Visual Cultures And Critical Theory
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Author | : Patrick Fuery |
Publisher | : |
Total Pages | : 264 |
Release | : 2000 |
Genre | : Education |
ISBN | : |
The second edition of Cultural Studies and the New Humanities provides a comprehensive overview of issues in the humanities at the turn of the new millennium, providing historical background, defining key terms, and introducing the ideas of key thinkers. This second edition has been thoroughly revised and updated, and new chapters have been added about the rise of visual cultures and the fierce contemporary debate between identity politics and queer theory.
Author | : Patrick Fuery |
Publisher | : |
Total Pages | : 137 |
Release | : 2003 |
Genre | : |
ISBN | : 9781849663120 |
"Theory has become increasingly significant in the field of the visual, giving rise to a whole discipline of 'visual culture' situated within the disciplines of media/communication/cultural studies and also within history of art. This book aims to offer a clear exposition of their ideas and how they have been used in visual cultural studies."--Bloomsbury Publishing.
Author | : Whitney Davis |
Publisher | : Princeton University Press |
Total Pages | : 400 |
Release | : 2011 |
Genre | : Art |
ISBN | : 0691178070 |
What is cultural about vision--or visual about culture? In this ambitious book, Whitney Davis provides new answers to these difficult and important questions by presenting an original framework for understanding visual culture. Grounded in the theoretical traditions of art history, A General Theory of Visual Culture argues that, in a fully consolidated visual culture, artifacts and pictures have been made to be seen in a certain way; what Davis calls "visuality" is the visual perspective from which certain culturally constituted aspects of artifacts and pictures are visible to informed viewers. In this book, Davis provides a systematic analysis of visuality and describes how it comes into being as a historical form of vision. Expansive in scope, A General Theory of Visual Culture draws on art history, aesthetics, the psychology of perception, the philosophy of reference, and vision science, as well as visual-cultural studies in history, sociology, and anthropology. It provides penetrating new definitions of form, style, and iconography, and draws important and sometimes surprising conclusions (for example, that vision does not always attain to visual culture, and that visual culture is not always wholly visible). The book uses examples from a variety of cultural traditions, from prehistory to the twentieth century, to support a theory designed to apply to all human traditions of making artifacts and pictures--that is, to visual culture as a worldwide phenomenon.
Author | : Jorella Andrews |
Publisher | : |
Total Pages | : 0 |
Release | : 2013 |
Genre | : Aesthetics |
ISBN | : 9783943365382 |
Largely due to the "linguistic turn" that has dominated the humanities since the mid-twentieth century, many contemporary scholars and artists habitually equate works of art with highly coded texts to be deciphered, deconstructed, or otherwise interpreted. Here, meaning, value, and impact have been fundamentally linked to art's capacity to "speak," to represent, to raise questions about representation, to convey a message, or articulate a concept. Much visual culture scholarship has tried to engage with art and the image-world outside of these logics. Within this quest to consider art differently, Jorella Andrews and Simon O'Sullivan pay attention to the asignifying character of art, or simply its affective qualities. Drawing on the work of key thinkers (for O'Sullivan, the writings of Gilles Deleuze, Félix Guattari, and Jean-François Lyotard) and turning to paradigmatic works of art (for Andrews, film and video pieces by Rosalind Nashashibi and Jayne Parker), they contextualize these art-related matters in relation to a significant recent rise in new thinking about objects, objectness, and objectivity within philosophy, critical theory, and ethics. Copublished with Goldsmiths, University of London
Author | : Chris Jenks |
Publisher | : Routledge |
Total Pages | : 282 |
Release | : 2017-07-05 |
Genre | : Social Science |
ISBN | : 1351537512 |
In Visual Culture the 'visual' character of contemporary culture is explored in original and lively essays. The contributors look at advertising, film, painting and fine art journalism, photography, television and propaganda. They argue that there is only a social, not a formal relation between vision and truth. A major preoccupation of modernity and central to an understadning of the postmodern, 'vision' and the 'visual' are emergent themes across sociology, cultural studies and critical theory in the visual arts. Visual Culture will prove an indispensable guide to the field.
Author | : Matthew Rampley |
Publisher | : |
Total Pages | : 276 |
Release | : 2005 |
Genre | : Architecture |
ISBN | : |
An introduction to the study of visual culture, this book offers a view of 'visual culture' that includes not only images, but also other visual media and forms of expression, from architecture to fashion, design and the human body. The book is organised around three broad themes, exploring key ideas and debates that have occurred during the last 20 or so years: *the meanings of the term 'visual culture' and of the various practices that form its basis*conceptual approaches to the contemporary analysis of visual culture*the cultural, social and historical contexts informing its production, distribution and consumption.Drawing on a wide range of examples from the last 100 years, the book adopts a cross-disciplinary perspective; it also explores, however, the limits of visual culture as an interdisciplinary field of study, engaging in current debates about the uses and value of the study of visual culture. It will therefore be of value both for readers new to the subject and also for those seeking fresh interventions into contemporary discussions within the field.Features*Accessibly written by a team of experts in the field*Illustrated throughout*Includes chapters on a wide range of visual forms, including architecture and urban design, film, crafts, fashion, design, fine art and the media.
Author | : Jessica Evans |
Publisher | : SAGE |
Total Pages | : 512 |
Release | : 1999-08-09 |
Genre | : Business & Economics |
ISBN | : 9780761962472 |
" This collection of classic essays in the study of visual culture fills a major gap in this new and expanding intellectual field. Its major strength is its insistence on the importance of three central aspects of the study of visual culture: the sign, the institution and the viewing subject. It will provide readers, teachers and students with an essential text in visual and cultural studies." - "Janet Wolff, University of Rochester""" Visual Culture: The Reader provides an invaluable resource of over 30 key statements from a wide range of disciplines. Although underpinned by a focus on contemporary cultural theory, this reader puts issues of visual culture and the rhetoric of the image at centre stage. Divided into three parts, The Culture of the Visual, Regulating Photographic Meaning, Looking and Subjectivity, this reader enables students to make hitherto unmade connections across art, film and photography history and theory, semiotics, history, semiotics and communications, media studies, and cultural theory. The key statements are from the work of: Visual Culture: The Reader sets the agenda for the study of Visual Culture and will be an essential sourcebook for researchers and students alike.This is the reader for the module "The Image and Visual Culture" (D850) - part of The Open University Masters in Social Sciences Programme.
Author | : Zoya Kocur |
Publisher | : Wiley-Blackwell |
Total Pages | : 0 |
Release | : 2011-04-18 |
Genre | : Art |
ISBN | : 9781405169219 |
Global Visual Cultures is a definitive anthology that provides a new and groundbreaking perspective on the field, and addresses multiple interpretations of the visual, from considerations of the "everyday" to global political contexts. Expands the theoretical framework for considering visual culture Brings together a rich selection of readings relevant in a variety of disciplinary and interdisciplinary settings, from critical theory, anthropology and history, to political science, architecture, and ethnic, race and gender studies Analyzes cultural phenomena in global and local contexts and across a broad geographical and geopolitical terrain Address multiple interpretations of the visual, from considerations of the "everyday" to global political contexts Offers ample, useful pedagogy that reveals the multi-faceted nature of visual culture
Author | : Mika Hannula |
Publisher | : |
Total Pages | : 184 |
Release | : 2003 |
Genre | : Art |
ISBN | : 9789515327420 |
Author | : Patrick Fuery |
Publisher | : Bloomsbury Academic |
Total Pages | : 256 |
Release | : 2003-07-31 |
Genre | : Social Science |
ISBN | : 9780340807477 |
We live in a world of the image. In many ways images have replaced words as the defining aspect of cultural identity, while at the same time they have become part of our global culture. The rapidly developing discipline of visual cultural studies has become the key area for examining the issues of the image. Visual Cultures and Critical Theory provides students with a clear guide for understanding ideas of critical theory through the visual. Taking up a range of themes such as spectatorship, pleasure, power, doubles, hallucination, and the frame, the book explains them within the context of the theoretical developments in psychoanalysis, cultural theory, postmodernism, Queer theory, gender studies, and narrative theory.