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| Author | : Raimonda Modiano |
| Publisher | : University of Washington Press |
| Total Pages | : 456 |
| Release | : 2016-06-01 |
| Genre | : Literary Criticism |
| ISBN | : 0295806931 |
Voice, Text, Hypertext illustrates brilliantly why interest in textual studies has grown so dramatically in recent years. For the distinguished authors of these essays, a “text” is more than a document or material object. It is a cultural event, a matrix of decisions, an intricate cultural practice that may focus on religious traditions, modern “underground” literary movements, poetic invention, or the irreducible complexity of cultural politics. Drawing from classical Roman and Indian to modern European traditions, the volume makes clear that to study a text is to study a culture. It also demonstrates the essential importance of heightened textual awareness for contemporary cultural studies and critical theory—and, indeed, for any discipline that studies human culture.
| Author | : Petr Sojka |
| Publisher | : Springer Science & Business Media |
| Total Pages | : 653 |
| Release | : 2004-08-30 |
| Genre | : Computers |
| ISBN | : 3540230491 |
This volume contains the Proceedings of the 7th International Conference on Text, Speech and Dialogue, held in Brno, Czech Republic, in September 2004, under the auspices of the Masaryk University. This series of international conferences on text, speech and dialogue has come to c- stitute a major forum for presentation and discussion, not only of the latest developments in academic research in these ?elds, but also of practical and industrial applications. Uniquely, these conferences bring together researchers from a very wide area, both intellectually and geographically, including scientists working in speech technology, dialogue systems, text processing, lexicography, and other related ?elds. In recent years the conference has dev- oped into aprimary meetingplacefor speech and languagetechnologistsfrom manydifferent parts of the world and in particular it has enabled important and fruitful exchanges of ideas between Western and Eastern Europe. TSD 2004 offered a rich program of invited talks, tutorials, technical papers and poster sessions, aswellasworkshops andsystemdemonstrations. Atotalof78paperswereaccepted out of 127 submitted, contributed altogether by 190 authors from 26 countries. Our thanks as usual go to the Program Committee members and to the external reviewers for their conscientious and diligent assessment of submissions, and to the authors themselves for their high-quality contributions. We would also like to take this opportunity to express our appreciation to all the members of the Organizing Committee for their tireless efforts in organizing the conference and ensuring its smooth running.
| Author | : Mark Smith |
| Publisher | : Oxford University Press |
| Total Pages | : 779 |
| Release | : 2017-02-15 |
| Genre | : History |
| ISBN | : 0191089761 |
Osiris, god of the dead, was one of ancient Egypt's most important deities. The earliest secure evidence for belief in him dates back to the fifth dynasty (c.2494-2345BC), but he continued to be worshipped until the fifth century AD. Following Osiris is concerned with ancient Egyptian conceptions of the relationship between Osiris and the deceased, or what might be called the Osirian afterlife, asking what the nature of this relationship was and what the prerequisites were for enjoying its benefits. It does not seek to provide a continuous or comprehensive account of Egyptian ideas on this subject, but rather focuses on five distinct periods in their development, spread over four millennia. The periods in question are ones in which significant changes in Egyptian ideas about Osiris and the dead are known to have occurred or where it has been argued that they did, as Egyptian aspirations for the Osirian afterlife took time to coalesce and reach their fullest form of expression. An important aim of the book is to investigate when and why such changes happened, treating religious belief as a dynamic rather than a static phenomenon and tracing the key stages in the development of these aspirations, from their origin to their demise, while illustrating how they are reflected in the textual and archaeological records. In doing so, it opens up broader issues for exploration and draws meaningful cross-cultural comparisons to ask, for instance, how different societies regard death and the dead, why people convert from one religion to another, and why they abandon belief in a god or gods altogether.
| Author | : Virginia Jackson |
| Publisher | : Princeton University Press |
| Total Pages | : 328 |
| Release | : 2005-07-25 |
| Genre | : Literary Criticism |
| ISBN | : 9780691119915 |
How do we know that Emily Dickinson wrote poems? How do we recognize a poem when we see one? In Dickinson's Misery, Virginia Jackson poses fundamental questions about reading habits we have come to take for granted. Because Dickinson's writing remained largely unpublished when she died in 1886, decisions about what it was that Dickinson wrote have been left to the editors, publishers, and critics who have brought Dickinson's work into public view. The familiar letters, notes on advertising fliers, verses on split-open envelopes, and collections of verses on personal stationery tied together with string have become the Dickinson poems celebrated since her death as exemplary lyrics. Jackson makes the larger argument that the century and a half spanning the circulation of Dickinson's work tells the story of a shift in the publication, consumption, and interpretation of lyric poetry. This shift took the form of what this book calls the "lyricization of poetry," a set of print and pedagogical practices that collapsed the variety of poetic genres into lyric as a synonym for poetry. Featuring many new illustrations from Dickinson's manuscripts, this book makes a major contribution to the study of Dickinson and of nineteenth-century American poetry. It maps out the future for new work in historical poetics and lyric theory.
| Author | : Peter Shillingsburg |
| Publisher | : Penn State Press |
| Total Pages | : 238 |
| Release | : 2017-06-01 |
| Genre | : Business & Economics |
| ISBN | : 0271079959 |
In literary investigation all evidence is textual, dependent on preservation in material copies. Copies, however, are vulnerable to inadvertent and purposeful change. In this volume, Peter Shillingsburg explores the implications of this central concept of textual scholarship. Through thirteen essays, Shillingsburg argues that literary study depends on documents, the preservation of works, and textual replication, and he traces how this proposition affects understanding. He explains the consequences of textual knowledge (and ignorance) in teaching, reading, and research—and in the generous impulses behind the digitization of cultural documents. He also examines the ways in which facile assumptions about a text can lead one astray, discusses how differing international and cultural understandings of the importance of documents and their preservation shape both knowledge about and replication of works, and assesses the dissemination of information in the context of ethics and social justice. In bringing these wide-ranging pieces together, Shillingsburg reveals how and why meaning changes with each successive rendering of a work, the value in viewing each subsequent copy of a text as an original entity, and the relationship between textuality and knowledge. Featuring case studies throughout, this erudite collection distills decades of Shillingsburg’s thought on literary history and criticism and appraises the place of textual studies and scholarly editing today.
| Author | : Steven Engler |
| Publisher | : Routledge |
| Total Pages | : 570 |
| Release | : 2013-06-17 |
| Genre | : Religion |
| ISBN | : 1136577653 |
This is the first comprehensive survey in English of research methods in the field of religious studies. It is designed to enable non-specialists and students at upper undergraduate and graduate levels to understand the variety of research methods used in the field. The aim is to create awareness of the relevant methods currently available and to stimulate an active interest in exploring unfamiliar methods, encouraging their use in research and enabling students and scholars to evaluate academic work with reference to methodological issues. A distinguished team of contributors cover a broad spectrum of topics, from research ethics, hermeneutics and interviewing, to Internet research and video-analysis. Each chapter covers practical issues and challenges, the theoretical basis of the respective method, and the way it has been used in religious studies, illustrated by case studies.
| Author | : Neil Fraistat |
| Publisher | : Cambridge University Press |
| Total Pages | : 327 |
| Release | : 2013-05-09 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 052151410X |
An introduction to studying and editing texts in all forms, from manuscript to digital.
| Author | : David Atkinson |
| Publisher | : Open Book Publishers |
| Total Pages | : 228 |
| Release | : 2014-03-12 |
| Genre | : Literary Criticism |
| ISBN | : 1783740272 |
This is the first book to combine contemporary debates in ballad studies with the insights of modern textual scholarship. Just like canonical literature and music, the ballad should not be seen as a uniquely authentic item inextricably tied to a documented source, but rather as an unstable structure subject to the vagaries of production, reception, and editing. Among the matters addressed are topics central to the subject, including ballad origins, oral and printed transmission, sound and writing, agency and editing, and textual and melodic indeterminacy and instability. While drawing on the time-honoured materials of ballad studies, the book offers a theoretical framework for the discipline to complement the largely ethnographic approach that has dominated in recent decades. Primarily directed at the community of ballad and folk song scholars, the book will be of interest to researchers in several adjacent fields, including folklore, oral literature, ethnomusicology, and textual scholarship.
| Author | : Markus Hilgert |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 294 |
| Release | : 2016-12-19 |
| Genre | : History |
| ISBN | : 3110417847 |
The present volume comprises 6 highly original studies on material text cultures in different nontypographic societies stretching from the 3rd millennium cuneiform textual record of Ancient Mesopotamia to 20th century Qur'anic boards of northern and central African provenience. It provides a multidisciplinary approach to material text cultures complementary to the interdisciplinary, strongly theory-grounded research scheme of the CRC 933. Six research fellowships were awarded to outstanding young researchers for innovative, high-risk research proposals pertinent to the CRC 933's overall research scheme. Their studies contained in this volume add multidisciplinary dimension to material text culture research, satisfy the curiosity as to the applicability of the theoretical premises and methodology developed and tested by the CRC 933 to research on inscribed artefacts carried out on an international level and in different research environments and contribute to anchoring material text culture research as proposed by the CRC 933 within the tradition and broader context of other research strategies devoted to the material dimension of writing, such as the filologia materiale.
| Author | : Gary D. Martin |
| Publisher | : Society of Biblical Lit |
| Total Pages | : 341 |
| Release | : 2010 |
| Genre | : Bibles |
| ISBN | : 1589835131 |
Textual criticism is in a period of change, as it seeks to account for an ever-growing body of textual data as well as the development of new methodologies. Since the older methodologies cannot simply be modified to meet our present needs, Multiple Originals seeks to build bridges between methods of traditional textual criticism and those of orality and formulaic analysis. Examining practices of textual criticism across a wide range of texts and disciplines, this book challenges the assumption that there can be only one correct reading and argues for the presence of multivalences of both meaning and text. It demonstrates that in some cases multivalences were intended by the composer, while in other cases, during the periods from which our earliest extant manuscripts derive, they fell within the limits of variability acceptable to those who valued and transmitted those texts.
