South, aided by toxic hegemonic forces, have overtly tossed some of the population to the peripheries of existence and the society at large. As such, this book, additionally, explores the resistance of the subalterns from the margins to this socio-political malaise, and further unmasks the knowledge production from these margins of the Global South. This project is divided into five (5) parts of three essays each. The first part examines the territorial contestation in the Middle East framed and expressed through films and literary lenses. The second part examines the environmental burden of modern consumerism and urbanization on metropolis across Mexico, Brazil, and Nigeria, while the third part explores the attritional violence of resource extraction in the DRC, Brazil, and Nigeria via filmic and journalistic lenses. The fourth part offers a swift response from the margins through ethnographic and journalistic interrogation of the subjectivity of the subalterns of Brazilian favelas, and street artists. The fifth part offers an engaging critique of the political climates of South Africa and Brazil that reinforce the environmental catastrophe of the regions of the world.
Author | : Stephanie Newell |
Publisher | : Duke University Press |
Total Pages | : 174 |
Release | : 2019-12-20 |
Genre | : History |
ISBN | : 1478007060 |
In Histories of Dirt Stephanie Newell traces the ways in which urban spaces and urban dwellers come to be regarded as dirty, as exemplified in colonial and postcolonial Lagos. Newell conceives dirt as an interpretive category that facilitates moral, sanitary, economic, and aesthetic evaluations of other cultures under the rubric of uncleanliness. She examines a number of texts ranging from newspaper articles by elite Lagosians to colonial travel writing, public health films, and urban planning to show how understandings of dirt came to structure colonial governance. Seeing Lagosians as sources of contagion and dirt, British colonizers used racist ideologies and discourses of dirt to justify racial segregation and public health policies. Newell also explores possibilities for non-Eurocentric methods for identifying African urbanites’ own values and opinions by foregrounding the voices of contemporary Lagosians through interviews and focus groups in which their responses to public health issues reflect local aesthetic tastes and values. In excavating the shifting role of dirt in structuring social and political life in Lagos, Newell provides new understandings of colonial and postcolonial urban history in West Africa.