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| Author | : Thomas Rid |
| Publisher | : Routledge |
| Total Pages | : 451 |
| Release | : 2007-02-15 |
| Genre | : History |
| ISBN | : 1134116861 |
This is the first academic analysis of the role of embedded media in the 2003 Iraq War, providing a concise history of US military public affairs management since Vietnam.In late summer 2002, the Pentagon considered giving the press an inside view of the upcoming invasion of Iraq. The decision was surprising, and the innovative "embedded media prog
| Author | : Daya Kishan Thussu |
| Publisher | : SAGE |
| Total Pages | : 282 |
| Release | : 2003-05-16 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1446239160 |
`No book is more timely than this collection, which analyses brilliantly the Western media′s relentless absorption into the designs of dominant, rapacious power′ - John Pilger `A most timely book, with many valuable insights′ - Martin Bell O.B.E `It has long been known that the outcome of war is deeply influenced by the battle to win ′hearts and minds′. This book provides a stimulating set of perspectives which combine the analyses of prominent academics with the experiences of leading journalists′ - Professor Tom Woodhouse, University of Bradford `This volume represents an all-star cast of authors who have a tremendous amount of knowledge about media and world conflict. One of its strengths is that it doesn′t focus entirely narrowly on media, but puts the discussion of media issues in the context of changes in the world order in military doctrine′ - Professor Daniel C. Hallin, University of California `This book comes just in time. A coherent and wide-ranging collection of data, analyses and insights that help our understanding of the complex interaction between communication and conflict. A major intellectual contribution to critical thinking about the early 21st century′ - Cees J Hamelink, Professor International Communication, University of Amsterdam With what new tools do governments manage the news in order to prepare us for conflict? Are the media responsible for turning conflict into infotainment? Is reporting gender specific? How do journalists view their role in covering distant wars? This book critically examines the changing contours of media coverage of war and considers the complexity of the relationship between mass media and governments in wartime. Assessing how far the political, cultural and professional contexts of media coverage have been affected by 9/11 and its aftermath, the volume also explores media representations of the `War on Terrorism′ from regional and international perspectives, including new actors such as the Qatar-based Al-Jazeera - the pan-Arabic television network. One key theme of the book is how new information and communication technologies are influencing the production, distribution and reception of media messages. In an age of instant global communication and round-the-clock news, powerful governments have refined their public relations machinery, particularly in the way warfare is covered on television, to market their version of events effectively to their domestic as well as international viewing public. Transnational in its intellectual scope and in perspectives, War and the Media includes essays from internationally known academics along with contributions from media professionals working for leading broadcasters such as BBC World and CNN.
| Author | : Yahya R. Kamalipour |
| Publisher | : Rowman & Littlefield Publishers |
| Total Pages | : 277 |
| Release | : 2004-09-14 |
| Genre | : Social Science |
| ISBN | : 1461646847 |
This timely book presents a multifaceted look at war, media, and propaganda from international perspectives. Focusing on the media's role in global conflicts, prominent authors, journalists, scholars, and researchers provide an insightful overview of the impact of globalization on media practices. They examine the processes behind media coverage of war, sophisticated propaganda techniques, the dynamics of public opinion, and the effects on human affairs and communication. As the book moves through theoretical discussions to regional and national views, it explores cultural-political implications for the United States and other countries around the world, concluding with recommendations and solutions to key problems of media globalization.
| Author | : William V. Kennedy |
| Publisher | : Praeger |
| Total Pages | : 190 |
| Release | : 1993-07-30 |
| Genre | : Business & Economics |
| ISBN | : |
This book is the first about military-media relations to argue for a fundamental restructuring of national journalism and the first to document the failure of American journalism in the national security field for the past thirty years. Press complaints of excessive control by the military during the Persian Gulf War of 1990-91 were the inevitable result of the failure of American journalism to train competent specialists in military reporting and to provide an organizational structure that would assure continuing, comprehensive coverage of national defense in peace and war. This, in turn, is the result of retaining the city-room concept as the basic organizational feature of the press, with continuing reliance on the generalist in an age that demands increasingly well-trained specialists. So long as the press fails to modernize its basic methods of training to assure well-trained defense specialists, the military will be required to closely control reporters, as in the Persian Gulf War, as a basic requirement of security for armed forces members and the national interests. Permitting the military to control how the military itself is reported is a grave danger to the democratic process. Yet, so long as the press refuses to accept responsibility for large-scale reform, the public will continue to support close military control as an essential element of safety for its sons and daughters in the armed forces, and out of concern for the success of U.S. military operations. This book will be of interest to students of the press, of the military, and of the media at large.
| Author | : Ian Stewart |
| Publisher | : Fairleigh Dickinson Univ Press |
| Total Pages | : 212 |
| Release | : 1996 |
| Genre | : History |
| ISBN | : 9780838637029 |
"What is the role of the British media in our perception of warfare? Are the impressions which we glean from war films, television news reports and newspaper stories reliable? What are the issues - practical and political - involved in bringing reports of armed conflict to our television screens? Are British military institutions fairly represented, and how are enemy forces portrayed? How are ideas of nationalism and patriotism incorporated into the presentation of war?" "These are some of the questions addressed in this new collection of essays. The book is intended to provide students and general readers with a concise introduction to the main arguments and issues surrounding war and the moving image media in 20th century Britain, as well as contributing new perspectives to this increasingly important area of debate." "Among the subjects discussed are: the media build-up to the Gulf War; representations of the First World War; reporting terrorism; British imperialism in film; transmission technologies and the news reporting of armed conflict; the meaning of war-toys and war-games; and postmodernism and military history."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
| Author | : Sarah Maltby |
| Publisher | : Theschoolbook.com |
| Total Pages | : 244 |
| Release | : 2007 |
| Genre | : Language Arts & Disciplines |
| ISBN | : |
Wars are now mediated in unprecedented ways and through a variety of communicative forms. Correspondingly, there is an increasing awareness among those involved in war of the need to gauge and manage what is communicated. Communicating War: Media, Memory and Military contextualises these developments by locating the emergence of recent wars and terrorist activity in a wider frame of global socio-political change, highlighting the social, political and historical aspects of 'communicating war'. This includes: . the remembering and forgetting of wars through cultures of collective memory and media selectivity; . the organization, practice and culture of media institutions in the mediation of war information; . and the strategic use of information by military institutions and terrorist organizations in the execution of war and terrorist acts. Remaining sensitive to the complexities of conflict, the book moves beyond a focus on UK and US interventions and reflects upon the communication of war in relation to all forms of conflict, particularly terrorism and under reported civil conflicts. Adopting a multi-disciplinary approach, Communicating War: Memory, Media, Military will be of interest to students in journalism, media, war and peace studies, international relations and international politics. Contributors include practitioners from within the journalistic and military communities and international scholars from a broad range of social sciences: Stuart Allan, David Altheide, Chris Atton, Oliver Boyd-Barrett, Nico Carpentier, Neal Curtis, Richard Keeble, Andrew Hoskins, Makram Khoury-Machool, Sarah Maltby, Donald Matheson, Lara Pawson, Ron Schleifer, Martin Shaw, Angus Taverner, John Tulloch, Howard Tumber and Jeremy Tunstall. - REVIEWERS COMMENTS - "Few topics of media research affect us more personally, and emotionally, than how media represents war, and the military's partly hidden role in that process. Communicating War is a wide-ranging and important contribution to that debate, which also has the advantage of being right up-todate. Essential reading " Nick Couldry, Professor of Media and Communications, Goldsmiths University of London "We live in an age where the relationship between war and communications media is more complex and more urgent than ever before. Communicating War is, therefore, to be welcomed. Its rich collection sets the agenda, as does the War and Media Network, from which it emerges. Crucially, the collection reminds us of that which is 'forgotten', which can be as important in the war-media relationship today as those things embedded in memory." James Gow, Professor of International Peace and Security, Kings College London "A timely and hugely valuable contribution to the scholarly literature on news about conflict and war. The range of contributors, and the variety of themes covered, make this collection essential reading for students and researchers of conflict reporting in the post-9/11 world." Brian McNair, Professor of Journalism and Communication, University of Strathclyde. "Communicating War is a timely collection of great diversity, bringing both historical depth and theoretical sophistication to a range of urgent contemporary debates about the media's role in war." Philip Hammond, Reader in Media and Communications, London South Bank University
| Author | : Philip M. Taylor |
| Publisher | : |
| Total Pages | : 376 |
| Release | : 1998-10-15 |
| Genre | : History |
| ISBN | : |
The Gulf War of 1991 was the highest profile media war in history. Never before had so many journalists attempted to cover a war from both sides of the conflict. This book traces the role of the media in the Gulf War and examines the attempts by both the coalition and Iraq to influence public opinion through propaganda and persuasion. Philp Taylor asks how much the public was being told and how much was held back. Analyzing the key news stories of the conflict he looks at the efforts of the American-led coalition to persuade television audiences and newspaper readers to take a "right view" of what was happening and of the Iraqi government's propaganda campaigns concerning civilian damage and the "Mother of all Battles."
| Author | : Sarah Maltby |
| Publisher | : Routledge |
| Total Pages | : 162 |
| Release | : 2013-02-28 |
| Genre | : Social Science |
| ISBN | : 1136335560 |
This book examines the practices of actors involved in the media reportage of war, and the ways in which these practices may influence the conduct of modern military operations. War is a complex phenomenon which raises numerous questions about the organization of society that continue to challenge all those involved in its study. Increasingly, this includes the need to engage theoretically and empirically with the progressive collapse between the ways in which wars are conducted and the manner in which they are reported in the media. Drawing on the work of Erving Goffman, Military Media Management offers a distinctly new approach to our appreciation of the dynamic relationship between war and media; one that is fundamentally a product of social relations between those engaged in reporting war, and those conducting war campaigns. By exploring how and why the military manage information in particular ways, the text succeeds in providing a framework through which wider sociological investigation of this relationship can be understood. This book will be of much interest to students of military and security studies, media studies, war and conflict studies and IR in general.
| Author | : Robert T. Davis |
| Publisher | : Government Printing Office |
| Total Pages | : 140 |
| Release | : 2009 |
| Genre | : History |
| ISBN | : 9780982328347 |
Surveys the US Army's approach to media relations from the Spanish-American War to the first Gulf War. The relationship between the Army and the media is considered in the broader context of the US Government's approach to information management. Given the growing importance of information operations in 21st century warfare, this study provides a succinct overview of how the US Army has approached its relations with the media over the previous century. The study highlights the recurrent tension that exists in both the Army and the US Government's information management writ large. This tension arises from the need for operational security and effective deception and psychological operations and the need to provide transparency to secure public acceptance and support for military operations. The long-running debate over how the Government's information management should be organized and operated reflects this tension. Thus, since World War I a number of bureaucratic manifestations of information management have been tried in wartime, including the Committee on Public Information, the Office of War Information, the Psychological Strategy Board, the United States Information Agency, and, most recently, the Office of Global Communications. With the exception of the United States Information Agency, whose tenure spanned the period from 1953 to 1999, all the other manifestations of bureaucratic information management rose and fell during the wars in which they were created. The growing pains of these organizations sometimes colored the Army's relationship with the media. The need for units in the field to participate in information management is a major challenge for future operations. This study reminds us that those commanders who have gone out of their way to engage the media have, in many cases, had the greatest success with information management.
