Voodoo And The Art Of Haiti
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Author | : Donald Cosentino |
Publisher | : University of Washington Press |
Total Pages | : 452 |
Release | : 1995 |
Genre | : Art |
ISBN | : |
This abundantly illustrated anthology brings together sixteen essays by artists, scholars and ritual experts who examine the sacred arts of Haitian Vodou from multiple perspectives. Among the many topics covered are the ten major Vodou divinities: Vodou's roots in the Fon and Kongo kingdoms of Africa and its transformation in the experiences of slavery, and the encounter with European spiritual systems; Vodou praxis, including its bodily and communal disciplines, the cult of St. James Major (Ogou), and the cult of twins.In the final section, essays by Elizabeth McAlister, Patrick Polk, Tina Girouard, and Randall Morris look at Vodou arts and artists, Oleyant, and the legacy of ironworker Georges Liautaud.The Envoi, by Donald J.Cosentino, is devoted to the Gedes, spirits of death and regeneration.
Author | : Michael Largey |
Publisher | : University of Chicago Press |
Total Pages | : 300 |
Release | : 2006-05 |
Genre | : History |
ISBN | : 0226468658 |
While the Haitian musical tradition is probably best known for the Vodou-inspired roots music that helped topple the two-generation Duvalier dictatorship, the nation’s troubled history of civil unrest and its tangled relationship with the United States is more intensely experienced through its art music, which combines French and German elements of classical music with Haiti's indigenous folk music. Vodou Nation examines art music by Haitian and African American composers who were inspired by Haiti’s history as a nation created by slave revolt. Around the time of the United States’s occupation of Haiti in 1915, African American composers began to incorporate Vodou-inspired musical idioms to showcase black artistry and protest white oppression. Together with Haitian musicians, these composers helped create what Michael Largey calls the “Vodou Nation,” an ideal vision of Haiti that championed its African-based culture as a bulwark against America’s imperialism. Highlighting the contributions of many Haitian and African American composers who wrote music that brought rhythms and melodies of the Vodou ceremony to local and international audiences, Vodou Nation sheds light on a black cosmopolitan musical tradition that was deeply rooted in Haitian culture and politics.
Author | : Sheldon Williams |
Publisher | : |
Total Pages | : 132 |
Release | : 1969 |
Genre | : Art, Haitian |
ISBN | : |
Author | : Richard A. Loederer |
Publisher | : Pelican Publishing |
Total Pages | : 306 |
Release | : 2005-11-30 |
Genre | : Body, Mind & Spirit |
ISBN | : 9781455613687 |
"A valuable anthropological artifact...readers come to realize Haiti's connections with Louisiana, especially the River Parishes." --L'Observateur "A long-lost charmer about a trip within the Haitian interior of another era. . . [contains] very evocative woodcuts by the author that add to the total otherness of what and where he is, going from the wild 20's jazz scene in New York to the all-but-unbelievable scenes he was witness to in the cacophonous darkness of a voodoo ceremony." --The Courier-Gazette (Rockland, ME) "The drums took on a different rhythm, rattling out a sharp staccato message, accompanied by the heavy pounding of the bass. Faster and faster flew the feet of the dancers as they whirled round the fire. Their smooth muscles writhed and cramped as under the blows of an invisible whip." From his steamer voyage from Jazz Age New York to Cap Haitien to his punishing trek through the island's interior jungle to his rapt, yet fearful, attendance at an authentic voodoo ceremony, Richard A. Loederer captures the sights, sounds, and sensations of this mysterious Caribbean republic. Originally published in German in 1932, Loederer's eyewitness account of his adventures in Haiti has long been out of print. The author's own art-deco-style woodcuts add to the exotic appeal of this volume, which chronicles the vanishing African traditions of the island's people.
Author | : Alfred Métraux |
Publisher | : Pickle Partners Publishing |
Total Pages | : 560 |
Release | : 2016-10-21 |
Genre | : Fiction |
ISBN | : 178720166X |
Voodoo in Haiti is a masterwork of observation and description by one of the most distinguished anthropologists of the twentieth century. Alfred Métraux has written a rich and lasting study of the lives and rituals of the Haitian mambos and adepts, and of the history and origins of their religion. It is an accurate and engaging account of one of the most fascinating and misunderstood cultures in the world. “Métraux’s book is a landmark in the serious study of Afro-Atlantic religion. The breadth and subtlety of its approach is such that it remains an essential classic of Afro-American ethnology.”—Robert Farris Thompson, professor of art history, Yale University, author of Flash of the Spirit “This is a work deserving of wide readership, and assured of it by its understanding and appeal.”—Library Journal “This book gives what is surely the most authoritative general account of that complex of belief and practice called vaudou available in the literature....No other observer of vaudou has contributed to its study the exquisite documentation of detail that marks the work of Alfred Métraux.”—Sidney W. Mintz, professor of anthropology, Johns Hopkins University
Author | : Kate Ramsey |
Publisher | : University of Chicago Press |
Total Pages | : 446 |
Release | : 2014-02-07 |
Genre | : Social Science |
ISBN | : 0226703819 |
Vodou has often served as a scapegoat for Haiti’s problems, from political upheavals to natural disasters. This tradition of scapegoating stretches back to the nation’s founding and forms part of a contest over the legitimacy of the religion, both beyond and within Haiti’s borders. The Spirits and the Law examines that vexed history, asking why, from 1835 to 1987, Haiti banned many popular ritual practices. To find out, Kate Ramsey begins with the Haitian Revolution and its aftermath. Fearful of an independent black nation inspiring similar revolts, the United States, France, and the rest of Europe ostracized Haiti. Successive Haitian governments, seeking to counter the image of Haiti as primitive as well as contain popular organization and leadership, outlawed “spells” and, later, “superstitious practices.” While not often strictly enforced, these laws were at times the basis for attacks on Vodou by the Haitian state, the Catholic Church, and occupying U.S. forces. Beyond such offensives, Ramsey argues that in prohibiting practices considered essential for maintaining relations with the spirits, anti-Vodou laws reinforced the political marginalization, social stigmatization, and economic exploitation of the Haitian majority. At the same time, she examines the ways communities across Haiti evaded, subverted, redirected, and shaped enforcement of the laws. Analyzing the long genealogy of anti-Vodou rhetoric, Ramsey thoroughly dissects claims that the religion has impeded Haiti’s development.
Author | : Donald Cosentino |
Publisher | : Univ. Press of Mississippi |
Total Pages | : 76 |
Release | : 1998 |
Genre | : Art |
ISBN | : 9781578060146 |
Pierrot Barra and his wife Marie Cassaise are the most astonishing artists that the author of this fascinating book has encountered in more than a decade of researching Vodou in Haiti. Inspired by dreams and psychic visions of Vodoun divinities, the couples' sculptures combine distant memories of Africa, the imagery of Catholic saints, Masonic regalia, and Hollywood Kitsch. 48 full-color photos.
Author | : Legrace Benson |
Publisher | : |
Total Pages | : 328 |
Release | : 2015-03-18 |
Genre | : |
ISBN | : 9789766377304 |
it awakens an appreciation for the imagination and creativity of the Haitian artists even in those whose provincialism would limit their preferences to the Western artistic tradition. Professor Leslie Desmangles Professor of Religion and International Studies Trinity University Modern Haitian art has for decades enthralled aficionados and general art lovers alike. In Arts and Religions of Haiti: How the Sun Illuminates Under Cover of Darkness, Haitian Scholar, LeGrace Benson presents a rich examination of the artists and arts of Haiti, and the complex history and religious practices of the Haitian people through the creative productions of its craftsmen, painters and sculptors. In departing from the usual Haitian Art or Haitian Religion books, Benson explains the relationship of Haitian art to the culture and uniquely describes the intersection, interrelation and influence of Judaism and Christianity as well as Taino and Islamic traces and the effects of both Masonic and Rosicrucian orders in shaping Vodou s belief system and rituals. In the face of mainstream media s titillating depictions of an imagined Voodoo, Benson presents Haiti s deeply spiritual artists bringing forth energetic visions of healing, liberation and tranquillity through fascinating art works which manifest the creativity and undaunted hope of this complex nation. Heralded by scholars as an important addition to Haitian Studies, Arts and Religions of Haiti: How the Sun Illuminates Under Cover of Darkness is the culmination of years of research and field study. It opens new areas of study and scholarly research and is a remarkable source of information on Haitian culture and religion but also an invaluable resource for art historians, anthropologists, historians and sociologists interested in Caribbean and African religions. "
Author | : |
Publisher | : Interlink Books |
Total Pages | : 132 |
Release | : 2010 |
Genre | : Art |
ISBN | : |
The world's media has chronicled Haiti's long history of political instability and social unrest. But perhaps more importantly, Haitians themselves reacted to the cycle of hope and despair in the form of hundreds of spontaneous street murals. Mostly in the capial, Port-au-Prince, these colorful and expressive paintings both recorded key events and articulated the hopes and fears of their creators. Tragically, many of these paintings were among the casualties of the earthquake that struck the island in early 2010.
Author | : Elizabeth McAlister |
Publisher | : Univ of California Press |
Total Pages | : 295 |
Release | : 2002-05-01 |
Genre | : Religion |
ISBN | : 0520926749 |
Rara is a vibrant annual street festival in Haiti, when followers of the Afro-Creole religion called Vodou march loudly into public space to take an active role in politics. Working deftly with highly original ethnographic material, Elizabeth McAlister shows how Rara bands harness the power of Vodou spirits and the recently dead to broadcast coded points of view with historical, gendered, and transnational dimensions.