Walt Disney Productions Presents Donald Ducks Big Surprise
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Author | : Joe Mathieu |
Publisher | : Random House Books for Young Readers |
Total Pages | : 44 |
Release | : 1975-01-01 |
Genre | : Buttons |
ISBN | : 9780394825625 |
Daisy tricks her stingy Uncle Scrooge into making enough soup for the whole town--using just one button.
Author | : |
Publisher | : Random House Trade |
Total Pages | : 44 |
Release | : 1982-01-01 |
Genre | : Birthdays |
ISBN | : 9780394853932 |
Because of Donald's continual thoughtlessness towards his friends as he indulges his own desires, they decide to teach him a lesson.
Author | : |
Publisher | : |
Total Pages | : 48 |
Release | : 1981 |
Genre | : Christmas stories |
ISBN | : 9780394851112 |
Donald Duck and his family plan a surprise celebration for Uncle Scrooge McDuck, the duck who hates Christmas.
Author | : |
Publisher | : Random House Trade |
Total Pages | : 48 |
Release | : 1983 |
Genre | : Ducks |
ISBN | : 9780394857633 |
Donald Duck's carefully planned picnic with Daisy turns into a disaster.
Author | : |
Publisher | : Random House Books for Young Readers |
Total Pages | : 48 |
Release | : 1975 |
Genre | : Juvenile Fiction |
ISBN | : 9780394825618 |
Gulliver Mickey is shipwrecked in Liliput, a land of tiny people, who, after they lose their initial fear of him, become his fast friends.
Author | : Ariel Dorfman |
Publisher | : |
Total Pages | : 128 |
Release | : 1991 |
Genre | : Comic books, strips, etc |
ISBN | : |
The classic, critical and humorous study of cultural imperialism and children's literature; how the Disney fantasy world reproduces the "American Dream" fantasy world, and the disastrous effect of Disney comics and other "mass" cultural merchandise on the development of the so-called "Third" World. In 1973 this work was banned and burned in Chile, and later the English edition was banned for more than a year by the US government. In comic book format with cartoon examples, introduction by David KUNZLE on the Disney world, a bibliography of left writings on cultural imperialism and the comics, and an appendix by John Shelton LAWRENCE on the book's US censorship and the legal-political issues involved in the right to criticize Disney
Author | : Walt Disney Productions |
Publisher | : Random House Books for Young Readers |
Total Pages | : 48 |
Release | : 1975 |
Genre | : Juvenile Fiction |
ISBN | : 9780394825700 |
Out of gas, Mickey, Donald, and Pluto seek help at a spooky old house that appears to be haunted.
Author | : Ariel Dorfman |
Publisher | : OR Books |
Total Pages | : 208 |
Release | : 2022-05-31 |
Genre | : Literary Criticism |
ISBN | : 9781682193112 |
First published in 1971 in Chile, where the entire third printing was dumped into the ocean by the Chilean Navy and bonfires were held to destroy earlier editions, How to Read Donald Duck reveals the capitalist ideology at work in our most beloved cartoons. Focusing on the hapless mice and ducks of Disney--curiously parentless, marginalized, always short of cash--Ariel Dorfman and Armand Mattelart dissect the narratives of dependency and social aspiration that define the Disney corpus. Disney recognized the challenge, and when the book was translated and imported into the U.S. in 1975, managed to have all 4,000 copies impounded. Ultimately, 1,500 copies of the book were allowed into the country, the rest of the shipment was blocked, and until now no American publisher has dared re-release the book, which sold over a million copies worldwide and has been translated into seventeen languages. A devastating indictment of a media giant, a document of twentieth-century political upheaval, and a reminder of the dark undercurrent of pop culture, How to Read Donald Duck is once again available, together with a new introduction by Ariel Dorfman.
Author | : Ed Catmull |
Publisher | : Random House |
Total Pages | : 367 |
Release | : 2014-04-08 |
Genre | : Business & Economics |
ISBN | : 0679644504 |
The co-founder and longtime president of Pixar updates and expands his 2014 New York Times bestseller on creative leadership, reflecting on the management principles that built Pixar’s singularly successful culture, and on all he learned during the past nine years that allowed Pixar to retain its creative culture while continuing to evolve. “Might be the most thoughtful management book ever.”—Fast Company For nearly thirty years, Pixar has dominated the world of animation, producing such beloved films as the Toy Story trilogy, Finding Nemo, The Incredibles, Up, and WALL-E, which have gone on to set box-office records and garner eighteen Academy Awards. The joyous storytelling, the inventive plots, the emotional authenticity: In some ways, Pixar movies are an object lesson in what creativity really is. Here, Catmull reveals the ideals and techniques that have made Pixar so widely admired—and so profitable. As a young man, Ed Catmull had a dream: to make the first computer-animated movie. He nurtured that dream as a Ph.D. student, and then forged a partnership with George Lucas that led, indirectly, to his founding Pixar with Steve Jobs and John Lasseter in 1986. Nine years later, Toy Story was released, changing animation forever. The essential ingredient in that movie’s success—and in the twenty-five movies that followed—was the unique environment that Catmull and his colleagues built at Pixar, based on philosophies that protect the creative process and defy convention, such as: • Give a good idea to a mediocre team and they will screw it up. But give a mediocre idea to a great team and they will either fix it or come up with something better. • It’s not the manager’s job to prevent risks. It’s the manager’s job to make it safe for others to take them. • The cost of preventing errors is often far greater than the cost of fixing them. • A company’s communication structure should not mirror its organizational structure. Everybody should be able to talk to anybody. Creativity, Inc. has been significantly expanded to illuminate the continuing development of the unique culture at Pixar. It features a new introduction, two entirely new chapters, four new chapter postscripts, and changes and updates throughout. Pursuing excellence isn’t a one-off assignment but an ongoing, day-in, day-out, full-time job. And Creativity, Inc. explores how it is done.
Author | : Bruno Enna |
Publisher | : KaBOOM! |
Total Pages | : 0 |
Release | : 2010-05-04 |
Genre | : Juvenile Fiction |
ISBN | : 9781608865451 |
A dark day dawns when the Agency finds out one of their own elite secret agents is a traitor.