Walt Whitmans Native Representations
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| Author | : Ed Folsom |
| Publisher | : Cambridge University Press |
| Total Pages | : 220 |
| Release | : 1997-05-28 |
| Genre | : Literary Criticism |
| ISBN | : 9780521585729 |
Moving through Whitman's career four times from four different perspectives, this 1994 book investigates several major American cultural developments that occurred during Whitman's lifetime, the development of American dictionaries, the growth of baseball, the evolution of American Indian policy: the development of photography became essential components of Whitman's innovative poetics. Resisting the usual critical temptation to present a totalised, one-dimensional Whitman, this study views him instead as multiple and contradictory, a gatherer of discordant tones and clashing approaches from a variety of surprising cultural arenas. In such cultural activities, Whitman found not his poetic subject so much as his poetic tools and techniques. These cultural actions taught him how to make native representations.
| Author | : Susan Belasco |
| Publisher | : U of Nebraska Press |
| Total Pages | : 504 |
| Release | : 2007 |
| Genre | : Literary Collections |
| ISBN | : 0803208782 |
Contains seventeen essays by pre-eminent scholars representing a variety of critical perspectives that focus on Walt Whitman's "Leaves of Grass". This book features contributors who treat Whitman's poetry, his biography, his politics, his reception in the United States and abroad, race and ethnic issues, and nineteenth-century America.
| Author | : John E. Seery |
| Publisher | : University Press of Kentucky |
| Total Pages | : 589 |
| Release | : 2011-01-28 |
| Genre | : Literary Criticism |
| ISBN | : 081313983X |
“Wonderful . . . a timely invitation to political and social theorists to take seriously this imaginative man who solicited us to think and sing democracy.” —Bonnie Honig, author of Emergency Politics The works of Walt Whitman have been described as masculine, feminine, postcolonial, homoerotic, urban, organic, unique, and democratic, yet arguments about the extent to which Whitman could or should be considered a political poet have yet to be fully confronted. Some scholars disregard Whitman’s understanding of democracy, insisting on separating his personal works from his political works. A Political Companion to Walt Whitman is the first full-length exploration of Whitman’s works through the lens of political theory. Editor John E. Seery and a collection of prominent theorists and philosophers uncover the political awareness of Whitman’s poetry and prose, analyzing his faith in the potential of individuals, his call for a revolution in literature and political culture, and his belief in the possibility of combining heroic individualism with democratic justice. A Political Companion to Walt Whitman reaches beyond literature into political theory, revealing the ideology behind Whitman’s call for the emergence of American poets of democracy. “Exceptionally rich and intellectually exciting.” —Choice
| Author | : Vivian R. Pollak |
| Publisher | : Univ of California Press |
| Total Pages | : 300 |
| Release | : 2000-08-04 |
| Genre | : Literary Criticism |
| ISBN | : 9780520924307 |
In this provocative analysis of Whitman's exemplary quest for happiness, Vivian Pollak skillfully explores the intimate relationships that contributed to his portrayal of masculinity in crisis. She maintains that in representing himself as a characteristic nineteenth-century American and in proposing to heal national ills, Whitman was trying to temper his own inner conflicts as well. The poet's expansive vision of natural eroticism and of unfettered comradeship between democratic equals was, however, only part of the story. As Whitman waged a conscious campaign to challenge misogynistic and homophobic literary codes, he promoted a raceless, classless ideal of sexual democracy that theoretically equalized all varieties of desire and resisted none. Pollak suggests that this goal remains imperfectly achieved in his writings, which liberates some forbidden voices and silences others. Integrating biography and criticism, Pollak employs a loosely chronological organization to describe the poet's multifaceted "faith in sex." Drawing on his early fiction, journalism, poetry, and self-reviews, as well as letters and notebook entries, she shows how in spite of his personal ambivalence about sustained erotic intimacy, Whitman came to imagine himself as "the phallic choice of America."
| Author | : Sean Ross Meehan |
| Publisher | : University of Missouri Press |
| Total Pages | : 266 |
| Release | : 2008 |
| Genre | : Biography & Autobiography |
| ISBN | : 0826266401 |
The emergence of photography in the mid-nineteenth century transformed ideas about how the self and nature could be pictured. Although the autobiographical potential of photography seems self-evident today, Sean Meehan takes us back to the birth of the medium when some of America's preeminent authors began to think about photography's implications for the representation of identity and the nature of autobiographical writing. Both photography and autobiography involve a tension between disclosing and concealing their means of production: a chemical process for one, the writing process for the other. Meehan examines how four major authors-Ralph Waldo Emerson, Henry David Thoreau, Frederick Douglass, and Walt Whitman-were well aware of this tension and explored it in their work. By examining the implications of early photography in their writings, he shows how each engaged the new visual medium, how photography mediated their conceptions of self-representation, and how their appropriation of photographic thinking created a new kind of autobiography. Examining the metonymic nature of photography, Meehan explores how the new medium influenced conceptions of visual and verbal representation. He intertwines these four writers' reflections on photography-in Emerson's Representative Men, Thoreau's journals, Douglass's narratives of slavery, and Whitman's Specimen Days-with theories of photography as expounded by its inventors and observers, from Louis Daguerre and William Talbot in Europe to Oliver Wendell Holmes and Marcus Root in America. As the first book to focus on the emergence of this new visual medium during the American Renaissance, Mediating American Autobiography shows us what photography means for American literature in general and for the genre most closely linked to it in particular. Because the engagement of these writers with photography has been neglected in previous scholarship, Meehan's work provocatively bridges the study of two media and illuminates an important aspect of American thought and culture at the dawn of the technological era.
| Author | : Matt Cohen |
| Publisher | : University of Iowa Press |
| Total Pages | : 289 |
| Release | : 2017-07 |
| Genre | : Biography & Autobiography |
| ISBN | : 1609384768 |
The American ninteenth century witnessed a media explosion unprecedented in human history, and Walt Whitman's poetry reveled in the potentials of his time: "See, the many-cylinder'd steam printing-press, " he wrote. "See, the electric telegraph, stretching across the Continent, from the Western Sea to Manhattan." Still, as the budding poet learned, books neither sell themselves nor move themselves: without an efficient set of connections to get books to readers, the democratic, media-saturated future that Whitman imagined would have remained warehoused. Whitman's works sometimes ran through the "many-cylinder'd steam printing-press" and were carried in bulk on "the strong and quick locomotive." Yet during his career, his publications did not follow a progressive path toward mass production and distribution. Whitman's Drift asks how the many options for distributing books and newspapers shaped the way writers wrote and readers read. Studying nineteenth-century literature and how it circulated can help us understand not just how to read Whitman's works and times, but how to understand what is happening to our imaginations now, in the midst of the twenty-first century media explosion. -- from back cover.
| Author | : Joanna Levin |
| Publisher | : Cambridge University Press |
| Total Pages | : 452 |
| Release | : 2018-05-31 |
| Genre | : Literary Criticism |
| ISBN | : 1108314473 |
Walt Whitman is a poet of contexts. His poetic practice was one of observing, absorbing, and then reflecting the world around him. Walt Whitman in Context provides brief, provocative explorations of thirty-eight different contexts - geographic, literary, cultural, and political - through which to engage Whitman's life and work. Written by distinguished scholars of Whitman and nineteenth-century American literature and culture, this collection synthesizes scholarly and historical sources and brings together new readings and original research.
| Author | : Joann P. Krieg |
| Publisher | : University of Iowa Press |
| Total Pages | : 233 |
| Release | : 1998-11-01 |
| Genre | : Literary Criticism |
| ISBN | : 1587292882 |
All Whitman scholars have encountered the frustration of trying to track down an event in Whitman's life—the last time he saw Peter Doyle, when he moved to his own home on Mickle Street in Camden, when he met Oscar Wilde. The records of these events in Whitman's long life are buried in seven volumes of his abundant correspondence, in nine volumes of his conversations with Horace Traubel, in nine volumes of his notebooks and manuscripts, and in countless writings produced by his friends and admirers. To fulfill a long-felt need for order among this embarrassment of riches, Joann Krieg has crafted this detailed chronology of Whitman's life. A Whitman Chronology clarifies the facts of Whitman's life by offering a year-by-year and, where possible, day-by-day account of his private and public life. Where conflicting interpretations exist, Krieg recognizes them and cites the differences; she also directs readers to fuller descriptions of noteworthy events. She offers brief synopses of Whitman's fiction and of his major prose works, giving distinguishing information about each of the six editions of Leaves of Grass. By intertwining the events of his life and work—but without cumbersome layers of speculation—she reveals the close alliance between Whitman's personal involvements and his literary achievements.
| Author | : |
| Publisher | : Penn State Press |
| Total Pages | : 292 |
| Release | : 2006 |
| Genre | : Art and literature |
| ISBN | : 9780271047805 |
| Author | : Melanie Maria Lörke |
| Publisher | : Walter de Gruyter |
| Total Pages | : 356 |
| Release | : 2013-10-24 |
| Genre | : Literary Criticism |
| ISBN | : 3050064536 |
Grenzen, ihre Überschreitung, ihre Auflösung und ihre Wiederherstellung sind ein bisher nicht systematisch erforschtes Schlüsselkonzept für das Verständnis romantischer Literatur. Diese semiotisch-komparatistische Grundsatzstudie analysiert über drei Kulturräume hinweg vergleichend eine Vielfalt heterogener literarischer Entgrenzungsphänomene in der Romantik und entwickelt auf der Basis der romantischen Zeichentheorie ein Modell für die Analyse transepochaler Entgrenzungsphänomene. Dabei geht sie über bekannte Konzepte des paradoxen Subjekts hinaus, indem Entgrenzung als Interdependenz von Subjekt, Raum und Zeichen umfassend in detaillierten Lektüren literarischer Texte aus Deutschland, den USA und Großbritannien sowie in theoretischen Exkursen untersucht wird - von Novalis und Coleridge über Melville bis hin zu Deleuze und Guattari. Die Arbeit ist somit nicht nur ein Beitrag zur Romantikforschung, sondern lotet auch die methodologischen Möglichkeiten derselben neu aus. Die Studie wurde 2012 mit dem von der Ernst-Reuter-Gesellschaft der Freunde, Förderer und Ehemaligen der Freien Universität Berlin e.V. gestifteten Ernst-Reuter-Preis als herausragende und zukunftsweisende Promotionsarbeit ausgezeichnet. Boundaries constitute a key concept in Romanticism: their transgression, their elimination, but also their reconstruction. By analyzing the triad of sign, subject, and space, this study provides a comprehensive analysis of boundaries in German, English, and American Romanticism. Its trans-epochal approach reveals a shared dynamic of a multiplicity of heterogeneous boundary phenomena ranging from the late 18th century to postmodern Romantic texts and constructs a model for the examination of limits: a theory of a-limitation. The known concept of the transgressive Romantic subject is integrated into this triadic model whose primordial site of a-limitation, however, is the semiotics of Romanticism. With a creative theoretical design that allows the reader to survey readings of individual texts as well as broader theoretical frameworks, "Liminal Semiotics" offers a new perspective on a variety of literary texts and theories ranging from Novalis and Coleridge to Melville and finally to Deleuze and Guattari. The thesis was awarded the Ernst-Reuter-Prize 2012 for outstanding dissertations at Freie Universität Berlin.
