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| Author | : James Carroll |
| Publisher | : Houghton Mifflin Harcourt |
| Total Pages | : 383 |
| Release | : 2014 |
| Genre | : Fiction |
| ISBN | : 0547738900 |
From the author of the New York Times best-selling Constantine’s Sword, a novel set in post-World War II Rome, where the fate of recently liberated Jews and the Church’s dark wartime secrets intertwine
| Author | : James Carroll |
| Publisher | : HMH |
| Total Pages | : 383 |
| Release | : 2014-07-01 |
| Genre | : Fiction |
| ISBN | : 0547738951 |
In post-WWII Italy, an American uncovers a Vatican scandal in a “thriller with deeply serious historical undertones” by a National Book Award winner (Alan Cheuse, NPR, All Things Considered). David Warburg, newly minted director of the US War Refugee Board, arrives in Rome at war’s end, determined to bring aid to the destitute European Jews streaming into the city. Marguerite d’Erasmo, a French-Italian Red Cross worker with a shadowed past, is initially Warburg’s guide—while a charismatic young American Catholic priest, Monsignor Kevin Deane, seems equally committed to aiding Italian Jews. But the city is a labyrinth of desperate fugitives: runaway Nazis, Jewish resisters, and criminal Church figures. Marguerite, caught between justice and revenge, is forced to play a double game. At the center of the maze, Warburg discovers one of history’s great scandals: the Vatican ratline, a clandestine escape route maintained by Church officials and providing scores of Nazi war criminals with secret passage to South America. Turning to American intelligence officials, he learns that the dark secret is not as secret as he thought—and that even those he trusts may betray him—in this “complex and compelling novel of the Vatican and morality during World War II” (Library Journal). Warburg in Rome has “the breathtaking pace of a thriller and the gravitas of a genuine moral center—as if John LeCarré and Graham Greene collaborated” (Mary Gordon). “A high-stakes battle between good and evil [and] a plot full of twists and turns.” —The Boston Globe “A suspenseful historical drama set in Rome at the end of WWII and centering on Vatican complicity in the flight of Nazi fugitives to Argentina.” —Publishers Weekly “Recommend this utterly engaging thriller to fans of Joseph Kanon’s The Good German and James R. Benn’s Death’s Door.” —Booklist, starred review
| Author | : Monica Centanni |
| Publisher | : Ronzani Editore |
| Total Pages | : 468 |
| Release | : 2022-07-18 |
| Genre | : History |
| ISBN | : |
Aby Warburg, the founder of a new Science of Culture, the scholar who gave back word to the image; a “militant” intellectual (so wrote Gertrud Bing), for whom no distinction exists between life and thought; pioneer of new research methods, inventing ‘machines’ of knowledge; architect of spaces designed as arenas of thought. The Library for the Science of Culture (transferred from Hamburg to London in 1933) and the Mnemosyne Atlas are the achievements to which the most substantial part of his heritage is linked. The ten essays here collected for the first time, all stemming from the Italian cultural milieu, trace with clarity Warburg’s “living thought”. Giorgio Pasquali, Mario Praz, Gertrud Bing, Arsenio Frugoni, Giorgio Agamben, Guglielmo Bilancioni, Alessandro Dal Lago, Gianni Carchia, Salvatore Settis, Kurt W. Forster, Maurizio Ghelardi: the polyphonic dialogue, whether from close up or at a distance, between scholars of diverse backgrounds casts a new beacon of light that illuminates with clarity and precision Warburg’s personality and intellectual legacy. Summary Foreword by Monica Centanni Giorgio Pasquali, A Tribute to Aby Warburg [1930] Mario Praz, Aby Warburg, Gesammelte Schriften [1934] Gertrud Bing, Aby M. Warburg [1960] Arsenio Frugoni, The Renewal of Aby Warburg [1967] Giorgio Agamben, Aby Warburg and the Nameless Science [1975, 19842] Guglielmo Bilancioni, Aby Warburg, the great Lord of the Labyrinth [1984] Alessandro Dal Lago, The Archaic and its Double: Aby Warburg and Anthropology [1984] Gianni Carchia, Aby Warburg: Symbol and Tragedy [1984] Salvatore Settis, Warburg continuatus. The Description of a Library [1985, 19952] Kurt W. Forster, Aby Warburg, A Cartographer of Passions [1999] Maurizio Ghelardi, The final Warburg [2004] Afterword Monica Centanni, Aby Warburg and Living Thought Monica Centanni Monica Centanni, a classical philologist, teaches Greek Language and Literature in Venice, where the activities of the “Seminario Mnemosyne” take place since 2000. Centanni is the director of
| Author | : Christopher D. Johnson |
| Publisher | : Cornell University Press |
| Total Pages | : 304 |
| Release | : 2012-07-26 |
| Genre | : Art |
| ISBN | : 0801464064 |
The work of German cultural theorist and art historian Aby Warburg (1866-1929) has had a lasting effect on how we think about images. This book is the first in English to focus on his last project, the encyclopedic Atlas of Images: Mnemosyne. Begun in earnest in 1927, and left unfinished at the time of Warburg's death in 1929, the Atlas consisted of sixty-three large wooden panels covered with black cloth. On these panels Warburg carefully, intuitively arranged some thousand black-and-white photographs of classical and Renaissance art objects, as well as of astrological and astronomical images ranging from ancient Babylon to Weimar Germany. Here and there, he also included maps, manuscript pages, and contemporary images taken from newspapers. Trying through these constellations of images to make visible the many polarities that fueled antiquity's afterlife, Warburg envisioned the Atlas as a vital form of metaphoric thought. While the nondiscursive, frequently digressive character of the Atlas complicates any linear narrative of its themes and contents, Christopher D. Johnson traces several thematic sequences in the panels. By drawing on Warburg's published and unpublished writings and by attending to Warburg's cardinal idea that "pathos formulas" structure the West's cultural memory, Johnson maps numerous tensions between word and image in the Atlas. In addition to examining the work itself, he considers the literary, philosophical, and intellectual-historical implications of the Atlas. As Johnson demonstrates, the Atlas is not simply the culmination of Warburg's lifelong study of Renaissance culture but the ultimate expression of his now literal, now metaphoric search for syncretic solutions to the urgent problems posed by the history of art and culture.
| Author | : Dorothea McEwan |
| Publisher | : Taylor & Francis |
| Total Pages | : 382 |
| Release | : 2023-03-21 |
| Genre | : History |
| ISBN | : 1000849759 |
Originally published in German, Italian and French these articles have been translated into English for the first time by the author, the former archivist of The Warburg Institute, London. Aby Warburg’s research and writings centred on images, their origins and metamorphoses, and their explanations and interpretations. The articles include discussions of Warburg’s academic work with colleagues such as James Loeb, the American Hellenist and philanthropist, and founder of the Loeb Classical Library, and with Josef Strzygowski, the Polish-Austrian art historian of the Vienna School of Art History. Further articles include notes on Warburg’s Serpent Ritual lecture of 1923; his politico-cultural initiative in 1914–1915; his work on caricature, in particular the Struwwelpeter topic; and discussions on the topic of Judaica. The Viennese art historian Fritz Saxl became his trusted friend and collaborator helping to gather Warburg’s large collection of books and photographs into the foundation of an academic institution in Hamburg in the 1920s, and then for a second time in London in the 1930s. The Warburg Institute has become one of the world’s leading centres of intellectual history. (CS 1109).
| Author | : Michèle Lowrie |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 360 |
| Release | : 2024-05-06 |
| Genre | : Literary Criticism |
| ISBN | : 3111334805 |
However shared the Roman inheritance may be, it hardly unifies. Which Rome is the model, the Republic or the Empire? The Rome of imperial conquest or of civil war? By whom is it ruled? By the glorious conqueror who extended universal peace, the rule of law, and infrastructure – roads and aqueducts – or by the detested tyrant who imposed domination? Or worse, the corruptor of republican liberty and source of putrefying decadence? Rome always returns, but which Rome? France presents itself as a privileged locus for Rome’s return since the beginnings of its history. The perennial recourse to ancient Rome – as model or anti-model – binds together a cohesive tradition. The logic of this gesture asserts a unity beyond modern identity politics, which depend on defining a “them” against “us,” to resist nativist assumptions about national character, French, German, Italian, American, etc. All share the same polysemous inheritance, for good or ill. All are Roman and all resist Rome without needing to agree on what exactly is shared. The unity underlying the discourse, however, no longer depends on defining Rome as an origin. Instead, Rome’s figuration persists discursively, as a translation: to be translated time and time again.
| Author | : André Chastel |
| Publisher | : Princeton University Press |
| Total Pages | : 345 |
| Release | : 2023-10-17 |
| Genre | : Art |
| ISBN | : 0691252246 |
From a leading art historian of Renaissance Italy, a compelling account of the artistic and cultural impact of the sack of sixteenth-century Rome In this illustrated account of the sack of Rome as a cultural and artistic phenomenon, André Chastel reveals the historical ambiguities of preceding events and the traumatic contrast between the flourishing world of art under Pope Clement VII and the city after it was looted by the troops of Emperor Charles V in 1527. Chastel illuminates the cultural repercussions of the humiliation of Rome, emphasizing the spread or “Europeanization” of the Mannerist style by artists who fled the city—including Parmigianino, Rosso, Polidoro, Peruzzi, and Perino del Vaga. At the same time, Clement’s critics used the new media of printing and engraving to win over the people with caricatures and satirical writings, while Rome responded with monumental works affirming the legitimacy of the pope’s temporal power. Chastel explores both the world that was lost by the sack and the great works of art created during Rome’s recovery.
| Author | : Hans C. Hönes |
| Publisher | : Reaktion Books |
| Total Pages | : 401 |
| Release | : 2024-06-05 |
| Genre | : Biography & Autobiography |
| ISBN | : 1789149037 |
An intimate biography of an eminent historian of art and culture, exploring his life both within and away from the academy. Tangled Paths tells the life story of Aby Warburg (1866–1929), one of the most influential historians of art and culture of the twentieth century. It also tells the story of a man who, throughout his life, struggled to assert his place in the world. Charting Warburg’s many projects and identities—groundbreaking historian, public intellectual, ethnographer, shrewd academic administrator, and founder of a library—the book explores not only the vagaries of an academic career but also the personal demons of a man who relentlessly sought to live up to his own expectations. In this biography—the first in English in over fifty years—Hans C. Hönes presents an evocative and richly detailed portrait of Warburg’s personality and career, and of his attempts to make sense of the tangled paths of his life.
