Walt Whitmans Reconstruction
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| Author | : Martin T. Buinicki |
| Publisher | : University of Iowa Press |
| Total Pages | : 205 |
| Release | : 2011-12-15 |
| Genre | : Literary Criticism |
| ISBN | : 1609380703 |
For Walt Whitman, living and working in Washington, D.C., after the Civil War, Reconstruction meant not only navigating these tumultuous years alongside his fellow citizens but also coming to terms with his own memories of the war. Just as the work of national reconstruction would continue long past its official end in 1877, Whitman’s own reconstruction would continue throughout the remainder of his life as he worked to revise his poetic project—and his public image—to incorporate the disasters that had befallen the Union. In this innovative and insightful analysis of the considerable poetic and personal reimagining that is the hallmark of these postwar years, Martin Buinicki reveals the ways that Whitman reconstructed and read the war. The Reconstruction years would see Whitman transformed from newspaper editor and staff journalist to celebrity contributor and nationally recognized public lecturer, a transformation driven as much by material developments in the nation as by his own professional and poetic ambitions while he expanded and cemented his place in the American literary landscape. Buinicki places Whitman’s postwar periodical publications and business interests in context, closely examining his “By the Roadside” cluster as well as MemorandaDuring the War and Specimen Days as part of his larger project of personal and artistic reintegration. He traces Whitman’s shifting views of Ulysses S. Grant as yet another way to understand the poet’s postwar life and profession and reveals the emergence of Whitman the public historian at the end of Reconstruction. Whitman’s personal reconstruction was political, poetic, and public, and his prose writings, like his poetry, formed a major part of the postwar figure that he presented to the nation. Looking at the poet’s efforts to absorb the war into his own reconstruction narrative, Martin Buinicki provides striking new insights into the evolution of Whitman’s views and writings.
| Author | : Luke Mancuso |
| Publisher | : Camden House |
| Total Pages | : 180 |
| Release | : 1997 |
| Genre | : History |
| ISBN | : 9781571131256 |
Analysis of Whitman's reflection of civil rights legislation in his work, 1865-1876. Walt Whitman's prolific Reconstruction project has remained the most uncultivated decade in Whitman studies for over a century. This first book-length analysis seeks to point the way for a needed recovery of Whitman's 1865-1876 publications by embedding them in the legislative discourse of black emancipation and its stormy aftermath. The supposed absence of race relations in Whitman's post-war texts has recently become a source of curiosity and denunciation. However, from 1865 to 1876, the Congressional 'workshop' was seeking to forge interracial civil rights legislation through surveillance of the implementation of such egalitarianism, as manifested in the Civil War Amendments, the Enforcement Acts of 1870-71, and the Civil Rights Act of 1875. The analysis of the hegemonic shift in Whitman's implementation of his democratic poetics constitutes the innovative contribution in these pages. By welcoming ex-slaves into the Union, as well as ex-Rebel states, Whitman's Reconstruction texts enlisted his representations in the federalizing rhetoric of civil rights protection that would lapse for almost a century, before recovery in the Second Reconstruction of the 1950s and 1960s.
| Author | : Lindsay Tuggle |
| Publisher | : University of Iowa Press |
| Total Pages | : 272 |
| Release | : 2017-11-15 |
| Genre | : History |
| ISBN | : 160938539X |
The Afterlives of Specimens explores the space between science and sentiment, the historical moment when the human cadaver became both lost love object and subject of anatomical violence. Walt Whitman witnessed rapid changes in relations between the living and the dead. In the space of a few decades, dissection evolved from a posthumous punishment inflicted on criminals to an element of preservationist technology worthy of the presidential corpse of Abraham Lincoln. Whitman transitioned from a fervent opponent of medical bodysnatching to a literary celebrity who left behind instructions for his own autopsy, including the removal of his brain for scientific study. Grounded in archival discoveries, Afterlives traces the origins of nineteenth-century America’s preservation compulsion, illuminating the influences of botanical, medical, spiritualist, and sentimental discourses on Whitman’s work. Tuggle unveils previously unrecognized connections between Whitman and the leading “medical men” of his era, such as the surgeon John H. Brinton, founding curator of the Army Medical Museum, and Silas Weir Mitchell, the neurologist who discovered phantom limb syndrome. Remains from several amputee soldiers whom Whitman nursed in the Washington hospitals became specimens in the Army Medical Museum. Tuggle is the first scholar to analyze Whitman’s role in medically memorializing the human cadaver and its abandoned parts.
| Author | : Ivy Wilson |
| Publisher | : University of Iowa Press |
| Total Pages | : 233 |
| Release | : 2014-05 |
| Genre | : Literary Criticism |
| ISBN | : 1609382366 |
"Explores the meaning of blacks and blackness in Whitman's imagination and, equally significant, also illuminates the aura of Whitman in African American letters from Langston Hughes to June Jordan, Margaret Walker to Yusef Komunyakaa. The essay, which feature academic scholars and poets alike, address questions of literary history, the textual interplay between author and narrator, and race and poetic influence."--Page [4] of cover.
| Author | : Walt Whitman |
| Publisher | : |
| Total Pages | : 100 |
| Release | : 1871 |
| Genre | : History |
| ISBN | : |
| Author | : Allen C. Guelzo |
| Publisher | : Oxford University Press |
| Total Pages | : 193 |
| Release | : 2018 |
| Genre | : History |
| ISBN | : 0190865695 |
Allen C. Guelzo's Reconstruction: A Concise History is a gracefully written interpretation of Reconstruction as a spirited struggle to reintegrate the defeated Southern Confederacy into the American Union after the Civil War, to bring African Americans into the political mainstream of American life, and to recreate the Southern economy after a Northern free-labor model.
| Author | : Walt Whitman |
| Publisher | : University of Iowa Press |
| Total Pages | : 186 |
| Release | : 2011-04-01 |
| Genre | : Poetry |
| ISBN | : 1587299593 |
In his 1859 “Live Oak, with Moss,” Walt Whitman’s unpublished sheaf of twelve poems on manly passion, the poet dreams of a city where men who love men can live and love openly. The revised “Live Oak, with Moss” poems became “Calamus,” Whitman’s cluster of poems on “adhesive” and manly love, comradeship, and democracy, in Leaves of Grass. Commemorating both the first publication of the “Calamus” poems and the little-known manuscript of notebook poems out of which the “Calamus” cluster grew, Whitman scholar Betsy Erkkila brings together in a single edition for the first time the “Live Oak, with Moss” poems, the 1860 “Calamus” poems, and the final 1881 “Calamus” poems. In addition to honoring the sesquicentennial of the “Calamus” cluster, she celebrates the ongoing legacy of Whitman’s songs of manly passion, sex, and love. The volume begins with Whitman’s elegantly handwritten manuscript of the “Live Oak, with Moss” poems, printed side by side with a typeset transcription and followed by a facsimile of the 1860 version of the “Calamus” poems. The concluding section reprints the final version of the “Calamus” poems from the 1881 edition of Leaves of Grass. In an afterword, Erkkila discusses the radical nature of these poems in literary, sexual, and social history; the changes Whitman made in the “Live Oak” and “Calamus” poems in the post–Civil War and Reconstruction years; the literary, political, and other contests surrounding the poems; and the constitutive role the poems have played in the emergence of modern heterosexual and homosexual identity in the United States and worldwide. The volume closes with a selected bibliography of works that have contributed to the critical and interpretive struggles around Whitman’s man-loving life. One hundred and fifty years after Whitman’s brave decision to speak publicly about a fully realized democracy, his country is still locked in a struggle over the rights of homosexuals. These public battles have been at the very center of controversies over the life, work, and legacy of Walt Whitman, America’s (and the world’s) major poet of democracy and its major singer of what he called “manly love” in all its moods. Together the poems in this omnibus volume affirm his creation of a radical new language designed to convey and affirm the poet’s man love.
| Author | : Walter H. Eitner |
| Publisher | : University Press of Kansas |
| Total Pages | : 140 |
| Release | : 2021-10-08 |
| Genre | : History |
| ISBN | : 0700631488 |
In 1879, when Walt Whitman was sixty, he made a trip to the West—first to Kansas to attend the quarter-centennial celebration of Kansas settlement, then on to Denver and the Rockies. Biographers have only briefly reported this trip, if they have dealt with it at all; here for the first time is a thorough reconstruction of Whitman’s western experience. From his own extensive research in newspapers of the period, as well as from Whitman’s recently published daybooks and notebooks and his collected correspondence. Walter H. Eitner is able to piece together a fairly well detailed itinerary, and to compare the record of the actual journey with Whitman’s imaginative account in Specimen Days. This study in part constitutes a criticism of the sections of Specimen Days dealing with the West by examining the ways in which Whitman reordered his experiences to have them support a bardic pose he wished to maintain. For the first time Whitman’s three journalist traveling companions—whom Whitman did not even mention in Specimen Days—are fully on record. This account also shows Whitman very much his own press agent, engaging in a wide range of self-promoting activities such as writing his own interviews and sending back to the press in the East accounts of his whereabouts, his health, and his plans.
| Author | : Walt Whitman |
| Publisher | : Applewood Books |
| Total Pages | : 102 |
| Release | : 1990 |
| Genre | : Poets, American |
| ISBN | : 1557091323 |
During the Civil War, from 1862-1865, Walt Whitman spent much of his time with wounded soldiers, both in the field and in the hospitals. The 40 notebooks he filled became the basis for the extraordinary diary of a medic in the Civil War.
| Author | : Bonnie Costello |
| Publisher | : Princeton University Press |
| Total Pages | : 272 |
| Release | : 2020-06-09 |
| Genre | : Literary Criticism |
| ISBN | : 0691202907 |
The Plural of Us is the first book to focus on the poet’s use of the first-person plural voice—poetry’s “we.” Closely exploring the work of W. H. Auden, Bonnie Costello uncovers the trove of thought and feeling carried in this small word. While lyric has long been associated with inwardness and a voice saying “I,” “we” has hardly been noticed, even though it has appeared throughout the history of poetry. Reading for this pronoun in its variety and ambiguity, Costello explores the communal function of poetry—the reasons, risks, and rewards of the first-person plural. Costello adopts a taxonomic approach to her subject, considering “we” from its most constricted to its fully unbounded forms. She also takes a historical perspective, following Auden’s interest in the full range of “the human pluralities” in a time of particular pressure for and against the collective. Costello offers new readings as she tracks his changing approach to voice in democracy. Examples from many other poets—including Walt Whitman, T. S. Eliot, Elizabeth Bishop, and Wallace Stevens—arise throughout the book, and the final chapter offers a consideration of how contemporary writers find form for what George Oppen called “the meaning of being numerous.” Connecting insights to philosophy of language and to recent work in concepts of community, The Plural of Us shows how poetry raises vital questions—literary and social—about how we speak of our togetherness.
