War Memorials As Political Landscape
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| Author | : James M. Mayo |
| Publisher | : Praeger |
| Total Pages | : 336 |
| Release | : 1988-05-12 |
| Genre | : History |
| ISBN | : |
War Memorials as Political Landscape critiques the social meaning of war memorials and their role in political and historical landscapes. Mayo argues that war memorials not only reflect the political history of a nation, but also that these memorials are mechanisms to symbolize and justify history. He posits that the presence or absence of commemoration for America's wars is largely explained by the war's importance in establishing the nation's symbolic identity as a political state and by the number of those who died in that war.
| Author | : Kirk Savage |
| Publisher | : Univ of California Press |
| Total Pages | : 408 |
| Release | : 2011-07-11 |
| Genre | : Architecture |
| ISBN | : 0520271335 |
Traces the history of the National Mall in Washington, D.C., discussing its plan and structures, and considering how the concept of memorials and memorial space has changed since the nineteenth century.
| Author | : Thomas J. Brown |
| Publisher | : Civil War America |
| Total Pages | : 368 |
| Release | : 2019 |
| Genre | : History |
| ISBN | : 9781469653730 |
"This ... assessment of Civil War monuments unveiled in the United States between the 1860s and 1930s argues that they were pivotal to a national embrace of military values. Americans' wariness of standing armies limited construction of war memorials in the early republic, ... and continued to influence commemoration after the Civil War. ... distrust of standing armies gave way to broader enthusiasm for soldiers in the Gilded Age. Some important projects challenged the trend, but many Civil War monuments proposed new norms of discipline and vigor that lifted veterans to a favored political status and modeled racial and class hierarchies. A half century of Civil War commemoration reshaped remembrance of the American Revolution and guided American responses to World War I"--
| Author | : Adam T Smith |
| Publisher | : Univ of California Press |
| Total Pages | : 356 |
| Release | : 2003-10-07 |
| Genre | : Social Science |
| ISBN | : 9780520936997 |
How do landscapes—defined in the broadest sense to incorporate the physical contours of the built environment, the aesthetics of form, and the imaginative reflections of spatial representations—contribute to the making of politics? Shifting through the archaeological, epigraphic, and artistic remains of early complex societies, this provocative and far-reaching book is the first systematic attempt to explain the links between spatial organization and politics from an anthropological point of view. The Classic-period Maya, the kingdom of Urartu, and the cities of early southern Mesopotamia provide the focal points for this multidimensional account of human polities. Are the cities and villages in which we live and work, the lands that are woven into our senses of cultural and personal identity, and the national territories we occupy merely stages on which historical processes and political rituals are enacted? Or do the forms of buildings and streets, the evocative sensibilities of architecture and vista, the aesthetics of place conjured in art and media constitute political landscapes—broad sets of spatial practices critical to the formation, operation, and overthrow of polities, regimes, and institutions? Smith brings together contemporary theoretical developments from geography and social theory with anthropological perspectives and archaeological data to pursue these questions.
| Author | : P.J. Rhodes |
| Publisher | : OUP/British Academy |
| Total Pages | : 0 |
| Release | : 2012-05-10 |
| Genre | : History |
| ISBN | : 9780197264669 |
This volume presents studies of military commemorative practices in Western culture, from 5th-century BC Greece, through two World Wars, to the Vietnam Veterans Memorial. This new comparative approach reveals that the distant past has had a lasting influence on commemorative practice in modern times.
| Author | : Karen L. Cox |
| Publisher | : UNC Press Books |
| Total Pages | : 219 |
| Release | : 2021-02-23 |
| Genre | : History |
| ISBN | : 146966268X |
When it comes to Confederate monuments, there is no common ground. Polarizing debates over their meaning have intensified into legislative maneuvering to preserve the statues, legal battles to remove them, and rowdy crowds taking matters into their own hands. These conflicts have raged for well over a century--but they've never been as intense as they are today. In this eye-opening narrative of the efforts to raise, preserve, protest, and remove Confederate monuments, Karen L. Cox depicts what these statues meant to those who erected them and how a movement arose to force a reckoning. She lucidly shows the forces that drove white southerners to construct beacons of white supremacy, as well as the ways that antimonument sentiment, largely stifled during the Jim Crow era, returned with the civil rights movement and gathered momentum in the decades after the Voting Rights Act of 1965. Monument defenders responded with gerrymandering and "heritage" laws intended to block efforts to remove these statues, but hard as they worked to preserve the Lost Cause vision of southern history, civil rights activists, Black elected officials, and movements of ordinary people fought harder to take the story back. Timely, accessible, and essential, No Common Ground is the story of the seemingly invincible stone sentinels that are just beginning to fall from their pedestals.
| Author | : Kirk Savage |
| Publisher | : Princeton University Press |
| Total Pages | : 291 |
| Release | : 2018-07-31 |
| Genre | : History |
| ISBN | : 0691184526 |
A history of U.S. Civil War monuments that shows how they distort history and perpetuate white supremacy The United States began as a slave society, holding millions of Africans and their descendants in bondage, and remained so until a civil war took the lives of a half million soldiers, some once slaves themselves. Standing Soldiers, Kneeling Slaves explores how the history of slavery and its violent end was told in public spaces—specifically in the sculptural monuments that came to dominate streets, parks, and town squares in nineteenth-century America. Looking at monuments built and unbuilt, Kirk Savage shows how the greatest era of monument building in American history took place amid struggles over race, gender, and collective memory. Standing Soldiers, Kneeling Slaves probes a host of fascinating questions and remains the only sustained investigation of post-Civil War monument building as a process of national and racial definition. Featuring a new preface by the author that reflects on recent events surrounding the meaning of these monuments, and new photography and illustrations throughout, this new and expanded edition reveals how monuments exposed the myth of a "united" people, and have only become more controversial with the passage of time.
| Author | : Aaron J. Cohen |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 271 |
| Release | : 2020-06-23 |
| Genre | : History |
| ISBN | : 1498577482 |
This study analyzes how public bereavement became cemented into the broad geography of Russian culture with the appearance of experiential and local memorials in the 1960s after a half century of instability, contestation, and absence. The author shows how monument builders responded to a need from the population to share an accessible war experience apart from the exclusive Bolshevik memorial culture. He argues that this development of war commemoration has amplified the role of war hero memorialization as an anchor of public stability and social solidarity in Putin’s Russia, where there is little consensus about the past, present, or future.
| Author | : Jörg Echternkamp |
| Publisher | : Berghahn Books |
| Total Pages | : 283 |
| Release | : 2019-01-02 |
| Genre | : Art |
| ISBN | : 1789201276 |
Twenty-first-century views of historical violence have been immeasurably influenced by cultural representations of the Second World War. Within Europe, one of the key sites for such representation has been the vast array of museums and memorials that reflect contemporary ideas of war, the roles of soldiers and civilians, and the self-perception of those who remember. This volume takes a historical perspective on museums covering the Second World War and explores how these institutions came to define political contexts and cultures of public memory in Germany, across Europe, and throughout the world.
| Author | : Maya Lin |
| Publisher | : Simon and Schuster |
| Total Pages | : 231 |
| Release | : 2016-04-26 |
| Genre | : Art |
| ISBN | : 1501146564 |
Renowned artist and architect Maya Lin's visual and verbal sketchbook—a unique view into her artwork and philosophy. Walking through this parklike area, the memorial appears as a rift in the earth -- a long, polished black stone wall, emerging from and receding into the earth. Approaching the memorial, the ground slopes gently downward, and the low walls emerging on either side, growing out of the earth, extend and converge at a point below and ahead. Walking into the grassy site contained by the walls of this memorial, we can barely make out the carved names upon the memorial's walls. These names, seemingly infinite in number, convey the sense of overwhelming numbers, while unifying these individuals into a whole.... So begins the competition entry submitted in 1981 by a Yale undergraduate for the design of the Vietnam Veterans Memorial in Washington, D.C. -- subsequently called "as moving and awesome and popular a piece of memorial architecture as exists anywhere in the world." Its creator, Maya Lin, has been nothing less than world famous ever since. From the explicitly political to the un-ashamedly literary to the completely abstract, her simple and powerful sculpture -- the Rockefeller Foundation sculpture, the Southern Poverty Law Center Civil Rights Memorial, the Yale Women's Table, Wave Field -- her architecture, including The Museum for African Art and the Norton residence, and her protean design talents have defined her as one of the most gifted creative geniuses of the age. Boundaries is her first book: an eloquent visual/verbal sketchbook produced with the same inspiration and attention to detail as any of her other artworks. Like her environmental sculptures, it is a site, but one which exists at a remove so that it may comment on the personal and artistic elements that make up those works. In it, sketches, photographs, workbook entries, and original designs are held together by a deeply personal text. Boundaries is a powerful literary and visual statement by "a leading public artist" (Holland Carter). It is itself a unique work of art.
