Warriors And Wilderness In Medieval Britain
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| Author | : Robin Melrose |
| Publisher | : McFarland |
| Total Pages | : 259 |
| Release | : 2017-02-22 |
| Genre | : Biography & Autobiography |
| ISBN | : 1476668264 |
Tracing the development of the King Arthur story in the late Middle Ages, this book explores Arthur's depiction as a wilderness figure, the descendant of the northern Romano-British hunter/warrior god. The earliest Arthur was a warrior but in the 11th century Welsh tale Culhwch and Olwen, he is less a warrior and more a leader of a band of rogue heroes. The story of Arthur was popularized by Geoffrey of Monmouth, in his Latin History of the Kings of Britain, and was translated into Middle English in Layamon's Brut and the later alliterative Alliterative Morte Arthure. Both owed much to the epic poem "Beowulf," which draws on the Anglo-Saxon fascination with the wilderness. The most famous Arthurian tale is Sir Gawain and the Green Knight, in which the wilderness and themes from Beowulf play a leading role. Three Arthurian tales set in Inglewood Forest place Arthur and Gawain in a wilderness setting, and link Arthur to medieval Robin Hood tales.
| Author | : David Wyatt |
| Publisher | : BRILL |
| Total Pages | : 480 |
| Release | : 2009-04-24 |
| Genre | : History |
| ISBN | : 9047428773 |
Modern sensibilities have clouded historical views of slavery, perhaps more so than any other medieval social institution. Anachronistic economic rationales and notions about the progression of European civilisation have immeasurably distorted our view of slavery in the medieval context. As a result historians have focussed their efforts upon explaining the disappearance of this medieval institution rather than seeking to understand it. This book highlights the extreme cultural/social significance of slavery for the societies of medieval Britain and Ireland c. 800-1200. Concentrating upon the lifestyle, attitudes and motivations of the slave-holders and slave-raiders, it explores the violent activities and behavioural codes of Britain and Ireland’s warrior-centred societies, illustrating the extreme significance of the institution of slavery for constructions of power, ethnic identity and gender.
| Author | : Albrecht Classen |
| Publisher | : Routledge |
| Total Pages | : 297 |
| Release | : 2020-10-11 |
| Genre | : Literary Criticism |
| ISBN | : 1000205029 |
Every human being knows that we are walking through life following trails, whether we are aware of them or not. Medieval poets, from the anonymous composer of Beowulf to Marie de France, Hartmann von Aue, Gottfried von Strassburg, and Guillaume de Lorris to Petrarch and Heinrich Kaufringer, predicated their works on the notion of the trail and elaborated on its epistemological function. We can grasp here an essential concept that determines much of medieval and early modern European literature and philosophy, addressing the direction which all protagonists pursue, as powerfully illustrated also by the anonymous poets of Herzog Ernst and Sir Gawain and the Green Knight. Dante’s Divina Commedia, in fact, proves to be one of the most explicit poetic manifestations of the fundamental idea of the trail, but we find strong parallels also in powerful contemporary works such as Guillaume de Deguileville’s Pèlerinage de la vie humaine and in many mystical tracts.
| Author | : Susan Owens |
| Publisher | : Thames & Hudson |
| Total Pages | : 430 |
| Release | : 2020-09-15 |
| Genre | : Art |
| ISBN | : 0500775605 |
Lyrical and compelling, Spirit of Place examines the British landscape as it’s portrayed in literature and art. English landscape painting is often said to be an eighteenth-century invention, yet when we look for representations of the countryside in British art and literature, we find a story that begins with Old English poetry and winds its way through history, all the way up to the present day. In Spirit of Place, Susan Owens illuminates how the British landscape has been framed, reimagined, and reshaped by generations of creative thinkers. To offer a panoramic view of the countryside throughout history, Owens dives into the work of writers and artists from Bede and the Gawain Poet to Thomas Gainsborough, Jane Austen, J. M. W. Turner, and John Constable, and from Paul Nash and Barbara Hepworth to Robert Macfarlane. Richly illustrated, including manuscript pages, early maps, paintings, film stills, and photographs, Spirit of Place is a compelling narrative of how we have been shown the British landscape.
| Author | : Michael Jones |
| Publisher | : Simon and Schuster |
| Total Pages | : 405 |
| Release | : 2018-05-01 |
| Genre | : History |
| ISBN | : 1681778076 |
As a child he was given his own suit of armor; at the age of sixteen, he helped defeat the French at Crécy. At Poitiers, in 1356, his victory over King John II of France forced the French into a humiliating surrender that marked the zenith of England’s dominance in the Hundred Years War. As lord of Aquitaine, he ruled a vast swathe of territory across the west and southwest of France, holding a magnificent court at Bordeaux that mesmerized the brave but unruly Gascon nobility and drew them like moths to the flame of his cause. He was Edward of Woodstock, eldest son of Edward III, and better known to posterity as “the Black Prince.” His military achievements captured the imagination of Europe: heralds and chroniclers called him “the flower of all chivalry” and “the embodiment of all valor.” But what was the true nature of the man behind the chivalric myth, and of the violent but pious world in which he lived?
| Author | : John C. Stephens |
| Publisher | : McFarland |
| Total Pages | : 184 |
| Release | : 2019-02-14 |
| Genre | : Religion |
| ISBN | : 1476634971 |
Concepts of heaven and hell are among the oldest, most widespread religious beliefs in history. In Western literature, they are frequently embedded in stories of underworld explorations and celestial journeys--stories examining the nature of the universe, life on earth and the existence of the gods. The author analyzes tales of wonder in both ancient and medieval European literature. Other-worldly narratives appeared in literary contexts in the ancient world, including mythology, poetry and philosophical writings. In medieval times, they remained a popular form of literary expression. These stories are primarily religious in nature, describing fantastic worlds filled with miracles and supernatural beings.
| Author | : Ryan Lavelle |
| Publisher | : Boydell & Brewer |
| Total Pages | : 403 |
| Release | : 2020 |
| Genre | : History |
| ISBN | : 1783273739 |
First full examination of why and how certain locations were chosen for opposition to power, and the meaning they conveyed.
| Author | : Robin Melrose |
| Publisher | : Rodopi |
| Total Pages | : 192 |
| Release | : 1996 |
| Genre | : Art |
| ISBN | : 9789051837049 |
The title of this book is inspired by Jacques Derrida and by his seminal work, The Margins of Philosophy. The study of meaning in the past thirty years has focused on core meaning, and largely ignored the margins of meaning, where much of the power of language is to be found. The present work seeks to shift this focus by taking a postmodern approach that sees meaning as an accretion of verbal, social, cultural and personal sign systems, with fluid boundaries that shrink or expand with each meaner.Chapter 1 begins with a brief examination of present-day approaches to meaning, and goes on to a deconstruction of four twentieth century linguists. Chapter 2 takes as its starting point two aspects of the 20th century scientific paradigm, non-deterministic causation and relativity, and considers a number of thinkers who have worked within this paradigm. A major aim of this work is to convince students and teachers of literary theory, cultural studies and feminist theory of the validity of a linguistics of indeterminacy, so Chapter 3 focuses on an analytical approach that models indeterminacy in language, and Chapter 4 applies the model to a newspaper editorial, a Wallace Stevens' poem, and an extract from a Patrick White novel.
| Author | : Michael D. J. Bintley |
| Publisher | : Boydell & Brewer Ltd |
| Total Pages | : 314 |
| Release | : 2015 |
| Genre | : Art |
| ISBN | : 178327008X |
Essays on the depiction of animals, birds and insects in early medieval material culture, from texts to carvings to the landscape itself. For people in the early Middle Ages, the earth, air, water and ether teemed with other beings. Some of these were sentient creatures that swam, flew, slithered or stalked through the same environments inhabited by their human contemporaries. Others were objects that a modern beholder would be unlikely to think of as living things, but could yet be considered to possess a vitality that rendered them potent. Still others were things half glimpsed on a dark night or seen only in the mind's eye; strange beasts that haunted dreams and visions or inhabited exotic lands beyond the compass of everyday knowledge. This book discusses the various ways in which the early English and Scandinavians thought about and represented these other inhabitants of their world, and considers the multi-faceted nature of the relationship between people and beasts. Drawing on the evidence of material culture, art, language, literature, place-names and landscapes, the studies presented here reveal a world where the boundaries between humans, animals, monsters and objects were blurred and often permeable, and where to represent the bestial could be to holda mirror to the self. Michael D.J. Bintley is Senior Lecturer in Medieval Literature at Canterbury Christ Church University; Thomas J.T. Williams is a doctoral researcher at UCL's Institute of Archaeology. Contributors: Noël Adams, John Baker, Michael D. J. Bintley, Sue Brunning, László Sándor Chardonnens, Della Hooke, Eric Lacey, Richard North, Marijane Osborn, Victoria Symons, Thomas J. Williams
| Author | : Christopher Fee |
| Publisher | : Reaktion Books |
| Total Pages | : 225 |
| Release | : 2018-11-15 |
| Genre | : Literary Criticism |
| ISBN | : 1789140242 |
For fifteen centuries, legends of King Arthur have enthralled us. Born in the misty past of a Britain under siege, half-remembered events became shrouded in ancient myth and folklore. The resulting tales were told and retold, until over time Arthur, Camelot, Avalon, the Round Table, the Holy Grail, Excalibur, Lancelot, and Guinevere all became instantly recognizable icons. Along the way, Arthur’s life and times were recast in the mold of the hero’s journey: Arthur’s miraculous conception at Tintagel through the magical intercession of his shaman guide, Merlin; the childhood deed of pulling the sword from the stone, through which Arthur was anointed King; the quest for the Holy Grail, the most sacred object in Christendom; the betrayal of Arthur by his wife and champion; and the apocalyptic battle between good and evil ending with Arthur’s journey to the Otherworld. Touching on all of these classic aspects of the Arthur tale, Christopher R. Fee seeks to understand Arthur in terms of comparative mythology as he explores how the Once and Future King remains relevant in our contemporary world. From ancient legend to Monty Python, Arthur: God and Hero in Avalon discusses everything from the very earliest versions of the King Arthur myth to the most recent film and television adaptations, offering insight into why Arthur remains so popular—a hero whose story still speaks so eloquently to universal human needs and anxieties.
