War Poets Of The South Confe
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Author | : Nomi Stone |
Publisher | : |
Total Pages | : 0 |
Release | : 2019 |
Genre | : American poetry |
ISBN | : 9781946482198 |
"Kill class is based on two years of fieldwork the author conducted within combat trainings in simulated Middle Eastern villages erected by the US military across America"--
Author | : Sarah C. E. Ross |
Publisher | : |
Total Pages | : 362 |
Release | : 2018 |
Genre | : Poetry |
ISBN | : 9780719086243 |
This anthology brings together extensive selections of poetry by the live most prolific and prominent women poets of the English Civil War period: Anne Bradstreet, Hester Puller, Margaret Cavendish, Katherine Philips and Lucy Hutchinson. These poets participated in elite poetic culture at the highest level, writing elegies, panegyrics and epics; they were politically engaged; and their female authorship strategies were nuanced but clear, as they took diverse approaches to publication in manuscript and print. Their poetry is at the centre of discussion and debate about early modern women's poetry, but until now, substantial edited selections of their work have not been available in one place. The anthology brings together the most innovative, complex poems of each writer, revealing the diversity of women's poetry in the mid-seventeenth century, as it traversed political affiliations and material forms. This anthology presents poems in modern-spelling, clear-text versions for classroom use, and for ready comparison to mainstream editions of male poets' work. Notes on the poems and an introduction explain the contexts of the Civil War, religious conflict, and scientific and literary development, and will serve students' and academics' needs alike. Women poets of the English Civil War is ideal for use alongside mainstream anthologies of early modern poetry, enabling a more comprehensive understanding of seventeenth-century women's poetic culture, in its own right, and in relation to prominent male poets such as Marvell, Milton and Dryden.
Author | : Tarfia Faizullah |
Publisher | : SIU Press |
Total Pages | : 81 |
Release | : 2014-03-06 |
Genre | : Poetry |
ISBN | : 0809333260 |
The poems in this captivating collection weave beauty with violence, the personal with the historic as they recount the harrowing experiences of the two hundred thousand female victims of rape and torture at the hands of the Pakistani army during the 1971 Liberation War. As the child of Bangladeshi immigrants, the poet in turn explores her own losses, as well as the complexities of bearing witness to the atrocities these war heroines endured. Throughout the volume, the narrator endeavors to bridge generational and cultural gaps even as the victims recount the horror of grief and personal loss. As we read, we discover the profound yet fragile seam that unites the fields, rivers, and prisons of the 1971 war with the poet’s modern-day hotel, or the tragic death of a loved one with the holocaust of a nation. Moving from West Texas to Dubai, from Virginia to remote villages in Bangladesh and back again, the narrator calls on the legacies of Willa Cather, César Vallejo, Tomas Tranströmer, and Paul Celan to give voice to the voiceless. Fierce yet loving, devastating and magical at once, Seam is a testament to the lingering potency of memory and the bravery of a nation’s victims. Winner, Great Lakes Colleges Association New Writers Award, 2014 Winner, Binghamton University Milt Kessler Poetry Book Award, 2015 Winner, Drake University Emerging Writers Award, 2015
Author | : Brian Brodeur |
Publisher | : |
Total Pages | : 46 |
Release | : 2015-02-01 |
Genre | : Poetry |
ISBN | : 9781606352373 |
"Local Fauna opens with a meta-poem about Jack Spicer, and I couldn't help but think of his 'dictated' poetry, poetry as vessel, poetry getting down what needs to be said. Brian Brodeur's poems have this urgency--life, death, cruelty, politics, war, capitalism, and love. Hard truths come through the past, radio interviews, zoo animals, neighbors, personas, and pop songs. Brian Broduer's poetry has insistence and morality, inclusivity and beauty. Local Fauna is terrific."--Denise Duhamel"Brian Brodeur's formal skill, his feel for the whole history beneath a sentence, a line, a syllable, is matched here only by his unsentimental compassion for the people he renders in his poems. I can think of few other poets who capture what contemporary American life actually feels, looks, and sounds like as movingly as Brodeur does. Poems such as 'Cousins,' 'Local Fauna,' and 'The Register' will be with us for a long time indeed. Brian Brodeur is a marvel." --Peter Campion
Author | : Brian Turner |
Publisher | : Alice James Books |
Total Pages | : 86 |
Release | : 2014-09-01 |
Genre | : Poetry |
ISBN | : 1938584147 |
A first-person account of the Iraq War by a solider-poet, winner of the 2005 Beatrice Hawley Award. Adding his voice to the current debate about the US occupation of Iraq, in poems written in the tradition of such poets as Wilfred Owen, Yusef Komunyakaa (Dien Cai Dau), Bruce Weigl (Song of Napalm) and Alice James’ own Doug Anderson (The Moon Reflected Fire), Iraqi war veteran Brian Turner writes power-fully affecting poetry of witness, exceptional for its beauty, honesty, and skill. Based on Turner’s yearlong tour in Iraq as an infantry team leader, the poems offer gracefully rendered, unflinching description but, remarkably, leave the reader to draw conclusions or moral lessons. Here, Bullet is a must-read for anyone who cares about the war, regardless of political affiliation.
Author | : Christopher Sten |
Publisher | : University of Iowa Press |
Total Pages | : 303 |
Release | : 2019-11-15 |
Genre | : Literary Criticism |
ISBN | : 1609386647 |
This is the first book exclusively devoted to the Civil War writings of Walt Whitman and Herman Melville, arguably the most important poets of the war. The essays brought together in this volume add significantly to recent critical appreciation of the skill and sophistication of these poets; growing recognition of the complexity of their views of the war; and heightened appreciation for the anxieties they harbored about its aftermath. Both in the ways they come together and seem mutually influenced, and in the ways they disagree, Whitman and Melville grapple with the casualties, complications, and anxieties of the war while highlighting its irresolution. This collection makes clear that rather than simply and straightforwardly memorializing the events of the war, the poetry of Whitman and Melville weighs carefully all sorts of vexing questions and considerations, even as it engages a cultural politics that is never pat. Contributors: Kyle Barton, Peter Bellis, Adam Bradford, Jonathan A. Cook, Ian Faith, Ed Folsom, Timothy Marr, Cody Marrs, Christopher Ohge, Vanessa Steinroetter, Sarah L. Thwaites, Brian Yothers
Author | : Kerry Bystrom |
Publisher | : Routledge |
Total Pages | : 269 |
Release | : 2021-07-27 |
Genre | : History |
ISBN | : 1000399478 |
This volume investigates the cultural sites where the global Cold War played out. It brings to view unpredictable encounters that arose as writers, artists, filmmakers, and intellectuals from or aligned with the Third World navigated the ideological and material constraints set by superpowers and emerging regional powers. Often these encounters generated communitas and solidarity, while at times they fed old and new conflicts. Pushing forward recent scholarship that tracks the Cold War in the Global South and draws on postcolonial approaches, our contributors use archival, secondary, and ethnographic sources to trace the afterlives and memories of key figures and to explore meetings that performed cultural diplomacy. Our focus on sites of encounter or exchange underscores the situated, interpersonal, and embodied dimensions through which much of the cultural Cold War was experienced. While the global conflict divided citizens along ideological fault lines, it also linked people through circulating media—novels, film, posters, journals, and theatre—and multinational conferences that brought artists, intellectuals, and political activists together. Such contacts introduced new axes of solidarity and hierarchies of exclusion. Examining these connections and disjunctures, this new and necessary mapping of the cultural Cold War highlights under-addressed locations in Asia, Africa, and Latin America.
Author | : |
Publisher | : |
Total Pages | : 56 |
Release | : 1995 |
Genre | : Humanities |
ISBN | : |
Author | : Peter Simpson |
Publisher | : Auckland University Press |
Total Pages | : 680 |
Release | : 2016-07-20 |
Genre | : Biography & Autobiography |
ISBN | : 1775588548 |
For two decades in Christchurch, New Zealand, a cast of extraordinary men and women remade the arts. Variously between 1933 and 1953, Christchurch was the home of Angus and Bensemann and McCahon, Curnow and Glover and Baxter, the Group, the Caxton Press and the Little Theatre, Landfall and Tomorrow, Ngaio Marsh and Douglas Lilburn. It was a city in which painters lived with writers, writers promoted musicians, in which the arts and artists from different forms were deeply intertwined. And it was a city where artists developed a powerful synthesis of European modernist influences and an assertive New Zealand nationalism that gave mid-century New Zealand cultural life its particular shape. In this book, Simpson tells the remarkable story of the rise and fall of this ‘Bloomsbury South' and the arts and artists that made it. Simpson brings to life the individual talents and their passions, but he also takes us inside the scenes that they created together: Bethell and her visiting coterie of younger poets; Glover and Bensemann's exacting typography at the Caxton Press; the yearly exhibitions and aesthetic clashes of the Group; McCahon and Baxter's developing friendship; the effects of Brasch's patronage; Marsh's Shakespearian re-creations at the Little Theatre. Simpson re-creates a Christchurch we have lost, where a group of artists collaborated to create a distinctively New Zealand art which spoke to the condition of their country as it emerged into the modern era.
Author | : Joseph M. Flora |
Publisher | : LSU Press |
Total Pages | : 498 |
Release | : 2006-06-21 |
Genre | : Reference |
ISBN | : 0807131237 |
This new edition of Southern Writers assumes its distinguished predecessor's place as the essential reference on literary artists of the American South. Broadly expanded and thoroughly revised, it boasts 604 entries-nearly double the earlier edition's-written by 264 scholars. For every figure major and minor, from the venerable and canonical to the fresh and innovative, a biographical sketch and chronological list of published works provide comprehensive, concise, up-to-date information. Here in one convenient source are the South's novelists and short story writers, poets and dramatists, memoirists and essayists, journalists, scholars, and biographers from the colonial period to the twenty-first century. What constitutes a "southern writer" is always a matter for debate. Editors Joseph M. Flora and Amber Vogel have used a generous definition that turns on having a significant connection to the region, in either a personal or literary sense. New to this volume are younger writers who have emerged in the quarter century since the dictionary's original publication, as well as older talents previously unknown or unacknowledged. For almost every writer found in the previous edition, a new biography has been commissioned. Drawn from the very best minds on southern literature and covering the full spectrum of its practitioners, Southern Writers is an indispensable reference book for anyone intrigued by the subject.