Are We Amused?

Are We Amused?
Author: Athalya Brenner-Idan
Publisher: Bloomsbury Publishing
Total Pages: 170
Release: 2003-11-01
Genre: Religion
ISBN: 0826426271

Biblical humor about women and gender remains elusive for many readers, for its recognition may imply the realization that it's a cruel and disrespectful humor, ridicule rather than good-natured fun. But viewing humor as social critique, as is largely done in the essays in this volume, with respect to both the texts read and their actual or implied author, may be fun as well as significant for understanding the biblical worlds. As most of the essays show, writing about women is writing about men as well. In other words, it is writing about gender roles. The critique of women, womanhood and femaleness implied by biblical and related texts serves, in equal measure, as a critique of men, manhood and maleness in the texts, of the texts authors, and of the texts' commentators and readers. Contributors include Scott Spencer, Mary Shields, Kathleen O'Connor, Toni Craven, Kathy Williams, Athalya Brenner, Gale Yee, Amy-Jill Levine, and Esther Fuchs.

We are Not Amused

We are Not Amused
Author: David Crystal
Publisher: Bodleian Library
Total Pages: 0
Release: 2017
Genre: Humor
ISBN: 9781851244782

Pronunciation governs our regional and social identity more powerfully than any other aspect of spoken language. No wonder, then, that it has attracted most attention from satirists. In this intriguing book, David Crystal shows how our feelings about pronunciation today have their origins in the way our Victorian predecessors thought about the subject, as revealed in the pages of the satirical magazine, Punch.In the sixty years between its first issue in 1841 and the death of Queen Victoria in 1901, jokes about the fashions affecting English usage provide one of Punch's most fruitful veins of humour, from the dropped aitches of the Cockney accent to the upper-class habit of dropping the final 'g' (huntin' and fishin'). For 'We Are Not Amused', David Crystal has examined all the issues during the reign of Queen Victoria and brought together the cartoons and articles that poked fun at the subject of pronunciation, adding a commentary on the context of the times, explaining why people felt so strongly about accents, and identifying which accents were the main source of jokes. The collection brings to light a society where class distinction ruled, and where the way you pronounced a word was seen as a sometimes damning index of who you were and how you should be treated. It is a fascinating, provocative and highly entertaining insight into our on-going amusement at the subject of how we speak.

We Are Not Amused

We Are Not Amused
Author: Nancy Bell
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 157
Release: 2015-04-24
Genre: Language Arts & Disciplines
ISBN: 150150164X

Placing failed humor within the broader category of miscommunication and drawing on a range of conversational data, this text represents the first comprehensive study of failed humor. It provides a framework for classifying the types of failure that can occur, examines the strategies used by both speakers and hearers to avoid and manage failure, and highlights the crucial role humor plays in social identity and relationship management.

Amusing Ourselves to Death

Amusing Ourselves to Death
Author: Neil Postman
Publisher: Vintage
Total Pages: 200
Release: 1986
Genre: Performing Arts
ISBN:

Examines the effects of television culture on how we conduct our public affairs and how "entertainment values" corrupt the way we think.

Are We Amused?

Are We Amused?
Author: Athalya Brenner
Publisher: A&C Black
Total Pages: 169
Release: 2003-01-01
Genre: Religion
ISBN: 0567083306

Essays on women, men, gender roles and humor as social critique.

The Mirror of Literature, Amusement, and Instruction

The Mirror of Literature, Amusement, and Instruction
Author: Anonymous
Publisher: Palala Press
Total Pages: 436
Release: 1839
Genre: History
ISBN:

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Amusing Stories

Amusing Stories
Author: Edward Rehatsek
Publisher: BoD – Books on Demand
Total Pages: 301
Release: 2022-11-07
Genre: Fiction
ISBN: 3368130242

Reprint of the original, first published in 1871.

Funny, You Don't Look Funny

Funny, You Don't Look Funny
Author: Jennifer Caplan
Publisher: Wayne State University Press
Total Pages: 229
Release: 2023-03-01
Genre: Humor
ISBN: 0814347320

Across generations, humor has been a place for American Jews to explore the relationship between Jewish identity, practices, and history. In this comprehensive approach to Jewish humor focused on the relationship between humor and American Jewish practice, Jennifer Caplan calls us to adopt a more expansive view of what it means to "do Jewish," revealing that American Jews have turned, and continue to turn, to humor as a cultural touchstone. Caplan frames the book around four generations of Jewish Americans from the Silent Generation to Millennials, highlighting a shift from the utilization of Jewish-specific markers to American-specific markers. Jewish humor operates as a system of meaning-making for many Jewish Americans. By mapping humor onto both the generational identity of those making it and the use of Judaism within it, new insights about the development of American Judaism emerge. Caplan's explication is innovative and insightful, engaging with scholarly discourse across Jewish studies and Jewish American history; it includes the work of Joseph Heller, Larry David, Woody Allen, Seinfeld, the Coen brothers films, and Broad City. This example of well-informed scholarship begins with an explanation of what makes Jewish humor Jewish and why Jewish humor is such a visible phenomenon. Offering ample evidence and examples along the way, Caplan guides readers through a series of phenomenological and ideological changes across generations, concluding with commentary regarding the potential influences on Jewish humor of later Millennials, Gen Z, and beyond.