Visions of the West

Visions of the West
Author: Melissa Baldridge
Publisher: Gibbs Smith Publishers
Total Pages: 344
Release: 1999
Genre: Art
ISBN:

Given in memory of Nelda Nevill Zubik by Norman and Wanda Beal.

Visions of the Big Sky

Visions of the Big Sky
Author: Dan Louie Flores
Publisher:
Total Pages: 0
Release: 2010
Genre: Northwest, Canadian
ISBN: 9780806138978

Ancient ecstasies -- Visualizing Lewis and Clark and the meaning of the West -- The eye and the heart in George Catlin's West -- Karl Bodmer's gift -- Alfred Jacob Miller's new Western American -- Jesus and animus beneath the Bitterroots -- An entire Heaven and an entire Earth : audubon on the Missouri -- Albert Bierstadt and the mountains of Mars -- Thomas Moran's Rocky Mountain romance -- Coming to terms with the Little Bighorn -- Altitude equals beatitude : William Henry Jackson and the Northern Rockies -- L.A. Huffman and the frontier disconnect -- Catching shadows in the northern West -- Through Indian eyes : the Crows and Richard Throssel -- Evelyn Cameron's time machine -- Carl Rungius and the son of wild folk -- Loving the West, hating the West, painting the West : the troubled times of Fra Dana -- Frederic Remington's Kiss of death -- Maynard and Montana -- Winold Reiss's beautiful Blackfeet -- Motion and poetry -- The bear in the mirror -- Emily Carr and the Great Mother -- The ripples beyond Ansel Adams -- In the end, what was Charlie Russell trying to tell us?

Voices & Visions of the American West

Voices & Visions of the American West
Author: Barney Nelson
Publisher:
Total Pages: 232
Release: 1986
Genre: History
ISBN:

Photographed and edited by Barney Nelson. Introduction by Elmer Kelton. Memorial to Shawn Burchett by Helen & Peter Sarfatis.

Western Visions of the Far East in a Transpacific Age, 1522–1657

Western Visions of the Far East in a Transpacific Age, 1522–1657
Author: Dr Christina H Lee
Publisher: Ashgate Publishing, Ltd.
Total Pages: 366
Release: 2012-10-28
Genre: History
ISBN: 1409483681

Bringing to bear the latest developments across various areas of research and disciplines, this collection provides a broad perspective on how Western Europe made sense of a complex, multi-faceted, and by and large Sino-centered East and Southeast Asia. The volume covers the transpacific period--after Magellan's opening of the transpacific route to the Far East and before the eventual dominance of the region by the British and the Dutch. In contrast to the period of the Enlightenment, during which Orientalist discourses arose, this initial period of encounters and conquest is characterized by an enormous curiosity and a desire to seize--not only materially but intellectually--the lands and peoples of East Asia. The essays investigate European visions of the Far East--particularly of China and Japan--and examine how and why particular representations of Asians and their cultural practices were constructed, revised, and adapted. Collectively, the essays show that images of the Far East were filtered by worldviews that ranged from being, on the one hand, universalistic and relatively equitable towards cultures to the other extreme, unilaterally Eurocentric.

Visions of Peace

Visions of Peace
Author: Takashi Shogimen
Publisher: Routledge
Total Pages: 208
Release: 2016-02-17
Genre: Political Science
ISBN: 1317001338

Visions of Peace: Asia and the West explores the diversity of past conceptualizations as well as the remarkable continuity in the hope for peace across global intellectual traditions. Current literature, prompted by September 11, predominantly focuses on the laws and ethics of just wars or modern ideals of peace. Asian and Western ideals of peace before the modern era have largely escaped scholarly attention. This book examines Western and Asian visions of peace that existed prior to c.1800 by bringing together experts from a variety of intellectual traditions. The historical survey ranges from ancient Greek thought, early Christianity and medieval scholasticism to Hinduism, classical Confucianism and Tokuguwa Japanese learning, before illuminating unfamiliar aspects of peace visions in the European Enlightenment. Each chapter offers a particular case study and attempts to rehabilitate a 'forgotten' conception of peace and reclaim its contemporary relevance. Collectively they provide the conceptual resources to inspire more creative thinking towards a new vision of peace in the present. Students and specialists in international relations, peace studies, history, political theory, philosophy, and religious studies will find this book a valuable resource on diverse conceptions of peace.

Western Visions, Western Futures

Western Visions, Western Futures
Author: Roger Gibbins
Publisher: Peterborough, Ont. : Broadview Press
Total Pages: 246
Release: 2003-06
Genre: History
ISBN:

Western Visions, Western Futures explores the interplay between western alienation and western aspirations. Because of regional optimism, western Canadians often feel alienated from the rest of Canada or, more specifically, from the federal government: western Canadians are concerned that their aspirations are not shared by the rest of Canada and, worse, that conflicting "national"policy choices and political realities have and will work to undermine the interests of the West. The book is rich in both data and history. Combining strong analysis with graphs and illustrative quotations, it presents a comprehensive overview of key western Canadian trends and policy issues and places these within a national context. Western Visions, Western Futures outlines a number of process and policy options for federal and provincial governments both to help fulfill western aspirations and to address western alienation. The authors argue that the future prosperity and well-being of Canada are integrally tied to the future of the West, and leaving western alienation unaddressed for another 50 or 100 years will only serve to weaken or destroy the whole country. Western Visions, Western Futures is a revised, updated, and expanded edition of Western Visions by Roger Gibbins and Sonia Arrison (Broadview Press 1995), there is little in common between the two books. Many of the themes are the same, but the new book draws heavily on a wealth of Canada West Foundation data that has recently come available.

Visions of Marin

Visions of Marin
Author: Kathleen P. Goodwin
Publisher: Wilderness Press
Total Pages: 0
Release: 2009
Genre: Landscape photography
ISBN: 9780967152752

Visions of Nature

Visions of Nature
Author: Dr. Jarrod Hore
Publisher: Univ of California Press
Total Pages: 352
Release: 2022-04-19
Genre: History
ISBN: 0520381270

Visions of Nature revives the work of late nineteenth-century landscape photographers who shaped the environmental attitudes of settlers in the colonies of the Tasman World and in California. Despite having little association with one another, these photographers developed remarkably similar visions of nature. They rode a wave of interest in wilderness imagery and made pictures that were hung in settler drawing rooms, perused in albums, projected in theaters, and re-created on vacations. In both the American West and the Tasman World, landscape photography fed into settler belonging and produced new ways of thinking about territory and history. During this key period of settler revolution, a generation of photographers came to associate “nature” with remoteness, antiquity, and emptiness, a perspective that disguised the realities of Indigenous presence and reinforced colonial fantasies of environmental abundance. This book lifts the work of these photographers out of their provincial contexts and repositions it within a new comparative frame.

American Visions

American Visions
Author: Robert Hughes
Publisher: Vintage
Total Pages: 635
Release: 1997
Genre: Art
ISBN: 9781860463723

Robert Hughes begins where American art itself began, with the Native Americans and the first Spanish invaders in the Southwest; he ends with the art of today. In between, in a scholarly text that crackles with wit, intelligence and insight, he tells the story of how American art developed. Hughes investigates the changing tastes of the American public; he explores the effects on art of America's landscape of unparalleled variety and richness; he examines the impact of the melting-pot of cultures that America has always been. Most of all he concentrates on the paintings and art objects themselves and on the men and women - from Winslow Homer and Thomas Eakins to Edward Hopper and Georgia O'Keeffe, from Arthur Dove and George Bellows to Jackson Pollock and Mark Rothko -awho created them. This is an uncompromising and refreshingly opinionated exploration of America, told through the lens of its art.

Haunted Visions

Haunted Visions
Author: Charles Colbert
Publisher: University of Pennsylvania Press
Total Pages: 332
Release: 2011-05-10
Genre: History
ISBN: 0812204999

Spiritualism emerged in western New York in 1848 and soon achieved a wide following due to its claim that the living could commune with the dead. In Haunted Visions: Spiritualism and American Art, Charles Colbert focuses on the ways Spiritualism imbued the making and viewing of art with religious meaning and, in doing so, draws fascinating connections between art and faith in the Victorian age. Examining the work of such well-known American artists as James Abbott McNeill Whistler, William Sydney Mount, and Robert Henri, Colbert demonstrates that Spiritualism played a critical role in the evolution of modern attitudes toward creativity. He argues that Spiritualism made a singular contribution to the sanctification of art that occurred in the latter half of the nineteenth century. The faith maintained that spiritual energies could reside in objects, and thus works of art could be appreciated not only for what they illustrated but also as vessels of the psychic vibrations their creators impressed into them. Such beliefs sanctified both the making and collecting of art in an era when Darwinism and Positivism were increasingly disenchanting the world and the efforts to represent it. In this context, Spiritualism endowed the artist's profession with the prestige of a religious calling; in doing so, it sought not to replace religion with art, but to make art a site where religion happened.