Waiting For Pushkin
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| Author | : Alessandra Tosi |
| Publisher | : Rodopi |
| Total Pages | : 430 |
| Release | : 2006 |
| Genre | : Literary Criticism |
| ISBN | : 9042018291 |
Waiting for Pushkin provides the only modern history of Russian fiction in the early nineteenth century to appear in over thirty years. Prose fiction has a more prominent position in the literature of Russia than in that of any other great country. Although nineteenth-century fiction in particular occupies a privileged place in Russian and world literature alike, the early stages of this development have so far been overlooked. By combining a broad historical survey with close textual analysis the book provides a unique overview of a key phase in Russian literary history. Drawing on a wide range of sources, including rare editions and literary journals, Alessandra Tosi reconstructs the literary activities occurring at the time, introduces neglected but fascinating narratives, many of which have never been studied before and demonstrates the long-term influence of this body of works on the ensuing "golden age" of the Russian novel. Waiting for Pushkin provides an indispensable source for scholars and students of nineteenth-century Russian fiction. The volume is also relevant to those interested in women's writing, comparative studies and Russian literature in general.
| Author | : The U. S. S. R. Society for Cultural Rel |
| Publisher | : The Minerva Group, Inc. |
| Total Pages | : 284 |
| Release | : 2002 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780898759174 |
"He is the greatest artist in the world, the beginning of all the beginnings of Russian literature. He was the founder of our poetry, and always the teacher of all us." -- Maxim Gorky"He will always remain great, an exemplary master of poetry, and teacher of art. His poetry possessed the peculiar virtue of being able to develop in people a sense of artistic refinement and a sense of humanity... The time will come when he will be held up in Russia as a classical poet, whose works will guide the formation and development of not only the aesthetic but also the moral sense." -- Vissarion BelinskyThe time Belinsky predicted in 1846 has come, for the world.
| Author | : Dennis Brown |
| Publisher | : Rodopi |
| Total Pages | : 308 |
| Release | : 2006 |
| Genre | : Literary Criticism |
| ISBN | : 9789042020535 |
The controversial British writer Ford Madox Ford (1873-1939) is increasingly recognized as a major presence in early twentieth-century literature. International Ford Madox Ford Studies has been founded to reflect the recent resurgence of interest in him. Each volume is based upon a particular theme or issue; each will relate aspects of Ford's work, life, and contacts, to broader concerns of his time. Ford is best-known for his fiction, especially The Good Soldier, long considered a modernist masterpiece; and Parade's End, which Anthony Burgess described as 'the finest novel about the First World War'; and Samuel Hynes has called 'the greatest war novel ever written by an Englishman'. These works, together with his trilogy The Fifth Queen, about Henry VIII and Katharine Howard, are centrally concerned with the idea of Englishness. All these, and other works across Ford's prolific oeuvre, are studied here. Critics of Edwardian and Modernist literature have been increasingly turning to Ford's brilliant 1905 experiment in Impressionism, The Soul of London, as an exemplary text. His trilogy England and the English (of which this forms the first part) provides a central reference-point for this volume, which presents Ford as a key contributor to Edwardian debates about the 'Condition of England'. His complex, ironic attitude to Englishness makes his approach stand out from contemporary anxieties about race and degeneration, and anticipate the recent reconsideration of Englishness in response to post-colonialism, multiculturalism, globalization, devolution, and the expansion and development of the European Community. Ford's apprehension of the major social transformations of his age lets us read him as a precursor to cultural studies. He considered mass culture and its relation to literary traditions decades before writers like George Orwell, the Leavises, or Raymond Williams. The present book initiates a substantial reassessment, to be continued in future volumes in the series, of Ford's responses to these cultural transformations, his contacts with other writers, and his phases of activity as an editor working to transform modern literature. From another point of view, the essays here also develop the project established in earlier volumes, of reappraising Ford's engagement with the city, history, and modernity.
| Author | : Paul Morand |
| Publisher | : Pushkin Press |
| Total Pages | : 385 |
| Release | : 2015-09-01 |
| Genre | : Fiction |
| ISBN | : 1782271317 |
Pierre ruins everything-friendships, love, fatherhood-in his headlong race against time. As he rushes through life, he fails to appreciate those things that are of true value-the tendernesses shown to him by his wife, Hedwige, the poetry of the world. He burns himself up, and burns up those around him, in a constant striving for goals that change as soon as he reaches them. Too late, he will realize that in his haste, he has been hurrying only to arrive more quickly at a meeting with death. Pushkin Collection editions feature a spare, elegant series style and superior, durable components. The Collection is typeset in Monotype Baskerville, litho-printed on Munken Premium White Paper and notch-bound by the independently owned printer TJ International in Padstow. The Man in a Hurry is the first hardcover release in the Pushkin Collection line.
| Author | : M.A. DuVernet |
| Publisher | : Xlibris Corporation |
| Total Pages | : 531 |
| Release | : 2014-12-26 |
| Genre | : Fiction |
| ISBN | : 1499052936 |
Alexander Pushkin is Russia’s most beloved poet. Pushkin is a decedent of a noble family on his father’s side and on his mother’s side the great-grandson of Peter the Great’s Blackamoor slave, who was presented with his freedom and became a general in the tsar’s Navy. Pushkin’s poem “Ode to Liberty” brought hope to the Russian people during a time when other countries were defining their democracy. He is considered to be the Shakespeare of Russian literature having inspired many other writers to follow him. He was revered for his masterpiece Eugene Onegin, and like the hero in his masterpiece became changed by the woman he loved. As a poet, he was also known as the patron saint of dueling having fought many duels during his short life, often over a matter of words or women. His last duel was surrounded with mystery involving an anonymous letter accusing his wife of being unfaithful. He fought this duel to defend his wife’s honor and the mystery of the anonymous letter was never solved, until now! Explore the poetry and letters of Pushkin and read about his fascination with dueling, issues with religion, his struggles with censorship, the years he spent in exile while still serving the autocracy, his tribute to his comrades who fought in the Decembrist Uprising and his search for happiness as he finds and marries the most beautiful woman in all of Russia. Author M. A. DuVernet tells a captivating story of a black poet in Russia during the 1800’s, a man who believed in himself and became a legend in spite of the powerful few who hated him.
| Author | : Margarita Gokun Silver |
| Publisher | : Thread |
| Total Pages | : 246 |
| Release | : 2021-07-29 |
| Genre | : History |
| ISBN | : 1800195346 |
Buy a pair of Levi’s, lose the Russian accent, become an American… how hard could it be? Moscow, 1988. After years of antisemitic harassment, countless hours waiting in line for toilet paper, and having zero access to cool jeans, Margarita decides it’s time to get the hell out of the Soviet Union. While dreaming of buying the boat-sized Buick she’d seen in a pirated VHS of Miami Vice and getting a taste of whatever it is Bruce Springsteen is singing about, she comes up with a plan to escape Mother Russia for good. When Margarita arrives in the US with her family, she has one objective – become fully American as soon as possible, and leave her Soviet past behind. But she soon learns that finding her new voice is harder than avoiding the KGB. Because, how do you become someone else completely? Is it as simple as changing your name, upgrading your wardrobe and working on your pronunciation of the word ‘sheet’? Can you let go of old habits (never, ever throw anything away), or learn to date without hang-ups (‘there is no sex in the Soviet Union’ after all)? Will you ever stop disappointing your parents, who expect you to become a doctor, a lawyer, an investment banker and a classical pianist – all at the same time? And can you still become the person you dreamed you’d be, while learning to embrace parts of yourself you’ve wanted to discard for good when you immigrated? Absolutely hilarious, painfully honest and sometimes heart-breaking, the award-winning I Named My Dog Pushkin will have fans of David Sedaris and Samantha Irby howling with laughter at Margarita’s failures, her victories and the life lessons she learns as she grows as both a woman and an immigrant, in a world that often doesn’t appreciate either. What readers are saying about I Named My Dog Pushkin: ‘Hilariously funny, whip-smart and absolutely fascinating… Silver shows that the only person she needs to ever become is herself. Just amazing.’ Caroline Leavitt, New York Times bestselling author of Pictures of You and With or Without You ‘Laugh-out-loud funny... a particular pleasure to see our splintered country through the eyes of this determined and appreciative emigree.’ NPR Books ‘An eye-opener… a whole other brand of Jewish humor… The book's wit, drama and erudition appear to me wholly miraculous. Margarita deserves a literary prize.’ Alicia Bay Laurel, New York Times bestselling author of Living on the Earth ‘Hysterically funny and thought-provoking… perfect for anyone fascinated with the USSR’ FangirlNation ‘I thoroughly enjoyed Margarita's witty and acerbic voice. This book was a delight!’ Jen Mann, New York Times bestselling author of People I Want to Punch in the Throat ‘Hilarious… From one USSR immigrant to another... I related a lot.’ Margarita Levieva, HBO's The Deuce ‘Hilarious and thought-provoking.’ California Bookwatch ‘A memoir like this is so very rare, one in which you learn a great deal, while laughing throughout. Highly, highly recommended.’ Wandering Educators ‘Plunges the reader into a world in which Coca-Cola is synonymous with freedom… riveting… moving… Gokun Silver is a gifted, witty writer.’ Los Angeles Review of Books ‘Sure to delight while tugging at your heartstrings.’ Jewish Book Council ‘Had me laughing and smiling all the way through… a perfect balance of wit and seriousness… Superb.’ Goodreads reviewer ‘Laughed my socks off!’ Goodreads reviewer ‘I loved this book so much… I just could not stop reading.’ NetGalley reviewer ‘A sharp, witty memoir… Margarita captured Jewish joy and grief together perfectly.’ Goodreads reviewer ‘Darkly funny… reminiscent of other acerbic comedian authors like Sara Barron… fascinating.’ NetGalley reviewer
| Author | : Alexander Pushkin |
| Publisher | : Vintage |
| Total Pages | : 512 |
| Release | : 2016-11-22 |
| Genre | : Literary Collections |
| ISBN | : 0307959635 |
From the award-winning translators: the complete prose narratives of the most acclaimed Russian writer of the Romantic era and one of the world's greatest storytellers. The father of Russian literature, Pushkin is beloved not only for his poetry but also for his brilliant stories, which range from dramatic tales of love, obsession, and betrayal to dark fables and sparkling comic masterpieces, from satirical epistolary tales and romantic adventures in the manner of Sir Walter Scott to imaginative historical fiction and the haunting dreamworld of "The Queen of Spades." The five short stories of The Late Tales of Ivan Petrovich Belkin are lightly humorous and yet reveal astonishing human depths, and his short novel, The Captain's Daughter, has been called the most perfect book in Russian literature.
| Author | : Andrew Kahn |
| Publisher | : Cambridge University Press |
| Total Pages | : 4 |
| Release | : 2006-12-21 |
| Genre | : Literary Criticism |
| ISBN | : 1139827413 |
Alexander Pushkin stands in a unique position as the founding father of Russian literature. In this Companion, leading scholars discuss Pushkin's work in its political, literary, social and intellectual contexts. In the first part of the book individual chapters analyse his poetry, his theatrical works, his narrative poetry and historical writings. The second section explains and samples Pushkin's impact on broader Russian culture by looking at his enduring legacy in music and film from his own day to the present. Special attention is given to the reinvention of Pushkin as a cultural icon during the Soviet period. No other volume available brings together such a range of material and such comprehensive coverage of all Pushkin's major and minor writings. The contributions represent state-of-the-art scholarship that is innovative and accessible, and are complemented by a chronology and a guide to further reading.
| Author | : William F. Buckley |
| Publisher | : Open Road Media |
| Total Pages | : 269 |
| Release | : 2015-08-25 |
| Genre | : Fiction |
| ISBN | : 1504018567 |
Blackford Oakes launches a wild attempt to kill Castro on behalf of the CIA Ever since the botched invasion at the Bay of Pigs, Fidel Castro has run amok. He has executed thousands of his enemies, driven his countrymen to emigrate, and done everything possible to run Cuba into the ground—all in a deliberate attempt to humiliate the White House. At least, that’s how the situation looks from 1600 Pennsylvania Avenue, where hatred of Castro has grown into an obsession. Under orders from John and Bobby Kennedy, the CIA will do anything necessary to kill Castro—no matter how ridiculous. Even-tempered CIA agent Blackford Oakes is dismayed at the agency’s wild schemes, which include everything from poisoned wet suits to mafia hit men. But the evil of Castro’s regime is not a joke, and Oakes won’t be laughing when he tries to knock the dictator off his throne. Mongoose, R.I.P. is the 8th book in the Blackford Oakes Mysteries, but you may enjoy reading the series in any order.
| Author | : Yuri Druzhnikov |
| Publisher | : Routledge |
| Total Pages | : 634 |
| Release | : 2018-04-27 |
| Genre | : Biography & Autobiography |
| ISBN | : 135129010X |
As the central figure in Russian literature, Alexander Pushkin (1799u1837) has been claimed by nearly every political faction, right and left, in Russian cultural politics over the past two centuries, culminating in his official canonization under the Soviet regime. In Prisoner of Russia, Yuri Druzhnikov analyzes the distortions and misrepresentations of Pushkin's cultural appropriation by focusing on Pushkin's attempts at emigration and his attitudes toward Russia and Western Europe.Druzhnikov's semi-biographical narrative concentrates on Pushkin's attempts to leave Russia after his graduation from the Lyceum, through his period of exile, until his early death in a duel in 1837. The matter of emigration from Russia was a politically charged issue well before 1917; witness the hostile reception of all of Turgenev's novels from Fathers and Sons on. The emigrU artist's cultural context is often used to assess his authenticity and stature as seen in the Western examples of Henry James, T.S. Eliot, or James Joyce. Druzhnikov sharply criticizes the omnipresent and reductive tendency in Russia (and the West) to define Russian cultural figures in terms of absolute essences and ideologies and to ignore the ambivalences that in fact help to define a writer's singularity. In the larger view, he argues, it is these that explain the variety and complexity of Russian culture.Druzhnikov's multidisciplinary approach combines literary and political history, with critical commentary arranged in chronological sequence. His interpretive apparatus ranges widely through nineteenth- and twentieth-century history, and provides the necessary intellectual context for nonspecialist readers. He also avoids the massive accumulation of trivial detail characteristic of so much Pushkinology. This accessible, valuable exercise in cultural history will be of interest to Slavic scholars and students, cultural historians, and general readers interested in Russian literature and culture.
