Võ Phié̂n and the Sadness of Exile
Author | : John C. Schafer |
Publisher | : Southeast Asia Publications Center for Southeas Es Northern |
Total Pages | : 410 |
Release | : 2006 |
Genre | : Biography & Autobiography |
ISBN | : |
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Author | : John C. Schafer |
Publisher | : Southeast Asia Publications Center for Southeas Es Northern |
Total Pages | : 410 |
Release | : 2006 |
Genre | : Biography & Autobiography |
ISBN | : |
Author | : Mark Philip Bradley |
Publisher | : Oxford University Press, USA |
Total Pages | : 250 |
Release | : 2020-12-31 |
Genre | : |
ISBN | : 0192895788 |
One of the first books to look at how the Vietnamese themselves experienced the wars for Vietnam, including both the French and the American wars. Combining political, social, and cultural history, Bradley examines how the war was seen both by top policy makers and also everyday soldiers and civilians in both North and South Vietnam.
Author | : Nathalie Huynh Chau Nguyen |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 227 |
Release | : 2009-08-25 |
Genre | : History |
ISBN | : 0313360286 |
Winner of the 2010 CHOICE Outstanding Academic Titles The act of remembering is a means of bringing the past alive and an imaginative way of dealing with loss. It has been the subject of much recent scholarship and is of particular relevance at a time of widespread transnational migration. This book is a valuable and original contribution to the field of diaspora studies. Based on in-depth oral narratives of forty Vietnamese women, it deals with themes both universal and specific to this diaspora: divergent memories in families, the significance of homeland, the return to Vietnam, cross-cultural relationships, intergenerational tensions, and the issues of silence and unspoken trauma among Vietnamese refugees. It is the first study to apply memory and trauma theories to a substantial base of oral narratives by Vietnamese women in the West. Nguyen argues that understanding of these narratives provides not only an insight into the way Vietnamese women have dealt with loss, but also illuminates the experience of the wider Vietnamese diaspora and other refugees.
Author | : Nha Ca |
Publisher | : Indiana University Press |
Total Pages | : 376 |
Release | : 2014-09-04 |
Genre | : History |
ISBN | : 0253014328 |
“An intimate―and disturbing―account of war at its most brutal, told from the point of view of civilians trying to survive the maelstrom.” —Publishers Weekly Vietnam, January, 1968. As the citizens of Hue are preparing to celebrate Tet, the start of the Lunar New Year, Nha Ca arrives in the city to attend her father’s funeral. Without warning, war erupts all around them, drastically changing or cutting short their lives. After a month of fighting, their beautiful city lies in ruins and thousands of people are dead. Mourning Headband for Hue tells the story of what happened during the fierce North Vietnamese offensive and is an unvarnished and riveting account of war as experienced by ordinary people caught up in the violence. “A visceral reminder of war’s intimate slaughter.” —Kirkus Reviews “[A] searing eyewitness account . . . It makes for an intimate―and disturbing―account of war at its most brutal told from the point of view of civilians trying to survive the maelstrom.” —VVA Veteran
Author | : Constance M. Wilson |
Publisher | : Center for Southeast Asian Studies Northern Illinois Univers |
Total Pages | : 430 |
Release | : 2009 |
Genre | : History |
ISBN | : |
Author | : Tai Thu Nguyen |
Publisher | : CRVP |
Total Pages | : 368 |
Release | : 2008 |
Genre | : Bhuddism |
ISBN | : 1565180984 |
Author | : Catharine Theimer Nepomnyashchy |
Publisher | : Northwestern University Press |
Total Pages | : 489 |
Release | : 2006-05-30 |
Genre | : Literary Criticism |
ISBN | : 0810119714 |
A wide-ranging consideration of the nature and significance of Pushkin's African heritage Roughly in the year 1705, a young African boy, acquired from the seraglio of the Turkish sultan, was transported to Russia as a gift to Peter the Great. This child, later known as Abram Petrovich Gannibal, was to become Peter's godson and to live to a ripe old age, having attained the rank of general and the status of Russian nobility. More important, he was to become the great-grandfather of Russia's greatest national poet, Alexander Pushkin. It is the contention of the editors of this book, borne out by the essays in the collection, that Pushkin's African ancestry has played the role of a "wild card" of sorts as a formative element in Russian cultural mythology; and that the ways in which Gannibal's legacy has been included in or excluded from Pushkin's biography over the last two hundred years can serve as a shifting marker of Russia's self-definition. The first single volume in English on this rich topic, Under the Sky of My Africa addresses the wide variety of interests implicated in the question of Pushkin's blackness-race studies, politics, American studies, music, mythopoetic criticism, mainstream Pushkin studies. In essays that are by turns biographical, iconographical, cultural, and sociological in focus, the authors-representing a broad range of disciplines and perspectives-take us from the complex attitudes toward race in Russia during Pushkin's era to the surge of racism in late Soviet and post-Soviet contemporary Russia. In sum, Under the Sky of My Africa provides a wealth of basic material on the subject as well as a series of provocative readings and interpretations that will influence future considerations of Pushkin and race in Russian culture.
Author | : James Gaasch |
Publisher | : |
Total Pages | : |
Release | : 2019-05-21 |
Genre | : |
ISBN | : 9781947112247 |
The photographs of the African masks and carvers in this book represent the Bwa (or Bwaba), Winiama and Mossi peoples of Burkina Faso, and the Bamana and Dogon peoples of Mali. Gaasch acquired many of these masks in the villages where they were carved. When possible, he interviewed the village carvers, the creators, of these dancing masks. Gaasch's interviews with the carvers underscore the cultural context where traditional African world views persist. And, to the extent possible, they give voice to the masks to reveal their own significance.The masks are, in our times, signifiers of cultures increasingly under siege, hostage to religious fanaticism, or to impoverishing globalization. This small book reaffirms the rights of these masks to continue to dance.