Visualizing Nature
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| Author | : Stuart Kestenbaum |
| Publisher | : Chronicle Books |
| Total Pages | : 112 |
| Release | : 2021-06-25 |
| Genre | : Nature |
| ISBN | : 1648960375 |
Visualizing Nature brings together contemporary visionaries to share deeply personal essays on nature, ecology, sustainability, climate change, philosophy, and more. Compiled by editor and poet Stuart Kestenbaum, the contributors represent a wide range of backgrounds and experiences, each honoring nature's power to heal, inspire, guide, amaze, and strengthen. Activist Maulian Dana of the Penobscot Nation writes on the intertwining relationship of motherhood and Mother Earth. Biology professor David Haskell tells the story of the resilient bristlecone pine trees, which live to be as old as 2,100 years. Iranian scholar Alireza Taghdarreh speaks to his experience of translating Emerson's "Nature" into Farsi. A previously unpublished 1962 speech by Rachel Carson complements the collection of more than twenty essays, each inviting the reader into a quiet space of reflection with the opportunity to think deeply about how they relate to the natural world.
| Author | : Nick Mount |
| Publisher | : CRC Press |
| Total Pages | : 424 |
| Release | : 2008-12-22 |
| Genre | : Nature |
| ISBN | : 142005550X |
The explosion of public interest in the natural environment can, to a large extent, be attributed to greater public awareness of the impacts of global warming and climate change. This has led to increased research interest and funding directed at studies of issues affecting sensitive, natural environments. Not surprisingly, much of this work has re
| Author | : Janice Neri |
| Publisher | : U of Minnesota Press |
| Total Pages | : 265 |
| Release | : 2011 |
| Genre | : Art |
| ISBN | : 0816667640 |
How the picturing of insects inspired new ideas about art, science, nature, and commerce
| Author | : Daniela Bleichmar |
| Publisher | : Yale University Press |
| Total Pages | : 241 |
| Release | : 2017-01-01 |
| Genre | : Art |
| ISBN | : 0300224028 |
An unprecedented visual exploration of the intertwined histories of art and science, of the old world and the new From the voyages of Christopher Columbus to those of Alexander von Humboldt and Charles Darwin, the depiction of the natural world played a central role in shaping how people on both sides of the Atlantic understood and imaged the region we now know as Latin America. Nature provided incentives for exploration, commodities for trade, specimens for scientific investigation, and manifestations of divine forces. It also yielded a rich trove of representations, created both by natives to the region and visitors, which are the subject of this lushly illustrated book. Author Daniela Bleichmar shows that these images were not only works of art but also instruments for the production of knowledge, with scientific, social, and political repercussions. Early depictions of Latin American nature introduced European audiences to native medicines and religious practices. By the 17th century, revelatory accounts of tobacco, chocolate, and cochineal reshaped science, trade, and empire around the globe. In the 18th and 19th centuries, collections and scientific expeditions produced both patriotic and imperial visions of Latin America. Through an interdisciplinary examination of more than 150 maps, illustrated manuscripts, still lifes, and landscape paintings spanning four hundred years, Visual Voyages establishes Latin America as a critical site for scientific and artistic exploration, affirming that region's transformation and the transformation of Europe as vitally connected histories.
| Author | : Jean A. Givens |
| Publisher | : Routledge |
| Total Pages | : 325 |
| Release | : 2016-12-05 |
| Genre | : History |
| ISBN | : 1351875566 |
Images in medieval and early modern treatises on medicine, pharmacy, and natural history often confound our expectations about the functions of medical and scientific illustrations. They do not look very much like the things they purport to portray; and their actual usefulness in everyday medical practice or teaching is not obvious. By looking at works as diverse as herbals, jewellery, surgery manuals, lay health guides, cinquecento paintings, manuscripts of Pliny's Natural History, and Leonardo's notebooks, Visualizing Medieval Medicine and Natural History, 1200-1550 addresses fundamental questions about the interplay of art and science from the thirteenth to the mid-sixteenth century: What counts as a medical illustration in the Middle Ages? What are the purposes and audiences of the illustrations in medieval medical, pharmaceutical, and natural history texts? How are images used to clarify, expand, authenticate, and replace these texts? How do images of natural objects, observed phenomena, and theoretical concepts amplify texts and convey complex cultural attitudes? What features lead us to regard some of these images as typically 'medieval' while other exactly contemporary images strike us as 'Renaissance' or 'early modern' in character? Art historians, medical historians, historians of science, and specialists in manuscripts and early printed books will welcome this wide-ranging, interdisciplinary examination of the role of visualization in early scientific inquiry.
| Author | : Thad Roberts |
| Publisher | : |
| Total Pages | : 476 |
| Release | : 2015-12-11 |
| Genre | : |
| ISBN | : 9780996394246 |
Presented in clear and accessible language with wonderfully supportive graphics, Roberts offers the reader a voyage through the development of human knowledge. He then examines the outstanding mysteries of modern physics-the phenomena that lie outside the boarders of our current understanding (dark energy, dark matter, the Big Bang, wave-particle duality, quantum tunneling, state vector reduction, etc.) and suggests that the next step in our intellectual journey is to treat the vacuum of space as a superfluid-modeling it as being composed of interactive quanta, which, in a self similar way, are composed of subquanta, and so on. With this proposition Roberts engenders the vacuum with fractal geometry, and opens the door to explaining the outstanding mysteries of physics geometrically. Roberts' model, called quantum space theory, has been praised for how it offers an intuitively accessible picture of eleven-dimensions and for powerfully extending the insight of general relativity, eloquently translating the four forces into unique kinds of geometric distortions, while offering underlying deterministic dynamics that give rise to quantum mechanics. That remarkably simple picture explains the mysteries of modern physics in a way that is fully commensurate with Einstein's intuition. It is a refreshingly unique perspective that generates several testable predictions. "This work is mathematically beautiful and scientifically priceless, and the kicker is that it comes with a vivid and satisfying picture." Chris J. Wilshaw "This book fundamentally changed my understanding of our universe." Matt Emmi
| Author | : Ben Fry |
| Publisher | : "O'Reilly Media, Inc." |
| Total Pages | : 384 |
| Release | : 2008 |
| Genre | : Computers |
| ISBN | : 0596519303 |
Provides information on the methods of visualizing data on the Web, along with example projects and code.
| Author | : Lucien Taylor |
| Publisher | : Routledge |
| Total Pages | : 504 |
| Release | : 2014-02-04 |
| Genre | : Social Science |
| ISBN | : 1136651330 |
Visualizing Theory is a lavishly illustrated collection of provocative essays, occasional pieces, and dialogues that first appeared in Visual Anthropology Review between 1990 and 1994. It contains contributions from anthropologists, from cultural, literary and film critics and from image makers themselves. Reclaiming visual anthropology as a space for the critical representation of visual culture from the naive realist and exoticist inclinations that have beleaguered practitioners' efforts to date, Visualizing Theory is a major intervention into this growing field.
| Author | : Daniela Bleichmar |
| Publisher | : University of Chicago Press |
| Total Pages | : 299 |
| Release | : 2012-10-08 |
| Genre | : Art |
| ISBN | : 0226058530 |
Between 1777 and 1816, botanical expeditions crisscrossed the vast Spanish empire in an ambitious project to survey the flora of much of the Americas, the Caribbean, and the Philippines. While these voyages produced written texts and compiled collections of specimens, they dedicated an overwhelming proportion of their resources and energy to the creation of visual materials. European and American naturalists and artists collaborated to manufacture a staggering total of more than 12,000 botanical illustrations. Yet these images have remained largely overlooked—until now. In this lavishly illustrated volume, Daniela Bleichmar gives this archive its due, finding in these botanical images a window into the worlds of Enlightenment science, visual culture, and empire. Through innovative interdisciplinary scholarship that bridges the histories of science, visual culture, and the Hispanic world, Bleichmar uses these images to trace two related histories: the little-known history of scientific expeditions in the Hispanic Enlightenment and the history of visual evidence in both science and administration in the early modern Spanish empire. As Bleichmar shows, in the Spanish empire visual epistemology operated not only in scientific contexts but also as part of an imperial apparatus that had a long-established tradition of deploying visual evidence for administrative purposes.
| Author | : Ai Hisano |
| Publisher | : Harvard Studies in Business Hi |
| Total Pages | : 345 |
| Release | : 2019 |
| Genre | : Business & Economics |
| ISBN | : 0674983890 |
Ai Hisano exposes how corporations, the American government, and consumers shaped the colors of what we eat and even the colors of what we consider "natural," "fresh," and "wholesome." The yellow of margarine, the red of meat, the bright orange of "natural" oranges--we live in the modern world of the senses created by business. Ai Hisano reveals how the food industry capitalized on color, and how the creation of a new visual vocabulary has shaped what we think of the food we eat. Constructing standards for the colors of food and the meanings we associate with them--wholesome, fresh, uniform--has been a business practice since the late nineteenth century, though one invisible to consumers. Under the growing influences of corporate profit and consumer expectations, firms have sought to control our sensory experiences ever since. Visualizing Taste explores how our perceptions of what food should look like have changed over the course of more than a century. By examining the development of color-controlling technology, government regulation, and consumer expectations, Hisano demonstrates that scientists, farmers, food processors, dye manufacturers, government officials, and intermediate suppliers have created a version of "natural" that is, in fact, highly engineered. Retailers and marketers have used scientific data about color to stimulate and influence consumers'--and especially female consumers'--sensory desires, triggering our appetites and cravings. Grasping this pivotal transformation in how we see, and how we consume, is critical to understanding the business of food.
