Visions Of The Buddha
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Author | : Eviatar Shulman |
Publisher | : Oxford University Press |
Total Pages | : 255 |
Release | : 2021-08-25 |
Genre | : Religion |
ISBN | : 0197587887 |
Visions of the Buddha offers a ground-breaking approach to the nature of the early discourses of the Buddha, the most foundational scriptures of Buddhist religion. Although the early discourses are commonly considered to be attempts to preserve the Buddha's teachings, Shulman demonstrates that these texts are full of creativity, and that their main aim is to beautify the image of the wonderous Buddha. While the texts surely care for the early teachings and for the Buddha's philosophy or his guidelines for meditation, and while at times they may relate real historical events, they are no less interested in telling good stories, in re-working folkloric materials, and in the visionary contemplation of the Buddha in order to sense his unique presence. The texts can thus be, at times, a type of meditation. Eviatar Shulman frames the early discourses as literary masterpieces that helped Buddhism achieve the wonderful success it has obtained. Much of the discourses' masterful storytelling was achieved through a technique of composition defined here as the play of formulas. In the oral literature of early Buddhism, texts were composed of formulas, which are repeated within and between texts. Shulman argues that the formulas are the real texts of Buddhism, and are primary to full discourses. Shaping texts through the play of formulas balances conservative and innovative tendencies within the tradition, making room for creativity within accepted forms and patterns. The texts we find today are thus versions--remnants--chosen by history of a much more vibrant and dynamic creative process.
Author | : Dkon-mchog-lhun-grub (Ngor-chen) |
Publisher | : Snow Lion |
Total Pages | : 274 |
Release | : 2002-05-07 |
Genre | : Body, Mind & Spirit |
ISBN | : |
Examines the state of those experiencing suffering, those engaged in the methods leading towards freedom from unhappiness and misery, and those fully enlightened ones who have attained the highest goal of omniscient awakening.
Author | : Julian F. Pas |
Publisher | : SUNY Press |
Total Pages | : 476 |
Release | : 1995-01-01 |
Genre | : Religion |
ISBN | : 9780791425190 |
One of the masters of Pure Land Buddhism shows how to have a vision of the Land Sukhavati and its Lord by using the sutra as a manual of visualization.
Author | : Jacquelynn Baas |
Publisher | : Univ of California Press |
Total Pages | : 312 |
Release | : 2005 |
Genre | : Art |
ISBN | : 0520242084 |
"The relations between eastern and western cultures have long been a neglected topic, and this careful and intelligent look at a small but significant part of those relations is most welcome."--Thomas McEvilley, author of The Shape of Ancient Thought "How wonderful that Jacquelynn Baas has seen the light of the Buddha's smile shining from faraway Asia into the realm of the art of modern times in what we think of as the West! . . . Her work reveals how some of our most influential artists explored and expressed the sophisticated perceptions and joyful energy emanating from the realm of Buddhist Asia."--Robert A. F. Thurman "As a Buddhist scholar and artist I welcome this thoughtful and richly detailed study of how many aspects of Buddhism have stimulated, invigorated, and enriched Western arts over the past 150 years."--Stephen Addiss, author of The Art of Zen "A crucial contribution to modern art studies, this high-spirited text surveys Western artists awakened by the wisdom of the East, from Monet and Duchamp to O'Keeffe to Martin. It is a thoughtful book about thoughtful artists, their values and their visions, with a lot to offer general readers and specialists alike."--Charles Stuckey, Associate Professor of Art History at the School of the Art Institute of Chicago
Author | : Nagapriya |
Publisher | : Windhorse Publications |
Total Pages | : 275 |
Release | : 2014-05-13 |
Genre | : Religion |
ISBN | : 1909314390 |
In a unique overview of this inspiring tradition, Nagapriya introduces its themes and spectrum of practices, literature and movements. Charting the evolution and expression of the Mahayana as a whole, he tracks its movement across South and East Asia, uncovering its history, culture and doctrines and blending this extensive knowledge with a strong element of lived practice. Ideal for both teaching and personal use, this far-reaching guide provides a solid foundation for any study in Buddhism and a valuable voice on Asian history.
Author | : Eileen Gardiner |
Publisher | : |
Total Pages | : 168 |
Release | : 2012 |
Genre | : Hell |
ISBN | : 9781599101316 |
"A collection of texts on Buddhist Hell, including, The Great Story, Middle-Length Discourses, Friendly Epistle, Sutra on the Eighteen Hells, Sutra Spoken by the Buddha, Avalokiteswara's Descent into the Hell, Mu-Lien Rescues His Mother, T'ai Tsung in Hell, Essentials of Pure Land Rebirth, The Precious Record, Miao-Shen Visits Hell, and others, plus notes, glossary, links to web resources"--Provided by publisher.
Author | : Eviatar Shulman |
Publisher | : Oxford University Press |
Total Pages | : 281 |
Release | : 2021-09-30 |
Genre | : Art |
ISBN | : 0197587860 |
Visions of the Buddha offers a ground-breaking approach to the nature of the early discourses of the Buddha, the most foundational scriptures of Buddhist religion. Although the early discourses are commonly considered to be attempts to preserve the Buddha's teachings, Shulman demonstrates that these texts are full of creativity, and that their main aim is to beautify the image of the wonderous Buddha. While the texts surely care for the early teachings and for the Buddha's philosophy or his guidelines for meditation, and while at times they may relate real historical events, they are no less interested in telling good stories, in re-working folkloric materials, and in the visionary contemplation of the Buddha in order to sense his unique presence. The texts can thus be, at times, a type of meditation. Eviatar Shulman frames the early discourses as literary masterpieces that helped Buddhism achieve the wonderful success it has obtained. Much of the discourses' masterful storytelling was achieved through a technique of composition defined here as the play of formulas. In the oral literature of early Buddhism, texts were composed of formulas, which are repeated within and between texts. Shulman argues that the formulas are the real texts of Buddhism, and are primary to full discourses. Shaping texts through the play of formulas balances conservative and innovative tendencies within the tradition, making room for creativity within accepted forms and patterns. The texts we find today are thus versions--remnants--chosen by history of a much more vibrant and dynamic creative process.
Author | : Bernard Faure |
Publisher | : Princeton University Press |
Total Pages | : 354 |
Release | : 2000-06-04 |
Genre | : History |
ISBN | : 9780691029412 |
Bernard Faure's previous works are well known as guides to some of the more elusive aspects of the Chinese tradition of Chan Buddhism and its outgrowth, Japanese Zen. Continuing his efforts to look at Chan/Zen with a full array of postmodernist critical techniques, Faure now probes the imaginaire, or mental universe, of the Buddhist Soto Zen master Keizan Jokin (1268-1325). Although Faure's new book may be read at one level as an intellectual biography, Keizan is portrayed here less as an original thinker than as a representative of his culture and an example of the paradoxes of the Soto school. The Chan/Zen doctrine that he avowed was allegedly reasonable and demythologizing, but he lived in a psychological world that was just as imbued with the marvelous as was that of his contemporary Dante Alighieri. Drawing on his own dreams to demonstrate that he possessed the magical authority that he felt to reside also in icons and relics, Keizan strove to use these "visions of power" to buttress his influence as a patriarch. To reveal the historical, institutional, ritual, and visionary elements in Keizan's life and thought and to compare these to Soto doctrine, Faure draws on largely neglected texts, particularly the Record of Tokoku (a chronicle that begins with Keizan's account of the origins of the first of the monasteries that he established) and the kirigami, or secret initiation documents.
Author | : Eviatar Shulman |
Publisher | : Cambridge University Press |
Total Pages | : 225 |
Release | : 2014-06-23 |
Genre | : Body, Mind & Spirit |
ISBN | : 110706239X |
Shulman traces the development of the four noble truths, which in fact originated as observations to be cultivated during meditation.
Author | : Taigen Dan Leighton |
Publisher | : Oxford University Press |
Total Pages | : 339 |
Release | : 2007-05-11 |
Genre | : Religion |
ISBN | : 0199886474 |
As a religion concerned with universal liberation, Zen grew out of a Buddhist worldview very different from the currently prevalent scientific materialism. Indeed, says Taigen Dan Leighton, Zen cannot be fully understood outside of a worldview that sees reality itself as a vital, dynamic agent of awareness and healing. In this book, Leighton explicates that worldview through the writings of the Zen master Eihei Dōgen (1200-1253), considered the founder of the Japanese Sōtō Zen tradition, which currently enjoys increasing popularity in the West. The Lotus Sutra, arguably the most important Buddhist scripture in East Asia, contains a famous story about bodhisattvas (enlightening beings) who emerge from under the earth to preserve and expound the Lotus teaching in the distant future. The story reveals that the Buddha only appears to pass away, but actually has been practicing, and will continue to do so, over an inconceivably long life span. Leighton traces commentaries on the Lotus Sutra from a range of key East Asian Buddhist thinkers, including Daosheng, Zhiyi, Zhanran, Saigyo, Myōe, Nichiren, Hakuin, and Ryōkan. But his main focus is Eihei Dōgen, the 13th century Japanese Sōtō Zen founder who imported Zen from China, and whose profuse, provocative, and poetic writings are important to the modern expansion of Buddhism to the West. Dōgen's use of this sutra expresses the critical role of Mahayana vision and imagination as the context of Zen teaching, and his interpretations of this story furthermore reveal his dynamic worldview of the earth, space, and time themselves as vital agents of spiritual awakening. Leighton argues that Dōgen uses the images and metaphors in this story to express his own religious worldview, in which earth, space, and time are lively agents in the bodhisattva project. Broader awareness of Dōgen's worldview and its implications, says Leighton, can illuminate the possibilities for contemporary approaches to primary Mahayana concepts and practices.