Vox Clamantis
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Author | : Edward Abbey |
Publisher | : St. Martin's Griffin |
Total Pages | : 128 |
Release | : 1991-08-15 |
Genre | : Humor |
ISBN | : 9780312064884 |
For the first time in softcover, Edward Abbey's last book, a collection of unforgettable barbs of wisdom from the best-selling author of The Monkey Wrench Gang. Notes from a Secret Journal Edward Abbey on: Government-"Terrorism: deadly violence against humans and other living things, usually conducted by a government against its own people." Sex-"How to Avoid Pleurisy: Never make love to a girl named Candy on the tailgate of a half-ton Ford pickup during a chill rain in April out of Grandview Point in San Juan County, Utah." New York City-"New Yorkers like to boast that if you can survive in New York, you can survive anywhere. But if you can survive anywhere, why live in New York?" Literature-"Henry James. Our finest lady novelist."
Author | : Ralph Sadler |
Publisher | : |
Total Pages | : 328 |
Release | : 1891 |
Genre | : Christianity |
ISBN | : |
Author | : George Liebmann |
Publisher | : |
Total Pages | : 383 |
Release | : 2021-01-24 |
Genre | : |
ISBN | : |
An historically-informed collection of 110 short op-ed articles on American and Maryland politics 1995-2020, including longer pieces on welfare reform, reapportionment, and Palestine, together with 20 book reviews of historical works and three longer esseays on the original design of the United Nations, the Nazi impact on the western world, and the record of the Kennedy administration
Author | : |
Publisher | : |
Total Pages | : 588 |
Release | : 1895 |
Genre | : |
ISBN | : |
Author | : John Gower |
Publisher | : Michigan State University Press |
Total Pages | : 456 |
Release | : 1992 |
Genre | : Literary Collections |
ISBN | : |
The Mirour de l'Omme (The Mirror of Mankind) is an encyclopedia of moral topics, including a vivid allegory of the Seven Deadly Sins. Author John Gower (1330-1408) was a poet, personal friend of Chaucer, and the most prominent member of his literary circle.
Author | : Steven Justice |
Publisher | : Univ of California Press |
Total Pages | : 303 |
Release | : 2023-04-28 |
Genre | : Literary Criticism |
ISBN | : 0520918401 |
In this compelling account of the "peasants' revolt" of 1381, in which rebels burned hundreds of official archives and attacked other symbols of authority, Steven Justice demonstrates that the rebellion was not an uncontrolled, inarticulate explosion of peasant resentment but an informed and tactical claim to literacy and rule. Focusing on six brief, enigmatic texts written by the rebels themselves, Justice places the English peasantry within a public discourse from which historians, both medieval and modern, have thus far excluded them. He recreates the imaginative world of medieval villagers—how they worked and governed themselves, how they used official communications in unofficial ways, and how they produced a disciplined insurgent ideology. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996. In this compelling account of the "peasants' revolt" of 1381, in which rebels burned hundreds of official archives and attacked other symbols of authority, Steven Justice demonstrates that the rebellion was not an uncontrolled, inarticulate explosion of p
Author | : Marion Turner |
Publisher | : Clarendon Press |
Total Pages | : 225 |
Release | : 2006-11-30 |
Genre | : Literary Criticism |
ISBN | : 0191525936 |
Chaucerian Conflict explores the textual environment of London in the 1380s and 1390s, revealing a language of betrayal, surveillance, slander, treason, rebellion, flawed idealism, and corrupted compaignyes. Taking a strongly interdisciplinary approach, it examines how discourses about social antagonism work across different kinds of texts written at this time, including Chaucer's House of Fame, Troilus and Criseyde, and Canterbury Tales, and other literary texts such as St Erkenwald, Gower's Vox clamantis, Usk's Testament of Love, and Maidstone's Concordia. Many non-literary texts are also discussed, including the Mercers' Petition, Usk's Appeal, the guild returns, judicial letters, de Mezieres's Letter to Richard II, and chronicle accounts. These were tumultuous decades in London: some of the conflicts and problems discussed include the Peasants' Revolt, the mayoral rivalries of the 1380s, the Merciless Parliament, slander legislation, and contemporary suspicion of urban associations. While contemporary texts try to hold out hope for the future, or imagine an earlier Golden Age, Chaucer's texts foreground social conflict and antagonism. Though most critics have promoted an idea of Chaucer's texts as essentially socially optimistic and congenial, Marion Turner argues that Chaucer presents a vision of a society that is inevitably divided and destructive.
Author | : Malte Urban |
Publisher | : Peter Lang |
Total Pages | : 250 |
Release | : 2009 |
Genre | : Foreign Language Study |
ISBN | : 9783039113767 |
This book examines the ways in which Geoffrey Chaucer and John Gower appropriated their sources, paying particular attention to the theories of history and political agendas informing these appropriations. The study offers comparative readings of Chaucer's and Gower's works, framed by a concern with twentieth-century theories that explore the limits of historicist and deconstructive readings of late medieval texts. Starting with Gower's Vox Clamantis, the chapters offer largely chronological readings of texts such as Chaucer's dream visions, Troilus and Criseyde, the Tale of Melibee and the Physician's Tale, and a selection of tales from Gower's Confessio Amantis. The querying historicism pursued in these readings offers a new way of considering late medieval literature, focusing on close-reading and a dialogue between medieval and post-medieval cultural discourses.
Author | : Andrew Galloway |
Publisher | : University of Toronto Press |
Total Pages | : 758 |
Release | : 2009-04-15 |
Genre | : Literary Criticism |
ISBN | : 1442693231 |
As students and scholars of Boccaccio, Chaucer, and Dante know, late medieval writers were influenced greatly by the work of peers that crossed historical, national, cultural, linguistic boundaries. Through a Classical Eye contains first-rate essays that demonstrate a range of strategies for undertaking transcultural and transhistorical studies of the late medieval period, and examines medieval literature and culture where English, Italian, and Latin materials overlap. Written in honour of the groundbreaking contributions that Winthrop Wetherbee made to this growing area of study, the volume's contributors advance his legacy and add to the burgeoning interest in setting medieval literary studies into wide intellectual and historical horizons. Divided into three illuminating sections on Medieval Latin authorship, Italy and the world, and England and beyond, and including a personal reminiscence of Wetherbee by the noted novelist Robert Morgan, Through a Classical Eye is an outstanding collection that provides key insights into medieval literature and culture.
Author | : Peter Macardle |
Publisher | : Rodopi |
Total Pages | : 462 |
Release | : 2007 |
Genre | : Art |
ISBN | : 9042023465 |
The early-fourteenth-century St Gall Passion Play comes from the Central Rhineland. Unfortunately its music (over one hundred Latin and German chants) is given in the manuscript only as brief incipits, without any musical notation. This interdisciplinary study reconstructs the musical stratum of the play. It is the first full-scale musical reconstruction of a large German Passion play in recent times, using the latest available scholarly data in drama, liturgy and music. It draws conclusions about performance practice and forces, and offers a sound basis for an authentic performance of the play. The study applies musical and liturgical data to the problem of localizing the play (the first time this has been systematically attempted), and assesses how applicable this might be to other plays. It presents a detailed study of the distinctive medieval liturgical uses of three German dioceses, Mainz, Speyer and Worms. The comparative approach suggests how the music of other plays might be reconstructed and understood, and shows that a better understanding of the music of medieval drama has much to teach us about other aspects of the genre. The book should be of interest to literary scholars, theatre historians, musicologists, liturgical scholars, and those involved in the performance of early drama.