The Civil War and American Art

The Civil War and American Art
Author: Eleanor Jones Harvey
Publisher: Yale University Press
Total Pages: 353
Release: 2012-12-03
Genre: Art
ISBN: 0300187335

Collects the best artwork created before, during and following the Civil War, in the years between 1859 and 1876, along with extensive quotations from men and women alive during the war years and text by literary figures, including Emily Dickinson, Mark Twain and Walt Whitman. 15,000 first printing.

The Artist and the Warrior

The Artist and the Warrior
Author: Theodore K. Rabb
Publisher: Yale University Press
Total Pages: 352
Release: 2011-01-24
Genre: History
ISBN: 0300177518

How have artists across the millennia responded to warfare? In this uniquely wide-ranging book, Theodore Rabb blends military history and the history of art to search for the answers. He draws our attention to masterpieces from the ancient world to the twentieth century--paintings, sculpture, ceramics, textiles, engravings, architecture, and photographs--and documents the evolving nature of warfare as artists have perceived it. The selected works represent landmarks in the history of art and are drawn mainly from the western tradition, though important examples from Japan, India, and the Middle East are also brought into the discussion. Together these works tell a story of long centuries during which warfare inspired admiration and celebration. Yet a shift toward criticism and condemnation emerged in the Renaissance, and by the end of the nineteenth century, glorification of the warrior by leading artists had ceased. Rabb traces this progression, from such works as the Column of Trajan and the Titian "Battle of Lepanto", whose makers celebrated glorious victories, to the antiwar depictions created by Brueghel, Goya, Picasso, and others. Richly illustrated and accessibly written, this book presents a study of unprecedented sweep and multidisciplinary interest. -- Book jacket.

Of Arms and Artists

Of Arms and Artists
Author: Paul Staiti
Publisher: Bloomsbury Publishing USA
Total Pages: 546
Release: 2016-10-18
Genre: History
ISBN: 1632864673

A vibrant and original perspective on the American Revolution through the stories of the five great artists whose paintings animated the new American republic. The images accompanying the founding of the United States--of honored Founders, dramatic battle scenes, and seminal moments--gave visual shape to Revolutionary events and symbolized an entirely new concept of leadership and government. Since then they have endured as indispensable icons, serving as historical documents and timeless reminders of the nation's unprecedented beginnings. As Paul Staiti reveals in Of Arms and Artists, the lives of the five great American artists of the Revolutionary period--Charles Willson Peale, John Singleton Copley, John Trumbull, Benjamin West, and Gilbert Stuart--were every bit as eventful as those of the Founders with whom they continually interacted, and their works contributed mightily to America's founding spirit. Living in a time of breathtaking change, each in his own way came to grips with the history they were living through by turning to brushes and canvases, the results often eliciting awe and praise, and sometimes scorn. Their imagery has connected Americans to 1776, allowing us to interpret and reinterpret the nation's beginning generation after generation. The collective stories of these five artists open a fresh window on the Revolutionary era, making more human the figures we have long honored as our Founders, and deepening our understanding of the whirlwind out of which the United States emerged.

Drawing D - Day

Drawing D - Day
Author: Ugo Giannini
Publisher: Author House
Total Pages: 197
Release: 2013-03-06
Genre: History
ISBN: 1481716220

On June 6, 1944, Ugo Giannini landed on Omaha Beach at H+70 minutes as one of a platoon of military police assigned to the 29th Division. Ugos team was to control the incoming traffic. There were thirty-seven men in his platoon; they were decimated in the first ten minutes. Six men got to the beach. Someone told Ugo that he was needed on the bluff above. He climbed the Vierville Draw, jumped into a crater made by naval bombardment, and spent that day and part of the next day as an eyewitness to the greatest invasion ever conceived by the military. Remarkably, he began to draw. These are the only drawings made that historic day, as well as the next. This book is the story of one man, in the context of World War II; a man who was a poet, an artist, and had the strength of a boxer. A civilian used to the comforts and hysteria of an immigrant Italian family, in love with his childhood sweetheart, plunged into the hell of war. Presented here are the sketches from that historic day and the days that immediately followed. Drawn in pencil and pen, in a gritty, realist style, the images show heavily burdened infantrymen trying to stay afloat in the seawater, crawling on the beach or dead among the ruins of a bombed-out village. Interwoven with letters home written by a young man to his family and his girlfriend, the words and images portray the horror of war in a deep and personal way. The abstract paintings that appear at the end of the book provide a powerful statement, composed years after the initial experience, about the complete disintegration, both physical and spiritual, caused by war.

World War I and American Art

World War I and American Art
Author: Robert Cozzolino
Publisher: Princeton University Press
Total Pages: 320
Release: 2016-11
Genre: Art
ISBN: 0691172692

-World War I and American Art provides an unprecedented look at the ways in which American artists reacted to the war. Artists took a leading role in chronicling the war, crafting images that influenced public opinion, supported mobilization efforts, and helped to shape how the war's appalling human toll was memorialized. The book brings together paintings, drawings, prints, photographs, posters, and ephemera, spanning the diverse visual culture of the period to tell the story of a crucial turning point in the history of American art---

Art of War

Art of War
Author: H. Avery Chenoweth
Publisher: Friedman-Fairfax
Total Pages: 392
Release: 2002
Genre: Art
ISBN:

This book traces the history of American combat art from precolonial America to the end of the twentieth century.

Through an Artist's Eyes

Through an Artist's Eyes
Author: Willa M. Johnson
Publisher: Routledge
Total Pages: 225
Release: 2021-05-31
Genre: Art
ISBN: 1000330931

This book offers visual, social-historical analyses of paintings and drawings of the renowned German Communist artist Karl Schwesig. It follows the course of Schwesig’s internments, but is dedicated primarily to the plight of foreign Jewish persons and Christians (of Jewish descent) who were interned at Camps Saint-Cyprien, Gurs, and Noé in the French free zone. The artworks created by Schwesig provide the themes investigated in each chapter. The works describe the dehumanizing treatment that contributed to and characterized the racialization of foreign Jewish and “mixed-race” persons in France’s free zone and the attempted elimination of political dissidents. The volume includes color plates.

Art, Propaganda and Aerial Warfare in Britain during the Second World War

Art, Propaganda and Aerial Warfare in Britain during the Second World War
Author: Rebecca Searle
Publisher: Bloomsbury Publishing
Total Pages: 167
Release: 2020-07-23
Genre: History
ISBN: 1350075450

The War Artists' Advisory Committee (WAAC) were responsible for the production of some of the most iconic images of the Second World War. Despite its rich historical value, this collection has been poorly utilised by historians and hasn't been subjected to the levels of analysis afforded to other forms of wartime culture. This innovative study addresses this gap by bringing official war art into dialogue with the social, economic and military histories of the Second World War. Rebecca Searle explores the tensions between the documentarist and propagandistic roles of the WAAC in their representation of aerial warfare in the battle for production, the Battle of Britain, the Blitz and the bombing of Germany. Her analyses demonstrate that whilst there was a strong correlation between war art and propaganda, the WAAC depicted many aspects of experience that were absent from wartime propaganda, such as class divisions within the services, gendered hierarchies within industries, civilian death and the true nature of the bombing of Germany. In addition, she shows that propagandistic constructions were not entirely separate from lived experience, but reflected experience and shaped the way that individuals made sense of the war. Accessibly written, highly illustrated and packed with valuable examples of the use of war art as historical source, this book will enhance our understanding of the social and cultural history of Britain during the Second World War.

The Sketchbook War

The Sketchbook War
Author: Richard Knott
Publisher: The History Press
Total Pages: 307
Release: 2013-06-01
Genre: History
ISBN: 0752493930

During the Second World War, British artists produced over 6,000 works of war art, but this is not a book about art, rather the stories of nine courageous war artists who ventured closer to the front line than any others in their profession. Edward Ardizzone, Edward Bawden, Barnett Freedman, Anthony Gross, Thomas Hennell, Eric Ravilious, Albert Richards, Richard Seddon, and John Worsley all travelled abroad into the dangers of war to chronicle events by painting them. They formed a close bond, yet two were torpedoed, two were taken prisoner and three died, two in 1945 when the war was nearly over. Men who had previously made a comfortable living painting in studios were transformed by military uniforms and experiences that were to shape the rest of their lives, and their work significantly influenced the way in which we view war today. Portraying how war and art came together in a moving and dramatic way, and incorporating vivid examples of their paintings, this is the true story behind the war artists who fought, lived and died for their art on the front line of the Second World War.