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| Author | : Brian M. Britt |
| Publisher | : Burns & Oates |
| Total Pages | : 164 |
| Release | : 1996 |
| Genre | : Literary Criticism |
| ISBN | : |
This book follows the theme of sacred text from Benjamin's early writings on religion, Judaism, and language to the study of Baroque tragedy, modernism, history, and the Paris Arcades. All of these writings reflect a commentary on the idea of the sacred text in Western culture.
| Author | : Brian Britt |
| Publisher | : Penn State Press |
| Total Pages | : 293 |
| Release | : 2022-06-29 |
| Genre | : Religion |
| ISBN | : 0271093560 |
This book shows how institutional religion and the religiosity of political and cultural life provide a necessary dimension to Walter Benjamin, one of the twentieth century’s greatest thinkers. Lived religion surrounded Benjamin, whose upper-middle-class Jewish family celebrated Christmas and Hanukkah in Berlin as the turmoil of war, collapsing empires, and modern urban life gave rise to the Nazi regime that would destroy most of Europe’s Jews, including Benjamin himself. Documenting the vitality and diversity of religious life that surrounded Benjamin in Germany, France, and beyond, Brian Britt shows the extent to which religious communities and traditions, especially those of Christians, influenced his work. Britt surveys and analyzes the intellectual, cultural, and social contexts of religion in Benjamin’s world and broadens the religious frame around discussions of his work to include lived religion—the daily practices of ordinary people. Seeing religion around Benjamin requires looking at forms of life and institutions that he rarely discussed. As Britt shows, dramatic changes in religious practices, particularly in Berlin, reflected broader political and cultural currents that would soon transform the lives of all Europeans. An original perspective on the religious context of a thinker who habitually raised questions about the survival of religion in modernity, Religion Around Walter Benjamin contributes to wider discussions of religious tradition and secular modernity in religious and cultural studies. It provides a foundational overview and introduction to the context of Benjamin’s writing that will be appreciated by scholars and students alike.
| Author | : Colby Dickinson |
| Publisher | : Fordham Univ Press |
| Total Pages | : 341 |
| Release | : 2016-05-19 |
| Genre | : Religion |
| ISBN | : 082327019X |
In the Arcades Project, Walter Benjamin writes that his work is “related to theology as blotting pad is related to ink. It is saturated with it.” For a thinker so decisive to critical literary, cultural, political, and aesthetic writings over the past half-century, Benjamin’s relationship to theological matters has been less observed than it should, even despite a variety of attempts over the last four decades to illuminate the theological elements latent within his eclectic and occasional writings. Such attempts, though undeniably crucial to comprehending his thought, remain in need of deepened systematic analysis. In bringing together some of the most renowned experts from both sides of the Atlantic, Walter Benjamin and Theology seeks to establish a new site from which to address both the issue of Benjamin’s relationship with theology and all the crucial aspects that Benjamin himself grappled with when addressing the field and operations of theological inquiry.
| Author | : Michael Lowy |
| Publisher | : Verso Books |
| Total Pages | : 161 |
| Release | : 2016-10-04 |
| Genre | : Philosophy |
| ISBN | : 1784786438 |
This illuminating study of Benjamin’s final essay helps unlock the mystery of this great philosopher Revolutionary critic of the philosophy of progress, nostalgic of the past yet dreaming of the future, romantic partisan of materialism—Walter Benjamin is in every sense of the word an “unclassifiable” philosopher. His essay “On the Concept of History” was written in a state of urgency, as he attempted to escape the Gestapo in 1940, before finally committing suicide. In this scrupulous, clear and fascinating examination of this essay, Michael Löwy argues that it remains one of the most important philosophical and political writings of the twentieth century. Looking in detail at Benjamin’s celebrated but often mysterious text, and restoring the philosophical, theological and political context, Löwy highlights the complex relationship between redemption and revolution in Benjamin’s philosophy of history.
| Author | : M. Kohlenbach |
| Publisher | : Springer |
| Total Pages | : 259 |
| Release | : 2002-09-06 |
| Genre | : Philosophy |
| ISBN | : 0230511279 |
Walter Benjamin's work represents one of the most radical and controversial responses to the problems of twentieth-century culture and society. This new interpretation analyzes some of the central enigmatic features of his writing, arguing that they result from the co-presence of religious scepticism and the desire for a religious foundation of social life. Margarete Kohlenbach focuses on the structure of self-reference as an expression of Benjamin's sceptical religiosity and examines its significance in his writing on language, literature and the cinema, as well as history, politics and modern technology.
| Author | : S. Brent Plate |
| Publisher | : Psychology Press |
| Total Pages | : 196 |
| Release | : 2005 |
| Genre | : Aesthetics |
| ISBN | : 9780415969925 |
First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
| Author | : S. Brent Plate |
| Publisher | : Columbia University Press |
| Total Pages | : 245 |
| Release | : 2017-09-05 |
| Genre | : Religion |
| ISBN | : 0231545797 |
Religion and cinema share a capacity for world making, ritualizing, mythologizing, and creating sacred time and space. Through cinematography, mise-en-scène, editing, and other production activities, film takes the world “out there” and refashions it. Religion achieves similar ends by setting apart particular objects and periods of time, telling stories, and gathering people together for communal actions and concentrated focus. The result of both cinema and religious practice is a re-created world: a world of fantasy, a world of ideology, a world we long to live in, or a world we wish to avoid at all costs. Religion and Film introduces readers to both religious studies and film studies by focusing on the formal similarities between cinema and religious practices and on the ways they each re-create the world. Explorations of film show how the cinematic experience relies on similar aesthetic devices on which religious rituals have long relied: sight, sound, the taste of food, the body, and communal experience. Meanwhile, a deeper understanding of the aesthetic nature of religious rituals can alter our understanding of film production. Utilizing terminology and theoretical insights from the study of religion as well as the study of film, Religion and Film shows that by paying attention to the ways films are constructed, we can shed new light on the ways religious myths and rituals are constructed and vice versa. This thoroughly revised and expanded new edition is designed to appeal to the needs of courses in religion as well as film departments. In addition to two new chapters, this edition has been restructured into three distinct sections that offer students and instructors theories and methods for thinking about cinema in ways that more fully connect film studies with religious studies.
| Author | : Gerhard Richter |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 177 |
| Release | : 2016-02-25 |
| Genre | : Philosophy |
| ISBN | : 1474251269 |
Gerhard Richter examines, in the work of Walter Benjamin, one of the central problems of modernity: the question of how to receive an intellectual inheritance. Covering aspects of Benjamin's complex relationship to the legacies of such writers as Kant, Nietzsche, Kafka, Heidegger, and Derrida, each chapter attends to a key concern in Benjamin's writing, while reflecting on the challenges that this issue presents for the question of inheritability and transmissibility. Both reading Benjamin and watching himself reading Benjamin, Richter participates in the act of inheriting while also inquiring into the conditions of possibility for inheriting Benjamin's corpus today.
| Author | : James R. Martel |
| Publisher | : Routledge |
| Total Pages | : 181 |
| Release | : 2013-03-01 |
| Genre | : Law |
| ISBN | : 1136632557 |
Divine Violence looks at the question of political theology and its connection to sovereignty. It argues that the practice of sovereignty reflects a Christian eschatology, one that proves very hard to overcome even by left thinkers, such as Arendt and Derrida, who are very critical of it. These authors fall into a trap described by Carl Schmitt whereby one is given a (false) choice between anarchy and sovereignty, both of which are bound within—and return us to—the same eschatological envelope. In Divine Violence, the author argues that Benjamin supplies the correct political theology to help these thinkers. He shows how to avoid trying to get rid of sovereignty (the "anarchist move" that Schmitt tells us forces us to "decide against the decision") and instead to seek to de-center and dislocate sovereignty so that it’s mythological function is disturbed. He does this with the aid of divine violence, a messianic force that comes into the world to undo its own mythology, leaving nothing in its wake. Such a move clears the myths of sovereignty away, turning us to our own responsibility in the process. In that way, the author argues,Benjamin succeeds in producing an anarchism that is not bound by Schmitt’s trap but which is sustained even while we remain dazzled by the myths of sovereignty that structure our world. Divine Violence will be of interest to students of political theory, to those with an interest in political theology, philosophy and deconstruction, and to those who are interested in thinking about some of the dilemmas that the ‘left’ finds itself in today.
| Author | : Momme Brodersen |
| Publisher | : National Geographic Books |
| Total Pages | : 0 |
| Release | : 1998-02-17 |
| Genre | : Biography & Autobiography |
| ISBN | : 1859840825 |
Walter Benjamin (1892-1940) is now generally recognized as one of the most original and influential thinkers of this century. In Britain and the United States in particular, he has acquired a status unlike that of any other German philosopher, as successive generations of readers find their own paths through the endlessly fruitful ambiguities of his work. The conflicts and conjunctions between Benjamin’s Marxism and his messianic Judaism, between his fascination for surrealism and his explorations of the Cabbala, between the philosopher of language and the ever-observant flâneur on the streets of Berlin or Paris—all these have inspired a wealth of interpretations and critical studies. Widely acclaimed in Germany, Momme Brodersen’s Walter Benjamin is the most comprehensive and illuminating biography of Benjamin ever published. Not only does Brodersen provide a fuller and more coherent account of Benjamin’s nomadic career than has any previous scholar, he also demonstrates the fallacy of the popular, romanticized notion of his life as the sorrowful progression of a melancholic personality. The only real tragedy, he argues, was Benjamin’s suicide at Portbou on the Franco-Spanish border in 1940. Using previously unavailable material, Brodersen pays particular attention to Benjamin’s childhood in Berlin, to his conflicts with his bourgeois, Jewish family, his activities in the German Youth Movement, and the formative, irreconcilable influences of idealism, socialism and Zionism. He gives an exceptionally vivid picture of Benjamin’s life during the Weimar Republic, of his success as a literary critic and his work as a translator and radio journalist, as well as of his friendships and love affairs. Finally, he follows Benjamin’s harrowing journey through exile, internment and flight, and for the first time unravels the mysteries surrounding his death. At the same time, Brodersen provides a fresh and lucid presentation of Benjamin’s written work, and of the extraordinary range of his ideas and enthusiasms. Thoroughly revised and expanded for this edition, and accompanied by more than a hundred photographs, this biography is an essential study of the man who himself remains an indispensable guide to the ruins and enchantments of the twentieth century.
