Buddhist Art of Myanmar

Buddhist Art of Myanmar
Author: Sylvia Fraser-Lu
Publisher: Yale University Press
Total Pages: 273
Release: 2015-01-01
Genre: Art
ISBN: 0300209452

A stunning showcase of exceptional and rare works of Buddhist art, presented to the international community for the first time The practice of Buddhism in Myanmar (Burma) has resulted in the production of dazzling objects since the 5th century. This landmark publication presents the first overview of these magnificent works of art from major museums in Myanmar and collections in the United States, including sculptures, paintings, textiles, and religious implements created for temples and monasteries, or for personal devotion. Many of these pieces have never before been seen outside of Myanmar. Accompanied by brilliant color photography, essays by Sylvia Fraser-Lu, Donald M. Stadtner, and scholars from around the world synthesize the history of Myanmar from the ancient through colonial periods and discuss the critical links between religion, geography, governance, historiography, and artistic production. The authors examine the multiplicity of styles and techniques throughout the country, the ways Buddhist narratives have been conveyed through works of art, and the context in which the diverse objects were used. Certain to be the essential resource on the subject, Buddhist Art of Myanmar illuminates two millennia of rarely seen masterpieces.

The Mists of Rāmañña

The Mists of Rāmañña
Author: Michael A. Aung-Thwin
Publisher: University of Hawaii Press
Total Pages: 448
Release: 2017-04-01
Genre: History
ISBN: 0824874412

Scholars have long accepted the belief that a Theravada Buddhist Mon kingdom, Rāmaññadesa, flourished in coastal Lower Burma until it was conquered in 1057 by King Aniruddha of Pagan—which then became, in essence, the new custodian and repository of Mon culture in the Upper Burmese interior. This scenario, which Aung-Thwin calls the "Mon Paradigm," has circumscribed much of the scholarship on early Burma and significantly shaped the history of Southeast Asia for more than a century. Now, in a masterful reassessment of Burmese history, Michael Aung-Thwin reexamines the original contemporary accounts and sources without finding any evidence of an early Theravada Mon polity or a conquest by Aniruddha. The paradigm, he finds, cannot be sustained. How, when, and why did the Mon Paradigm emerge? Aung-Thwin meticulously traces the paradigm's creation to the merging of two temporally, causally, and contextually unrelated Mon and Burmese narratives, which were later synthesized in English by colonial officials and scholars. Thus there was no single originating source, only a late and mistaken conflation of sources. The conceptual, methodological, and empirical ramifications of these findings are significant. The prevalent view that state-formation began in the maritime regions of Southeast Asia with trade and commerce rather than in the interior with agriculture must now be reassessed. In addition, a more rigorous look at the actual scope and impact of a romanticized Mon culture in the region is required. Other issues important to the field of early Burma and Southeast Asian studies, including the process of "Indianization," the characterization of "classical" states, and the advent and spread of Theravada Buddhism, are also directly affected by Aung-Thwin’s work. Finally, it provides a geo-political, cultural, and economic alternative to what has become an ethnic interpretation of Burma’s history. An electronic version of this book is freely available thanks to the support of libraries working with Knowledge Unlatched, a collaborative initiative designed to make high-quality books open access for the public good. The open-access version of this book is licensed under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0), which means that the work may be freely downloaded and shared for non-commercial purposes, provided credit is given to the author. Derivative works and commercial uses require permission from the publisher.

Indian Art in the Ashmolean Museum

Indian Art in the Ashmolean Museum
Author: Ashmolean Museum
Publisher:
Total Pages: 132
Release: 1987
Genre: Art
ISBN:

The Ashmolean's holdings of Indian art are the most extensive in Britain after the great London collections of the British Museum and the V&A. This book is arranged chronologically in three separate sections -- Hindu, Buddhist and Jain sculpture; folk bronzes and paintings; paintings and decorative arts of the Mughal and British periods.

Bagan and the World

Bagan and the World
Author: Goh Geok Yian
Publisher: ISEAS-Yusof Ishak Institute
Total Pages: 240
Release: 2017-10-30
Genre: History
ISBN: 9814786020

The archaeological site of Bagan and the kingdom which bore its name contains one of the greatest concentrations of ancient architecture and art in Asia. Much of what is visible today consists of ruins of Buddhist monasteries. While these monuments are a major tourist attraction, recent advances in archaeology and textual history have added considerable new understanding of this kingdom, which flourished between the 11th and 14th centuries. Bagan was not an isolated monastic site; its inhabitants participated actively in networks of Buddhist religious activity and commerce, abetted by the site’s location near the junction where South Asia, China and Southeast Asia meet. This volume presents the result of recent research by scholars from around the world, including indigenous Myanmar people, whose work deserves to be known among the international community. The perspective on Myanmar’s role as an integral part of the intellectual, artistic and economic framework found in this volume yields a glimpse of new themes which future studies of Asian history will no doubt explore. span, SPAN { background-color:inherit; text-decoration:inherit; white-space:pre-wrap }

Sri Ksetra Museum Collection Inventory

Sri Ksetra Museum Collection Inventory
Author: Charlotte Galloway
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 572
Release: 2022-12-05
Genre: Religion
ISBN: 3110674300

The Sri Ksetra Museum Inventory provides public access to this significant collection for the first time. The Inventory records the majority of the Museum collection up until 2015. Nearly all of the artefacts date to Myanmar’s Pyu period of the first millennium. Many of the objects have been documented for the first time, having been kept in storage in some cases unseen for nearly one hundred years. As only a limited amount of collection material can be publicly displayed in the Museum the Inventory provides immediate access to resource materials that would otherwise be out of reach. From intact votive tablets in diverse styles, to fragments of terracotta plaques and stone sculptures this is the most comprehensive collection of Pyu material culture in Myanmar. With the rise of interest in Pyu scholarship since the UNESCO listing of The Pyu Ancient Cities in 2014, this inventory, which also includes more recent finds from the important Pyu site of Khin Ba, will broaden scholars’ appreciation of Pyu culture and open avenues for future research across many disciplines.

Myanmar in the Fifteenth Century

Myanmar in the Fifteenth Century
Author: Michael A. Aung-Thwin
Publisher: University of Hawaii Press
Total Pages: 393
Release: 2017-05-31
Genre: History
ISBN: 0824874110

When the great kingdom of Pagan declined politically in the late thirteenth and early fourteenth centuries, its territory devolved into three centers of power and a period of transition occurred. Then two new kingdoms arose: the First Ava Dynasty in Upper Myanmar and the First Pegu Dynasty in Lower Myanmar. Both originated around the second half of the fourteenth century, reached their pinnacles in the fifteenth, and declined before the first half of the sixteenth century was over. Their story is the only missing piece in Myanmar’s mainstream historiography, a gap this book is designed to fill. Renowned historian Michael Aung-Thwin reconstructs the chronology of this nearly two-hundred-year period while challenging a number of long-held beliefs. Contrary to conventional histories, he contends that Ava was the continuation of an old kingdom (Pagan) led by its traditional ethno-linguistic group, the Burmese speakers, while Pegu was a new kingdom led by more recent arrivals, the Mon speakers. Although both kingdoms shared many cultural components of the “classical” Pagan tradition, Ava was inland and agrarian, while Pegu was maritime and commercial, so that each was shaped by very different geopolitical and economic environments. In that difference rests the dynamism of their “upstream-downstream” relationship, which, thereafter, became a regular historical pattern in Myanmar history, represented today by inland Naypyidaw and “coastal” Yangon. Original in conception and impressive in scope, this well written book not only fills in the history of early modern Myanmar but places it in a broad interpretive context based on years of familiarity with a wealth of primary sources. Full of arresting anecdotes and colorful personalities, it represents an important contribution to Myanmar studies that will not easily be superseded.

Authentic Replicas

Authentic Replicas
Author: Hsueh-man Shen
Publisher: University of Hawaii Press
Total Pages: 348
Release: 2018-10-31
Genre: History
ISBN: 082486705X

As belief in the Buddha grew and his teachings were transmitted across Asia, Buddhist images, scriptures, and relics were duplicated and reduplicated to satisfy the needs of increasing numbers of the faithful. Yet how were these countless copies of sacred objects able to retain their authenticity and efficacy? Authentic Replicas explores how Buddhists in medieval China (seventh to twelfth centuries) solved this conundrum through the use of traditional methods of replication such as stamping, mold casting, and woodblock printing to create objects that fulfilled the spiritual aspirations of those who possessed them. Setting aside Western notions about the relative value of copies versus the “original,” the book posits Buddhist ideas on what imbues an object with credibility and authority and offers fresh insights into the ways authenticity was represented and reproduced in the Chinese Buddhist context. Each section of the volume focuses on an area of artistic output to provide readers with a thorough grasp of the theological concepts underpinning each act of duplication. Part I looks at the replication of sutras to clarify how the spiritual value of a handwritten sutra differed from a printed one. In Part II, clay tablets, woodblock prints, silk paintings, and cave murals are examined to trace iconographic lineages and uncover the divine identity in each new replica. The chapters in Part III describe in detail the copying of the Buddha’s bodily relics and the endlessly repeated votive act of burying these in stupas. Of particular significance is the visual and textual vocabulary used on reliquaries to persuade adherents to believe in the actual presence of the Buddha concealed inside. Deftly weaving together data and research from several disciplines, including Buddhist studies, archaeology, and art history, Authentic Replicas vividly conveys how replication lay at the heart of Buddhist worship in medieval China, offering a new understanding of how religious belief guided the artistic output of an entire age.

2500 Years of Buddhism

2500 Years of Buddhism
Author: P.V. Bapat
Publisher: Publications Division Ministry of Information & Broadcasting
Total Pages: 416
Release:
Genre:
ISBN: 8123023049

About the life of Buddha