We The People Birth Of A Nation
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| Author | : Michael T. Martin |
| Publisher | : |
| Total Pages | : 344 |
| Release | : 2019 |
| Genre | : History |
| ISBN | : 9780253042354 |
Over one hundred years since it premiered on cinema screens, D. W. Griffith's controversial photoplay The Birth of a Nation continues to influence American film production and to have relevance for race relations in the United States. This work challenges the idea the United States has moved beyond racial problems and highlights the role of film and representation in the continued struggle for equality.
| Author | : Paul McEwan |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 139 |
| Release | : 2019-07-25 |
| Genre | : Performing Arts |
| ISBN | : 1838718605 |
Portraying the Ku Klux Klan as heroic underdogs, silent epic The Birth of a Nation (1915) is widely considered to be the most controversial film of all time. At once one of US culture's greatest artistic achievements and one of its most abhorrently racist artefacts, it becomes more shocking with every passing year. Comprising a decade of archival research and published on the 100th anniversary of the film's release, this richly detailed study considers both the film's afterlife and the artistic, industrial and moral surroundings in which it was created. Drawing on an unbroken century of production and reception history, Paul McEwan recounts the film's origins and development, Griffith's unique editing and cinematography and the construction of racial identity and fear in the film. Assessing its contribution as an art form, while directly grappling with the complexity of the art-or-racism debate, Paul McEwan shows how The Birth of a Nation has had a central role in the development of film and Film Studies worldwide.
| Author | : Melvyn Stokes |
| Publisher | : Oxford University Press |
| Total Pages | : 741 |
| Release | : 2008-01-15 |
| Genre | : Performing Arts |
| ISBN | : 0199887519 |
In this deeply researched and vividly written volume, Melvyn Stokes illuminates the origins, production, reception and continuing history of this ground-breaking, aesthetically brilliant, and yet highly controversial movie. By going back to the original archives, particularly the NAACP and D. W. Griffith Papers, Stokes explodes many of the myths surrounding The Birth of a Nation (1915). Yet the story that remains is fascinating: the longest American film of its time, Griffith's film incorporated many new features, including the first full musical score compiled for an American film. It was distributed and advertised by pioneering methods that would quickly become standard. Through the high prices charged for admission and the fact that it was shown, at first, only in "live" theaters with orchestral accompaniment, Birth played a major role in reconfiguring the American movie audience by attracting more middle-class patrons. But if the film was a milestone in the history of cinema, it was also undeniably racist. Stokes shows that the darker side of this classic movie has its origins in the racist ideas of Thomas Dixon, Jr. and Griffith's own Kentuckian background and earlier film career. The book reveals how, as the years went by, the campaign against the film became increasingly successful. In the 1920s, for example, the NAACP exploited the fact that the new Ku Klux Klan, which used Griffith's film as a recruiting and retention tool, was not just anti-black, but also anti-Catholic and anti-Jewish, as a way to mobilize new allies in opposition to the film. This crisply written book sheds light on both the film's racism and the aesthetic brilliance of Griffith's filmmaking. It is a must-read for anyone interested in the cinema.
| Author | : Jr. Thomas Dixon |
| Publisher | : Prabhat Prakashan |
| Total Pages | : 339 |
| Release | : 2024-04-29 |
| Genre | : Fiction |
| ISBN | : |
Prepare to journey into a controversial and tumultuous period of American history with Jr. Thomas Dixon's "The Clansman: An Historical Romance of the Ku Klux Klan." Delve into the heart of the Reconstruction era as Dixon weaves a gripping tale of love, betrayal, and racial conflict. Follow the intertwined fates of two families against the backdrop of post-Civil War America, as they grapple with the profound social and political changes sweeping across the South. Through vivid prose and rich historical detail, Dixon paints a vivid portrait of a society torn apart by violence and prejudice. Explore the themes and motifs that permeate Dixon's narrative, from the struggle for power and dominance to the enduring legacy of slavery and segregation. His portrayal of the Ku Klux Klan and its role in shaping the course of history offers a provocative and sometimes unsettling glimpse into a dark chapter of American history. Embark on a comprehensive character analysis as Dixon brings to life a cast of complex and conflicted individuals, each grappling with their own moral dilemmas and personal demons. From the fiery rhetoric of the Klan leader to the quiet courage of those who resist its tyranny, Dixon's characters resonate with depth and authenticity. The overall tone of "The Clansman" is one of tension and suspense, as Dixon explores the volatile dynamics of race, class, and power in the aftermath of the Civil War. His narrative is both provocative and thought-provoking, challenging readers to confront the legacy of slavery and its enduring impact on American society. Since its publication, "The Clansman" has been the subject of intense controversy and debate, with critics condemning its glorification of racism and violence, while others defend it as a work of historical fiction. Regardless of where one stands on the issue, Dixon's novel remains a compelling and provocative exploration of one of the darkest periods in American history. As you immerse yourself in Dixon's narrative, you'll find yourself drawn into a world of passion, intrigue, and moral ambiguity. His vivid storytelling and evocative prose make "The Clansman" a gripping read that will leave a lasting impression on readers long after the final page is turned. Don't miss your chance to explore the complexities of race and power in post-Civil War America with Jr. Thomas Dixon's "The Clansman." Whether you're drawn to its historical significance or its controversial themes, this provocative novel is sure to spark conversation and inspire reflection on the enduring legacy of slavery and segregation in America.
| Author | : T. H. Breen |
| Publisher | : Harvard University Press |
| Total Pages | : 273 |
| Release | : 2019-09-17 |
| Genre | : History |
| ISBN | : 0674242068 |
“Important and lucidly written...The American Revolution involved not simply the wisdom of a few great men but the passions, fears, and religiosity of ordinary people.” —Gordon S. Wood In this boldly innovative work, T. H. Breen spotlights a crucial missing piece in the stories we tell about the American Revolution. From New Hampshire to Georgia, it was ordinary people who became the face of resistance. Without them the Revolution would have failed. They sustained the commitment to independence when victory seemed in doubt and chose law over vengeance when their communities teetered on the brink of anarchy. The Will of the People offers a vivid account of how, across the thirteen colonies, men and women negotiated the revolutionary experience, accepting huge personal sacrifice, setting up daring experiments in self-government, and going to extraordinary lengths to preserve the rule of law. After the war they avoided the violence and extremism that have compromised so many other revolutions since. A masterful storyteller, Breen recovers the forgotten history of our nation’s true founders. “The American Revolution was made not just on the battlefields or in the minds of intellectuals, Breen argues in this elegant and persuasive work. Communities of ordinary men and women—farmers, workers, and artisans who kept the revolutionary faith until victory was achieved—were essential to the effort.” —Annette Gordon-Reed “Breen traces the many ways in which exercising authority made local committees pragmatic...acting as a brake on the kind of violent excess into which revolutions so easily devolve.” —Wall Street Journal
| Author | : Allyson Hobbs |
| Publisher | : Harvard University Press |
| Total Pages | : 395 |
| Release | : 2014-10-13 |
| Genre | : Biography & Autobiography |
| ISBN | : 067436810X |
Between the eighteenth and mid-twentieth centuries, countless African Americans passed as white, leaving behind families and friends, roots and community. It was, as Allyson Hobbs writes, a chosen exile, a separation from one racial identity and the leap into another. This revelatory history of passing explores the possibilities and challenges that racial indeterminacy presented to men and women living in a country obsessed with racial distinctions. It also tells a tale of loss. As racial relations in America have evolved so has the significance of passing. To pass as white in the antebellum South was to escape the shackles of slavery. After emancipation, many African Americans came to regard passing as a form of betrayal, a selling of one’s birthright. When the initially hopeful period of Reconstruction proved short-lived, passing became an opportunity to defy Jim Crow and strike out on one’s own. Although black Americans who adopted white identities reaped benefits of expanded opportunity and mobility, Hobbs helps us to recognize and understand the grief, loneliness, and isolation that accompanied—and often outweighed—these rewards. By the dawning of the civil rights era, more and more racially mixed Americans felt the loss of kin and community was too much to bear, that it was time to “pass out” and embrace a black identity. Although recent decades have witnessed an increasingly multiracial society and a growing acceptance of hybridity, the problem of race and identity remains at the center of public debate and emotionally fraught personal decisions.
| Author | : Toni Morrison |
| Publisher | : Pantheon |
| Total Pages | : 450 |
| Release | : 2010-08-25 |
| Genre | : Literary Collections |
| ISBN | : 030748226X |
Co-edited and introduced by Toni Morrison, winner of the Nobel Prize in Literature, Birth of a Nation'hood elucidates as never before the grim miasma of the O.J. Simpson case, which has elicited gargantuan fascination. As they pertain to the scandal, the issues of race, sex, violence, money, and the media are refracted through twelve powerful essays that have been written especially for this book by distinguished intellectuals--black and white, male and female. Together these keen analyses of a defining American moment cast a chilling gaze on the script and spectacle of the insidious tensions that rend our society, even as they ponder the proper historical, cultural, political, legal, psychological, and linguistic ramifications of the affair. With contributions by: Toni Morrison, George Lipsitz, A. Leon Higginbotham, Jr., with Aderson Bellegarde Francois and Linda Y. Yueh, Nikol G. Alexander and Drucilla Cornell, Kimberlé Williams Crenshaw, Ishmael Reed, Leola Johnson and David Roediger, Andrew Ross, Patricia J. Williams, Ann duCille, Armond White, Claudia Brodsky Lacour
| Author | : Margaret Canovan |
| Publisher | : Polity |
| Total Pages | : 184 |
| Release | : 2005-09-16 |
| Genre | : Health & Fitness |
| ISBN | : 9780745628219 |
This groundbreaking study sets out to clarify one of the most influential but least studied of all political concepts. Despite continual talk of popular sovereignty, the idea of the people has been neglected by political theorists who have been deterred by its vagueness. Margaret Canovan argues that it deserves serious analysis, and that it's many ambiguities point to unresolved political issues. The book begins by charting the conflicting meanings of the people, especially in Anglo-American usage, and traces the concept's development from the ancient populus Romanus to the present day. The book's main purpose is, however, to analyse the political issues signalled by the people's ambiguities. In the remaining chapters, Margaret Canovan considers their theoretical and practical aspects: Where are the people's boundaries? Is people equivalent to nation, and how is it related to humanity - people in general? Populists aim to 'give power back to the people'; how is populism related to democracy? How can the sovereign people be an immortal collective body, but at the same time be us as individuals? Can we ever see that sovereign people in action? Political myths surround the figure of the people and help to explain its influence; should the people itself be regarded as fictional? This original and accessible study sheds a fresh light on debates about popular sovereignty, and will be an important resource for students and scholars of political theory.
| Author | : Kevin Brownlow |
| Publisher | : Univ of California Press |
| Total Pages | : 614 |
| Release | : 1968 |
| Genre | : Performing Arts |
| ISBN | : 9780520030688 |
Well illustrated book on history of silent movies
| Author | : Dick Lehr |
| Publisher | : PublicAffairs |
| Total Pages | : 387 |
| Release | : 2017-01-10 |
| Genre | : History |
| ISBN | : 1610398246 |
In 1915, two men -- one a journalist agitator, the other a technically brilliant filmmaker -- incited a public confrontation that roiled America, pitting black against white, Hollywood against Boston, and free speech against civil rights. Monroe Trotter and D. W. Griffith were fighting over a film that dramatized the Civil War and Reconstruction in a post-Confederate South. Almost fifty years earlier, Monroe's father, James, was a sergeant in an all-black Union regiment that marched into Charleston, South Carolina, just as the Kentucky cavalry -- including Roaring Jack Griffith, D. W.'s father -- fled for their lives. Griffith's film, The Birth of a Nation, included actors in blackface, heroic portraits of Knights of the Ku Klux Klan, and a depiction of Lincoln's assassination. Freed slaves were portrayed as villainous, vengeful, slovenly, and dangerous to the sanctity of American values. It was tremendously successful, eventually seen by 25 million Americans. But violent protests against the film flared up across the country. Monroe Trotter's titanic crusade to have the film censored became a blueprint for dissent during the 1950s and 1960s. This is the fiery story of a revolutionary moment for mass media and the nascent civil rights movement, and the men clashing over the cultural and political soul of a still-young America standing at the cusp of its greatest days.
