Vogue On Cristobal Balenciaga
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| Author | : Sue Irvine |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2013 |
| Genre | : Fashion designers |
| ISBN | : 9781849493116 |
In 1936, Cristobal Balenciaga opened a fashion house in Paris, after fleeing the Spanish civil war; within a couple of seasons he had raised fashion to the level of art. Christian Dior called Balenciaga 'the master of us all', while Coco Chanel claimed that he along was 'a couturier in the truest sense of the word ... the others are simple fashion designers'. This book explores his work.
| Author | : Mary Blume |
| Publisher | : Macmillan |
| Total Pages | : 230 |
| Release | : 2013-02-05 |
| Genre | : Biography & Autobiography |
| ISBN | : 1466836067 |
A sparkling life of the monumental fashion designer Cristóbal Balenciaga When Cristóbal Balenciaga died in 1972, the news hit the front page of The New York Times. One of the most innovative and admired figures in the history of haute couture, Balenciaga was, said Schiaparelli, “the only designer who dares do what he likes.” He was, said Christian Dior,“the master of us all.” But despite his extraordinary impact, Balenciaga was a man hidden from view. Unlike today’s celebrity designers, he saw to it that little was known about him, to the point that some French journalists wondered if he existed at all. Even his most notable and devoted clients—Marlene Dietrich, Barbara Hutton, a clutch of Rothschilds—never met him. But one woman knew Balenciaga very well indeed. The first person he hired when he opened his Paris house (then furnished with only a table and a stool) was Florette Chelot, who became his top vendeuse—as much an adviser as a saleswoman. She witnessed the spectacular success of his first collection, and they worked closely for more than thirty years, until 1968, when Balenciaga abruptly closed his house without telling any of his staff. Youth-oriented fashion was taking over, Paris was in upheaval, and the elder statesman wanted no part of it. In The Master of Us All , Mary Blume tells the remarkable story of the man and his house through the eyes of the woman who knew him best. Intimate and revealing, this is an unprecedented portrait of a designer whose vision transformed an industry but whose story has never been told until now.
| Author | : Myra Walker |
| Publisher | : Yale University Press |
| Total Pages | : 192 |
| Release | : 2006-01-01 |
| Genre | : Design |
| ISBN | : 0300121539 |
Overzicht van de creaties uit de Texas fashion collectie van de Spaanse modeontwerper (1895-1972).
| Author | : Hamish Bowles |
| Publisher | : Skira |
| Total Pages | : 258 |
| Release | : 2011 |
| Genre | : Art |
| ISBN | : 0847836460 |
"Published by the Fine Arts Museums of San Francisco and Skira Rizzoli Publications, Inc., on the occasion of the exhibition Balenciaga and Spain, on view at the de Young Museum from March 26 through July 4, 2011"--T.p. verso.
| Author | : Irvine Susan |
| Publisher | : |
| Total Pages | : 160 |
| Release | : 2013 |
| Genre | : |
| ISBN | : 9783899105834 |
| Author | : Pamela Golbin |
| Publisher | : |
| Total Pages | : 232 |
| Release | : 2006 |
| Genre | : Biography & Autobiography |
| ISBN | : |
This book explores two main periods in depth when Cristobal Balenciaga made his name during Paris's golden age of fashion from 1937-1968, and then charting the dramatic revival of the House of Balenciaga under Nicolas Ghesquiere, one of the most widely admired and celebrated new designers in contemporary fashion.
| Author | : Susan Sontag |
| Publisher | : Picador |
| Total Pages | : 29 |
| Release | : 2019-06-14 |
| Genre | : Philosophy |
| ISBN | : 1250621348 |
From one of the greatest prose stylists of any generation, the essay that inspired the theme of the 2019 Met Gala, Camp: Notes on Fashion Many things in the world have not been named; and many things, even if they have been named, have never been described. One of these is the sensibility—unmistakably modern, a variant of sophistication but hardly identical with it—that goes by the cult name of “Camp.” So begins Susan Sontag’s seminal essay “Notes on ‘Camp.’ ” Originally published in 1964 and included in her landmark debut essay collection Against Interpretation, Sontag’s notes set out to define something that even the most well-informed could describe only as “I know it when I see it.” At once grounded in a sweeping history (Louis XIV was pure Camp) and entirely provisional, Camp delights in low and high culture alike. Tiffany lamps, the androgynous beauty of Greta Garbo, King Kong (1933), and Mozart all embody the Camp sensibility for Sontag—an almost ineffable blend of artifice, extravagance, playfulness, and a deadly seriousness. At the time Sontag published her essay, Camp, as a subversion of sexual norms, had also become a private code of signification for queer communities. In nearly every genre and form—from visual art, décor, and fashion to writing, music, and film—Camp continues to be redefined today, as seen in the 2019 Met Gala that took Sontag’s essay as the basis for its theme. “Style is everything,” Sontag tells us, and as Time magazine points out, “ ‘Notes on “Camp” ’ launched a new way of thinking,” paving the way for a whole new style of cultural criticism, and describing what is, in many ways, the defining sensibility of our culture today.
| Author | : Pamela Golbin |
| Publisher | : Rizzoli Publications |
| Total Pages | : 241 |
| Release | : 2016-06-28 |
| Genre | : Design |
| ISBN | : 0847849058 |
Late legendary couturiers of modern fashion speaking eloquently about life, design, and inspiration. Vionnet, Chanel, Dior, Saint Laurent, McQueen—these names define haute couture, and long after the designers have passed away, their influence on fashion continues to be profound. In an exceptional compilation of the original words of these couturiers, Couture Confessions provides a unique and in-depth look at the lives and work of these fashion icons. In this engaging, beautifully designed book, Pamela Golbin, acclaimed chief curator of twentieth-century fashion and textiles at Paris’s Musée des Arts Décoratifs, has ingeniously constructed conversations in the designers’ own words that highlight their compelling personal stories as well as essential fashion "moments"—from designers Paul Poiret, Cristóbal Balenciaga, Madame Grès, Alexander McQueen, Madeleine Vionnet, and Gabrielle Chanel to Elsa Schiaparelli, Yves Saint Laurent, Jeanne Lanvin, Pierre Balmain, and Christian Dior.Featuring striking illustrations by internationally recognized illustrator Yann Legendre, each "interview" asks the questions every fashion lover has always wanted to ask, making these legends approachable, human, and ever more inspiring.
| Author | : Lisa Springsteel |
| Publisher | : John Wiley & Sons |
| Total Pages | : 582 |
| Release | : 2013-05-06 |
| Genre | : Business & Economics |
| ISBN | : 1118420985 |
The complete guide to the fashion industry, featuring interviews with top designers who explain the intricacies of the world of fashion design Anyone who has ever tried to launch a fashion design career knows how grueling it can be. The fashion industry is a highly prominent field, yielding a competitive environment that is greatly guarded, secretive, and difficult to infiltrate. Becoming a Fashion Designer provides all the information, resources, and tools you need to help you navigate these obstacles and successfully launch a career in fashion design. Of the various job opportunities available in the fashion industry, the career path of a fashion designer consistently ranks as the most popular position in the field, making the competition even greater. The book pays special attention to this and demonstrates several ways in which an aspiring fashion designer can stand out from the competition. A dynamic and comprehensive career guide, this book imparts insider tips from top fashion designers and executives based around the world. Expert advice includes an introduction to a career in fashion design, educational requirements, career opportunities, the design process, portfolio creation, preparation for getting hired, steps to start and run one's own fashion design business, as well as a forecast of the future of the fashion industry. Features original interviews from top designers and high-profile fashion executives, including Ralph Rucci, Reem Acra, Peter Som, Anna Sui, Nanette Lepore, Kay Unger, Stuart Weitzman, Dennis Basso, Randolph Duke, Zang Toi, Pamella Roland, Robert Verdi and Daymond John Includes cases in point and insider tips throughout Includes illustrations, drawings, sketches, and photographs demonstrating various aspects of working in fashion design, with special contributions from renowned illustrator, Izak Zenou and legendary fashion photographer, Nigel Barker Offers in-depth resources to assist you on your journey to becoming a fashion designer Whether a student, recent college graduate, industry professional or career changer, you'll learn everything you need to know to successfully develop a fashion design career.
| Author | : |
| Publisher | : Paris Musées |
| Total Pages | : 236 |
| Release | : 2017 |
| Genre | : Crafts & Hobbies |
| ISBN | : |
"The Palais Galliera is paying homage to the couturier Cristobal Balenciaga (1865-1972) with an extra-mural exhibition at the Musée Bourdelle entitled : 'Balenciaga, l'oeuvre au noir'. The exhibition resonates with the black tones of an alchemist of haute couture : variations of black repeated in over a hundred of pieces from the Galliera collections and the archives of Maison Balenciaga...The exhibition resounds with a black harmony of an Haute Couture alchemist. Black motivated Balenciaga : the backbone of his work was inspired by the folklore and traditions of his Spanish childhood. Black was this exceptionally skilled tailor's preference. Black was a monastic influence on the master, about whom Dior once said: "Clothes were his religion". Balenciaga saw black as a vibrant matter whether it be opaque or transparent, matt or shiny - a dazzling interplay of light, that owes as much to the luxurious quality of the fabrics as to the apparent simplicity of the cut. A lace highlight, embroidery, guipure, a heavy drape of silk velvet and, hey presto, you have a skirt, a bolero, a mantilla, a cape reinvented as a coat, a coat tailored as a cape... ...Every piece is magnificent, from day clothes to cocktail dresses and sumptuous evening outfits lined in silk taffeta, edged with fringes, decorated with satin ribbons, jet beads, sequins... more than hundred couture variations of black are the treasures of the Galliera collections and the Maison Balenciaga's archives. The exhibition is located in the Musée Bourdelle where the sculptures mirror the pure sculptural effect of Cristobal Balenciaga's stunning creations"--http://www.palaisgalliera.paris.fr/en/exhibitions/balenciaga-loeuvre-au-noir
