Wedding Gender And Performance In Ancient Greece
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| Author | : Andromache Karanika |
| Publisher | : Oxford University Press |
| Total Pages | : 304 |
| Release | : 2024-09-17 |
| Genre | : Religion |
| ISBN | : 0198884591 |
Wedding, Gender, and Performance in Ancient Greece traces the wedding song tradition, its imagery, and its tropes as a genre that became crystallized throughout the ages. It explores how wedding poetics permeates ancient Greek literature. It first analyzes how explicit or implicit matrimonial references shape archaic epic diction and become an integral part of epic discourse; orally circulating texts, such as wedding songs, could have a life of their own but, beyond their original context, could also become an integral part of a different genre, especially epic and drama. This author discusses the multiple platforms that enrich the wedding song tradition, including children's songs, hymns, paeans, and ululations, arguing for a combination of ritualized discourse with ludic childhood poetics. With an approach from cognitive and trauma studies, such references can be more revealing of the female experience than previously acknowledged. This book resists the idea that a wedding constitutes an initiation ritual, arguing that what on the surface may seem like a transition to a new phase reveals other underlying trends that work against the concept of a passage. It further considers how emotion is staged and revisits the poetics of return by looking at patterns such as the eloping, returning, failed, and dead bride. Finally, the theme of separation and return as an exemplification of a distinct female nostos is revisited in female-authored poetry, which helps us decode the complex interweaving of wedding performances and lamentation, among other types of performance.
| Author | : Andromache Karanika |
| Publisher | : Oxford University Press |
| Total Pages | : 304 |
| Release | : 2024-09-11 |
| Genre | : Religion |
| ISBN | : 0198884583 |
Wedding, Gender, and Performance in Ancient Greece traces the wedding song tradition, its imagery, and its tropes as a genre that became crystallized throughout the ages. It explores how wedding poetics permeates ancient Greek literature. It first analyzes how explicit or implicit matrimonial references shape archaic epic diction and become an integral part of epic discourse; orally circulating texts, such as wedding songs, could have a life of their own but, beyond their original context, could also become an integral part of a different genre, especially epic and drama. This author discusses the multiple platforms that enrich the wedding song tradition, including children's songs, hymns, paeans, and ululations, arguing for a combination of ritualized discourse with ludic childhood poetics. With an approach from cognitive and trauma studies, such references can be more revealing of the female experience than previously acknowledged. This book resists the idea that a wedding constitutes an initiation ritual, arguing that what on the surface may seem like a transition to a new phase reveals other underlying trends that work against the concept of a passage. It further considers how emotion is staged and revisits the poetics of return by looking at patterns such as the eloping, returning, failed, and dead bride. Finally, the theme of separation and return as an exemplification of a distinct female nostos is revisited in female-authored poetry, which helps us decode the complex interweaving of wedding performances and lamentation, among other types of performance.
| Author | : Deborah Lyons |
| Publisher | : University of Texas Press |
| Total Pages | : 183 |
| Release | : 2012-06-01 |
| Genre | : History |
| ISBN | : 0292742762 |
Deianeira sends her husband Herakles a poisoned robe. Eriphyle trades the life of her husband Amphiaraos for a golden necklace. Atreus’s wife Aerope gives away the token of his sovereignty, a lamb with a golden fleece, to his brother Thyestes, who has seduced her. Gifts and exchanges always involve a certain risk in any culture, but in the ancient Greek imagination, women and gifts appear to be a particularly deadly combination. This book explores the role of gender in exchange as represented in ancient Greek culture, including Homeric epic and tragedy, non-literary texts, and iconographic and historical evidence of various kinds. Using extensive insights from anthropological work on marriage, kinship, and exchange, as well as ethnographic parallels from other traditional societies, Deborah Lyons probes the gendered division of labor among both gods and mortals, the role of marriage (and its failure) in transforming women from objects to agents of exchange, the equivocal nature of women as exchange-partners, and the importance of the sister-brother bond in understanding the economic and social place of women in ancient Greece. Her findings not only enlarge our understanding of social attitudes and practices in Greek antiquity but also demonstrate the applicability of ethnographic techniques and anthropological theory to the study of ancient societies.
| Author | : Claude Calame |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 308 |
| Release | : 2001 |
| Genre | : Drama |
| ISBN | : 9780742515253 |
In this groundbreaking work, Claude Calame argues that the songs sung by choruses of young girls in ancient Greek poetry are more than literary texts; rather, they functioned as initiatory rituals in Greek cult practices. Using semiotic and anthropologic theory, Calame reconstructs the religious and social institutions surrounding the songs, demonstrating their function in an aesthetic education that permitted the young girls to achieve the stature of womanhood and to be integrated into the adult civic community. This first English edition includes an updated bibliography.
| Author | : Thomas K. Hubbard |
| Publisher | : John Wiley & Sons |
| Total Pages | : 637 |
| Release | : 2013-11-21 |
| Genre | : Literary Criticism |
| ISBN | : 1118610687 |
A Companion to Greek and Roman Sexualities presents a comprehensive collection of original essays relating to aspects of gender and sexuality in the classical world. Views the various practices and discursive contexts of sexuality systematically and holistically Discusses Greece and Rome in each chapter, with sensitivity to the continuities and differences between the two classical civilizations Addresses the classical influence on the understanding of later ages and religion Covers artistic and literary genres, various social environments of sexual conduct, and the technical disciplines of medicine, magic, physiognomy, and dream interpretation Features contributions from more than 40 top international scholars
| Author | : Andromache Karanika |
| Publisher | : JHU Press |
| Total Pages | : 317 |
| Release | : 2014-04-01 |
| Genre | : Literary Criticism |
| ISBN | : 142141256X |
The songs of working women are reflected in Greek poetry and poetics. In ancient Greece, women's daily lives were occupied by various forms of labor. These experiences of work have largely been forgotten. Andromache Karanika has examined Greek poetry for depictions of women working and has discovered evidence of their lamentations and work songs. Voices at Work explores the complex relationships between ancient Greek poetry, the female poetic voice, and the practices and rituals surrounding women’s labor in the ancient world. The poetic voice is closely tied to women’s domestic and agricultural labor. Weaving, for example, was both a common form of female labor and a practice referred to for understanding the craft of poetry. Textile and agricultural production involved storytelling, singing, and poetry. Everyday labor employed—beyond its socioeconomic function—the power of poetic creation. Karanika starts with the assumption that there are certain forms of poetic expression and performance in the ancient world which are distinctively female. She considers these to be markers of a female “voice” in ancient Greek poetry and presents a number of case studies: Calypso and Circe sing while they weave; in Odyssey 6 a washing scene captures female performances. Both of these instances are examples of the female voice filtered into the fabric of the epic. Karanika brings to the surface the words of women who informed the oral tradition from which Greek epic poetry emerged. In other words, she gives a voice to silence.
| Author | : Sarah B. Pomeroy |
| Publisher | : Oxford University Press |
| Total Pages | : 217 |
| Release | : 2002-07-11 |
| Genre | : History |
| ISBN | : 0199880999 |
This is the first book-length examination of Spartan women, covering over a thousand years in the history of women from both the elite and lower classes. Classicist Sarah B. Pomeroy comprehensively analyzes ancient texts and archaeological evidence to construct the world of these elusive though much noticed females. Sparta has always posed a challenge to ancient historians because information about the society is relatively scarce. Most existing scholarship on Sparta concerns the military history of the city and its heavily male-dominated social structure--almost as if there were no women in Sparta. Yet perhaps the most famous of mythic Greek women, Menelaus' wife Helen, the cause of the Trojan War, was herself a Spartan. Written by one of the leading authorities on women in antiquity, Spartan Women reconstructs the lives and the world of Sparta's women, including how their status changed over time and how they held on to their surprising autonomy. Proceeding through the archaic, classical, Hellenistic, and Roman periods, Spartan Women includes discussions of education, family life, reproduction, religion, and athletics.
| Author | : Anne Lingard Klinck |
| Publisher | : McGill-Queen's Press - MQUP |
| Total Pages | : 309 |
| Release | : 2008 |
| Genre | : Literary Criticism |
| ISBN | : 0773534482 |
The author shows that understanding of femininity in ancient Greece can be expanded by going beyond poetry composed by women poets like Sappho to explore girls' and women's choral songs from the archaic period, songs for female choruses and characters in tragedy, and lyrical representations of women's rituals and cults. The book discusses poetry as performance, relevant kinds and genres of poetry, the definition and scope of "woman's song" as a mode, partheneia (maidens' songs) and the girls' chorus, lyric in the drama, echoes and imitations of archaic woman's song in Hellenistic poetry, and inferences about the differences between male and female authors. It demonstrates that woman's song is ultimately best understood as the product of a male-dominated culture but that feminine stereotypes, while refined by male poets, are interrogated and shifted by female poets. The book traces the evolution of female-voice lyric from 600 to 100 BCE and includes Alcman, Sappho, Corinna, Pindar, other lyric poets, lyric in the drama, and the Hellenistic poets Nossis, Theocritus, and Bion.
| Author | : Hugo Blümner |
| Publisher | : |
| Total Pages | : 592 |
| Release | : 1893 |
| Genre | : Greece |
| ISBN | : |
| Author | : Douglas L. Cairns |
| Publisher | : |
| Total Pages | : 280 |
| Release | : 2005 |
| Genre | : History |
| ISBN | : |
A distinguished cast of scholars discusses models of gesture and non-verbal communication as they apply to Greek and Roman culture, literature and art. Topics include dress and costume in the Homeric poems; the importance of looking, eye-contact, and face-to-face orientation in Greek society; the construction of facial expression in Greek and Roman epic; the significance of gesture and body language in the visual meaning of ancient sculpture; the evidence for gesture and performance style in the texts of ancient drama; the erotic significance of feet and footprints; and the role of gesture in Roman law. The volume seeks to apply a sense of history as well as of theory in interpreting non-verbal communication. It looks both at the cross-cultural and at the culturally specific in its treatment of this important but long-neglected aspect of Classical Studies.
