Visual Narrative in Chilean Arpilleras
Author | : Sharon Ann Taylor-Tidwell |
Publisher | : |
Total Pages | : 214 |
Release | : 1993 |
Genre | : Arpilleras |
ISBN | : |
Download Visual Narrative In Chilean Arpilleras full books in PDF, epub, and Kindle. Read online free Visual Narrative In Chilean Arpilleras ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Sharon Ann Taylor-Tidwell |
Publisher | : |
Total Pages | : 214 |
Release | : 1993 |
Genre | : Arpilleras |
ISBN | : |
Author | : Dawn Mannay |
Publisher | : Routledge |
Total Pages | : 162 |
Release | : 2015-10-23 |
Genre | : Education |
ISBN | : 1317688422 |
Visual research methods are quickly becoming key topics of interest and are now widely recognised as having the potential to evoke emphatic understanding of the ways in which other people experience their worlds. Visual, Narrative and Creative Research Methods examines the practices and value of these visual approaches as a qualitative tool in the field of social science and related disciplines. This book is concerned with the process of applying visual methods as a tool of inquiry from design, to production, to analysis and dissemination. Drawing on research projects which reflect real world situations, you will be methodically guided through the research process in detail, enabling you to examine and understand the practices and value of visual, narrative and creative approaches as effective qualitative tools. Key topics include: techniques of data production, including collage, mapping, drawing and photographs; the practicalities of application; the positioning of the researcher; interpretation of visual data; images and narratives in public spaces; evaluative analysis of creative approaches. Visual, Narrative and Creative Research Methods will be an invaluable companion for researchers, postgraduate students and other academics with an interest in visual and creative methods and qualitative research.
Author | : Marjorie Agosín |
Publisher | : |
Total Pages | : 170 |
Release | : 1996 |
Genre | : Design |
ISBN | : |
This book tells the story of ordinary women living in terror and extreme poverty under General Pinochet's oppressive rule in Chile (1973-89) and how their lives did and did not change following his reign. These women defied the military dictatorship by embroidering their sorrow on scraps of cloth and using their needles and thread as one of the boldest means of popular protest and resistance in Latin America. The arpilleras they made - patch-work tapestries with scenes of everyday life and memorials to their disappeared relatives - were smuggled out of Chile and brought to the world the story of their fruitless searches in jails, morgues, government offices, and the tribunals of law for their husbands, brothers, and sons. Marjorie Agosin, herself a native of and exile from Chile, has spent over twenty years interviewing the arpilleristas and following their work. She knows their stories intimately and knows, too, that not one of them has ever found a disappeared relative alive. Still, many of them maintain hope and continue to make their arpilleras. Even though the dictatorship ended in 1989 and democracy returned to Chile, no full account of the detained and disappeared has ever been offered. This book includes a history of the women's movement, testimonies from the women in their own words, and, for the first time, full color plates of their beautiful, moving, and ultimately hopeful arpilleras. Anyone interested in the history of contemporary Latin America will want to read this powerful story.
Author | : Jacqueline Adams |
Publisher | : University of Texas Press |
Total Pages | : 312 |
Release | : 2013-09-15 |
Genre | : Political Science |
ISBN | : 0292743823 |
Art can be a powerful avenue of resistance to oppressive governments. During the dictatorship of Augusto Pinochet in Chile, some of the country’s least powerful citizens—impoverished women living in Santiago’s shantytowns—spotlighted the government’s failings and use of violence by creating and selling arpilleras, appliquéd pictures in cloth that portrayed the unemployment, poverty, and repression that they endured, their work to make ends meet, and their varied forms of protest. Smuggled out of Chile by human rights organizations, the arpilleras raised international awareness of the Pinochet regime’s abuses while providing income for the arpillera makers and creating a network of solidarity between the people of Chile and sympathizers throughout the world. Using the Chilean arpilleras as a case study, this book explores how dissident art can be produced under dictatorship, when freedom of expression is absent and repression rife, and the consequences of its production for the resistance and for the artists. Taking a sociological approach based on interviews, participant observation, archival research, and analysis of a visual database, Jacqueline Adams examines the emergence of the arpilleras and then traces their journey from the workshops and homes in which they were made, to the human rights organizations that exported them, and on to sellers and buyers abroad, as well as in Chile. She then presents the perspectives of the arpillera makers and human rights organization staff, who discuss how the arpilleras strengthened the resistance and empowered the women who made them.
Author | : Jacqueline Adams |
Publisher | : University of Texas Press |
Total Pages | : 425 |
Release | : 2013-09-15 |
Genre | : Art |
ISBN | : 0292744188 |
Art can be a powerful avenue of resistance to oppressive governments. During the dictatorship of Augusto Pinochet in Chile, some of the country’s least powerful citizens—impoverished women living in Santiago’s shantytowns—spotlighted the government’s failings and use of violence by creating and selling arpilleras, appliquéd pictures in cloth that portrayed the unemployment, poverty, and repression that they endured, their work to make ends meet, and their varied forms of protest. Smuggled out of Chile by human rights organizations, the arpilleras raised international awareness of the Pinochet regime’s abuses while providing income for the arpillera makers and creating a network of solidarity between the people of Chile and sympathizers throughout the world. Using the Chilean arpilleras as a case study, this book explores how dissident art can be produced under dictatorship, when freedom of expression is absent and repression rife, and the consequences of its production for the resistance and for the artists. Taking a sociological approach based on interviews, participant observation, archival research, and analysis of a visual database, Jacqueline Adams examines the emergence of the arpilleras and then traces their journey from the workshops and homes in which they were made, to the human rights organizations that exported them, and on to sellers and buyers abroad, as well as in Chile. She then presents the perspectives of the arpillera makers and human rights organization staff, who discuss how the arpilleras strengthened the resistance and empowered the women who made them.
Author | : Lorna Dillon |
Publisher | : Springer Nature |
Total Pages | : 149 |
Release | : 2020-10-12 |
Genre | : Art |
ISBN | : 3030384071 |
This book explores Violeta Parra’s visual art, focusing on her embroideries (arpilleras), paintings, papier-mâché collages and sculptures. Parra is one of Chile’s great artists and musicians, yet her visual art is relatively unknown. Her fusion of complex imagery from Chilean folk music and culture with archetypes in Western art results in a hybrid body of work. Parra’s hybridism is the story of this book, in which Dillon explores Parra’s ‘painted songs’, the ekphrastic nature of her creations and the way ideas translate from her music and poetry into her visual art. The book identifies three intellectual currents in Parra’s art: its relationship to motifs from Chilean popular and oral culture; its relationship to the work of other modern artists; and its relationship to the themes of her protest music. It argues that Parra’s commentaries on inequality and injustice have as much resonance today as they did fifty years ago. Dillon also explores the convergence between Parra’s art and the work of other modern twentieth-century artists, considering its links to Surrealism, Pop Art and the Mexican Muralism Movement. Parra exhibited in open-air art fairs, museums and cultural centres as well as in prestigious venues such as Museu de Arte Moderna do Brasil (the Museum of Modern Art in Brazil) and the Musée des Arts Décoratifs (Museum of Decorative Arts) in Paris. This book reflects on Parra’s socially-engaged work as it was expressed through her exhibitions in these centres as well as in through own cultural centre La carpa de la reina.
Author | : D Wood |
Publisher | : Bloomsbury Publishing |
Total Pages | : 281 |
Release | : 2021-04-22 |
Genre | : Crafts & Hobbies |
ISBN | : 1350122270 |
Throughout the 21st century, various craft practices have drawn the attention of academics and the general public in the West. In Craft is Political, D Wood has gathered a collection of essays to argue that this attention is a direct response to and critique of the particular economic, social and technological contexts in which we live. Just as Ruskin and Morris viewed craft and its ethos in the 1800s as a kind of political opposition to the Industrial Revolution, Wood and her authors contend that current craft activities are politically saturated when perspectives from the Global South, Indigenous ideology and even Western government policy are examined. Craft is Political argues that a holistic perspective on craft, in light of colonialism, post-colonialism, critical race theory and globalisation, is overdue. A great diversity of case studies is included, from craft and design in Turkey and craft markets in New Zealand to Indigenous practitioners in Taiwan and Finnish craft education. Craft is Political brings together authors from a variety of disciplines and nations to consider politicised craft.
Author | : Marjorie Agosín |
Publisher | : Rowman & Littlefield |
Total Pages | : 244 |
Release | : 2008 |
Genre | : Art |
ISBN | : 9780742540033 |
Tapestries of Hope, Threads of Love tells the story of ordinary women living in terror and extreme poverty under General Pinochet's oppressive rule in Chile (1973-1989). These women defied the military dictatorship by embroidering their sorrow on scraps of cloth, using needles and thread as one of the boldest means of popular protest and resistance in Latin America. The arpilleras they made--patchwork tapestries with scenes of everyday life and memorials to their disappeared relatives--were smuggled out of Chile and brought to the world the story of their fruitless searches in jails, morgues, government offices, and the tribunals of law for their husbands, brothers, and sons. Marjorie Agosín, herself a native of and exile from Chile, has spent more than thirty years interviewing the arpilleristas and following their work. She knows their stories intimately and knows, too, that none of them has ever found a disappeared relative alive. Even though the dictatorship ended in 1989 and democracy returned to Chile, no full account of the detained and disappeared has ever been offered. Still, many women maintain hope and continue to make arpilleras, both in memory and as art. This new edition of the book, updated for students, includes a reaction to the death of General Pinochet, a chronology of Chile, several new testimonies from arpilleristas in their own words, and an introduction by Peter Kornbluh. It retains a section of full-color plates of arpilleras, an afterword by Peter Winn, and a foreword by Isabel Allende. Students and interested readers will find the arpilleras beautiful, moving, and ultimately hopeful, and the testimonies a powerful way to learn about the history of contemporary Latin America and the arpillera movement in Chile.
Author | : Alice A. Nelson |
Publisher | : Bucknell University Press |
Total Pages | : 324 |
Release | : 2002 |
Genre | : Literary Criticism |
ISBN | : 9780838755037 |
Furthermore, she argues that this contest has been enacted literally and figuratively on the stage of human bodies as sites of domination and resistance. Examining works by Pia Barros, David Benavente and the Taller de Investigacion Teatral, Ariel Dorfman, Diamela Eltit, and Isabel Allende, Political Bodies engages emergent feminist critiques of authoritarianism in terms of gender and class, history and language.
Author | : Basia Sliwinska |
Publisher | : Taylor & Francis |
Total Pages | : 287 |
Release | : 2024-09-30 |
Genre | : Art |
ISBN | : 1040120040 |
Focusing on art practices that advocate, raise consciousness, and educate about the human right to reproductive health, this book analyses and compares forms of feminist artivism to interrogate bodily rights while closely examining the lived experiences of women and their right of free choice. The transnational framing engages with resurgent imperialist and colonial ambitions across global politics and with the attempts at disrupting these positionings by prioritising feminist care as instrumental for democracy and social justice. Key foci of this book include the ways in which arts activism operates, and its strategies and methods related to, for example, the types of artistic practice employed, approaches to dissemination and reach, and engaging the public. The analysis of these topics interrogates the potential of arts activism to work while other forms of activism may stumble, leading social change in thinking, practice and, finally, legislation. Countries covered include Finland, Poland, Portugal, Latvia, the United Kingdom, Chile, Brazil, the United States, and Australia. The book will be of interest to students and scholars studying art history, art theory and practice, gender studies, and women’s studies.