Visualizing And Exhibiting Jewish Space And History
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Author | : Richard I. Cohen |
Publisher | : Oxford University Press |
Total Pages | : 374 |
Release | : 2012-12-20 |
Genre | : Art |
ISBN | : 019993424X |
"The Avraham Harman Institute of Contemporary Jewry, the Hebrew University of Jerusalem."
Author | : Simone Lässig |
Publisher | : Berghahn Books |
Total Pages | : 339 |
Release | : 2017-06-01 |
Genre | : History |
ISBN | : 1785335545 |
What makes a space Jewish? This wide-ranging volume revisits literal as well as metaphorical spaces in modern German history to examine the ways in which Jewishness has been attributed to them both within and outside of Jewish communities, and what the implications have been across different eras and social contexts. Working from an expansive concept of “the spatial,” these contributions look not only at physical sites but at professional, political, institutional, and imaginative realms, as well as historical Jewish experiences of spacelessness. Together, they encompass spaces as varied as early modern print shops and Weimar cinema, always pointing to the complex intertwining of German and Jewish identity.
Author | : Chloe Paver |
Publisher | : Springer |
Total Pages | : 311 |
Release | : 2018-08-21 |
Genre | : History |
ISBN | : 3319770845 |
This book is the first full-length study of the museum object as a memory medium in history exhibitions about the Nazi era, the Second World War, and the Holocaust. Over recent decades, German and Austrian exhibition-makers have engaged in significant programmes of object collection, often in collaboration with witnesses and descendants. At the same time, exhibition-makers have come to recognise the degree to which the National Socialist era was experienced materially, through the loss, acquisition, imposition, destruction, and re-purposing of objects. In the decades after 1945, encounters with material culture from the Nazi past continued, both within the family and in the public sphere. In analysing how these material engagements are explored in the museum, the book not only illuminates a key aspect of German and Austrian cultural memory but contributes to wider debates about relationships between the human and object worlds.
Author | : Daniel J. Walkowitz |
Publisher | : Rutgers University Press |
Total Pages | : 305 |
Release | : 2018-09-05 |
Genre | : History |
ISBN | : 0813596068 |
Part travelogue, part social history, and part family saga, this book investigates the politics of heritage tourism and collective memory. Acclaimed historian Daniel J. Walkowitz visits key Jewish heritage sites from Berlin to Belgrade to Warsaw to New York to discover which stories of the Jewish experience get told and which get silenced.
Author | : Jeffrey Abt |
Publisher | : Berghahn Books |
Total Pages | : 422 |
Release | : 2024-02-02 |
Genre | : Art |
ISBN | : 1805392786 |
Displays of Jewish ritual objects in public, non-Jewish settings by Jews are a comparatively recent phenomenon. So too is the establishment of Jewish museums. This volume explores the origins of the Jewish Museum of New York and its evolution from collecting and displaying Jewish ritual objects, to Jewish art, to exhibiting avant-garde art devoid of Jewish content, created by non-Jews. Established within a rabbinic seminary, the museum’s formation and development reflect changes in Jewish society over the twentieth century as it grappled with choices between religion and secularism, particularism and universalism, and ethnic pride and assimilation.
Author | : Daniela Flesler |
Publisher | : Indiana University Press |
Total Pages | : 358 |
Release | : 2020-12-08 |
Genre | : History |
ISBN | : 0253050146 |
The 2015 law granting Spanish nationality to the descendants of Jews expelled in 1492 is the latest example of a widespread phenomenon in contemporary Spain, the "re-discovery" of its Jewish heritage. In The Memory Work of Jewish Spain, Daniela Flesler and Adrián Pérez Melgosa examine the implications of reclaiming this memory through the analysis of a comprehensive range of emerging cultural practices, political initiatives and institutions in the context of the long history of Spain's ambivalence towards its Jewish past. Through oral interviews, analyses of museums, newly reconfigured "Jewish quarters," excavated Jewish sites, popular festivals, tourist brochures, literature and art, The Memory Work of Jewish Spain explores what happens when these initiatives are implemented at the local level in cities and towns throughout Spain, and how they affect Spain's present.
Author | : Janek Gryta |
Publisher | : Springer Nature |
Total Pages | : 154 |
Release | : 2020-02-27 |
Genre | : History |
ISBN | : 3030389790 |
This book offers a unique approach to memory studies by focusing on local memory work conducted across the divide of the fall of Communism, whereas other histories have consistently used 1989 as a watershed moment. By examining the ways in which the Holocaust has been exhibited in Kraków, it investigates the impact local memory work has had on Polish collective memory and problematizes the importance of the fall of Communism for memory work. Using the Polish case study, it contributes to international debates on the nature of urban memory. It brings to the fore the role of mid-ranking governmental and municipal activists for local remembrance, investigates the relationship between the form and the content of the exhibitions, and highlights the importance of authenticity and emotional evocations for Holocaust remembrance. In particular, it focuses on the emergence of cosmopolitan memory of the Holocaust, a process with local, Kraków, sources.
Author | : Kerry Wallach |
Publisher | : Penn State Press |
Total Pages | : 292 |
Release | : 2024-03-12 |
Genre | : Biography & Autobiography |
ISBN | : 0271098244 |
Graphic artist, illustrator, painter, and cartoonist Rahel Szalit (1888–1942) was among the best-known Jewish women artists in Weimar Berlin. But after she was arrested by the French police and then murdered by the Nazis at Auschwitz, she was all but lost to history, and most of her paintings have been destroyed or gone missing. Drawing on a range of primary and secondary sources, this biography recovers Szalit’s life and presents a stunning collection of her art. Szalit was a sought-after artist. Highly regarded by art historians and critics of her day, she made a name for herself with soulful, sometimes humorous illustrations of Jewish and world literature by Sholem Aleichem, Heinrich Heine, Leo Tolstoy, Charles Dickens, and others. She published her work in the mainstream German and Jewish press, and she ran in artists’ and queer circles in Weimar Berlin and in 1930s Paris. Szalit’s fascinating life demonstrates how women artists gained access to Jewish and avant-garde movements by experimenting with different media and genres. This engaging and deeply moving biography explores the life, work, and cultural contexts of an exceptional Jewish woman artist. Complementing studies such as Michael Brenner’s The Renaissance of Jewish Culture in Weimar Germany, this book brings Rahel Szalit into the larger conversation about Jewish artists, Expressionism, and modern art.
Author | : Rotem Rozental |
Publisher | : Taylor & Francis |
Total Pages | : 322 |
Release | : 2023-03-24 |
Genre | : Art |
ISBN | : 1000856224 |
By entering and critically re-activating the Zionist photographic archive established by the Division of Journalism and Propaganda of the Jewish National Fund, this research examines its rippling impact on civil landscapes prior to 1948 in Palestine, and its lasting impact on the region to date. This study argues that the Zionist movement makes particular use of the machinery of the photographic archive, aiming to constitute the boundaries of Palestine as a Jewish state, claiming ownership over the land and announcing internationally the success of its enterprise, thus substantiating the image it sought to embed as the “reality” of the land. This archive was not stand-alone, as it was functioning in relation to a vast, complicated network of organizational systems and technologies, in the Middle East and across the world. Crucially, this system functioned as a national archive in future tense, for a nation-state that was not yet in existence, seeking to substantiate its regional authority and shape its cultural repository, outlining parameters for inclusion and exclusion from its civic space. The book will be of interest to scholars working in art history, photography history, visual culture, Jewish studies, Israel studies and Middle East studies.
Author | : Norman Simms |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 553 |
Release | : 2018-01-23 |
Genre | : Religion |
ISBN | : 1527507432 |
These further six chapters of Jews in an Illusion of Paradise now focus on individual exemplary figures and clusters of poets, dramatists, critics, journalists, art historians—Jews whose achievements were once celebrated, but now are almost all but forgotten, not because of changes in aesthetic taste or style but because of social, political and other ideological issues. The book continues to examine the clash between their conscious and unconscious self-presentation as Jews in a culture that wilfully or inadvertently misunderstood or rejected this aspect of “otherness” the men and women represented from the mid-nineteenth to the mid-twentieth centuries. Whereas the first volume concentrated on the themes, images and rhetorical motifs of this awkward status of Jewish intellectuals and artists, here the ambiguous personalities and repressed anxieties of the exemplary figures are stressed. For millennia, Jews were considered outside of normal history, passive victims of persecution; then suddenly, with Emancipation, they fell into history and out of their mythical place in the scheme of things. Everything seemed to crumble into dust and ashes.