Wallace Stevens
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Author | : Helen Vendler |
Publisher | : Harvard University Press |
Total Pages | : 98 |
Release | : 1986 |
Genre | : Biography & Autobiography |
ISBN | : 9780674945753 |
In this graceful book, Helen Vendler brings her remarkable skills to bear on a number of Stevens' short poems. She shows us that this most intellectual of poets is in fact the most personal of poets; that his words are not devoted to epistemological questions alone but are also "words chosen out of desire."
Author | : James Longenbach |
Publisher | : Oxford University Press, USA |
Total Pages | : 353 |
Release | : 1991 |
Genre | : Literature and society |
ISBN | : 0195070224 |
'This distinguished book sets forth the Stevens that we will be reading for at least the next three decades: a Stevens in close touch with political and social conditions, a Stevens whose poetry arises from the texture of his times.'-Louis Martz
Author | : Simon Critchley |
Publisher | : Routledge |
Total Pages | : 152 |
Release | : 2005-02-18 |
Genre | : Philosophy |
ISBN | : 1134251068 |
This book is an invitation to read poetry. Simon Critchley argues that poetry enlarges life with a range of observation, power of expression and attention to language that eclipses any other medium. In a rich engagement with the poetry of Wallace Stevens, Critchley reveals that poetry also contains deep and important philosophical insight. Above all, he agues for a 'poetic epistemology' that enables us to think afresh the philosophical problem of the relation between mind and world, and ultimately to cast the problem away. Drawing astutely on Kant, the German and English Romantics and Heidegger, Critchley argues that through its descriptions of particular things and their stubborn plainness - whether water, guitars, trees, or cats - poetry evokes the 'mereness' of things. It is this experience, he shows, that provokes the mood of calm and releases the imaginative insight we need to press back against the pressure of reality. Critchley also argues that this calm defines the cinematic eye of Terrence Malick, whose work is discussed at the end of the book.
Author | : Paul Mariani |
Publisher | : Simon and Schuster |
Total Pages | : 504 |
Release | : 2016-04-05 |
Genre | : Biography & Autobiography |
ISBN | : 1451624395 |
An “incandescent….redefining biography of a major poet whose reputation continues to ascend” (Booklist, starred review)—Wallace Stevens, perhaps the most important American poet of the twentieth century. Wallace Stevens (1879-1955) lived a richly imaginative life that he expressed in his poems. “A biography that is both deliciously readable and profoundly knowledgeable” (Library Journal, starred review), The Whole Harmonium presents Stevens within the living context of his times and as the creator of a poetry that continues to shape how we understand and define ourselves. A lawyer who rose to become an insurance-company vice president, Stevens composed brilliant poems on long walks to work and at other stolen moments. He endured an increasingly unhappy marriage, and yet he had his Dionysian side, reveling in long fishing (and drinking) trips to the sun-drenched tropics of Key West. He was at once both the Connecticut businessman and the hidalgo lover of all things Latin. His first book of poems, Harmonium, published when he was forty-four, drew on his profound understanding of Modernism to create a distinctive and inimitable American idiom. Over time he became acquainted with peers such as Robert Frost and William Carlos Williams, but his personal style remained unique. The complexity of Stevens’s poetry rests on emotional, philosophical, and linguistic tensions that thread their way intricately through his poems, both early and late. And while he can be challenging to understand, Stevens has proven time and again to be one of the most richly rewarding poets to read. Biographer and poet Paul Mariani’s The Whole Harmonium “is an excellent, superb, thrilling story of a mind….unpacking poems in language that is nearly as eloquent as the poet’s, and as clear as faithfulness allows” (The New Yorker).
Author | : Wallace Stevens |
Publisher | : |
Total Pages | : 0 |
Release | : 1982 |
Genre | : American poetry |
ISBN | : |
Author | : Dennis Barone |
Publisher | : University of Iowa Press |
Total Pages | : 185 |
Release | : 2009-09 |
Genre | : Literary Criticism |
ISBN | : 1587298112 |
A collection of seventy-six poems inspired by poet Wallace Steven's life and work, written by a variety of modern poets.
Author | : Joan Richardson |
Publisher | : |
Total Pages | : 496 |
Release | : 1986 |
Genre | : Poets, American |
ISBN | : |
Author | : Wallace Stevens |
Publisher | : Vintage |
Total Pages | : 193 |
Release | : 2011-04-27 |
Genre | : Literary Collections |
ISBN | : 0307790665 |
In this collection of essays, consummate poet Wallace Stevens reflects upon his art. His aim is not to produce a work of criticism or philosophy, or a mere discussion of poetic technique. As he explains in his introduction, his ambition in these various pieces, published in different times and places, aimed higher than that, in the direction of disclosing "poetry itself, the naked poem, the imagination manifesting itself in its domination of words." Stevens proves himself as eloquent and scintillating in prose as in poetry, as he both analyzes and demonstrates the essential act of repossessing reality through the imagination.
Author | : Wallace Stevens |
Publisher | : |
Total Pages | : 1064 |
Release | : 1997-10 |
Genre | : Literary Collections |
ISBN | : |
Collected Poetry and Prose.
Author | : Alan Filreis |
Publisher | : Princeton University Press |
Total Pages | : 389 |
Release | : 2014-07-14 |
Genre | : Literary Criticism |
ISBN | : 1400861705 |
The work of Wallace Stevens has been read most widely as poetry concerned with poetry, and not with the world in which it was created; deemed utterly singular, it seems to resist being read as the record of a life and times. In this critical biography Alan Filreis presents a detailed challenge to this exceptionalist view as he traces two major periods of Stevens's career from 1939 to 1955, the war years and the postwar years. Portraying Stevens as someone whose alternation between cultural comprehension and ignorance was itself characteristically American, Filreis examines the poet's impulse to disguise and compress the very fact of his debt to the actual world. By actual world Stevens meant historical conditions, often in order to impugn his own interest in such externalities as the last resort of a man whose famous interiority made him feel desperately irrelevant. In light of events ranging from the U.S. entry into World War II to the Cold War, Filreis shows how Stevens was driven to make a "close approach to reality" in an effort to reconcile his poetic language with a cultural language. "Wallace Stevens and the Actual World is not only an impressive feat of historical recovery and analysis, but also a pleasure to read. It will be useful to anyone interested in the relationship between American politics and literature during World War II and the Cold War."--Milton J. Bates, Marquette University Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.