Visions Of British Culture From The Reformation To Romanticism
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Author | : Celestina Savonius-Wroth |
Publisher | : |
Total Pages | : 0 |
Release | : 2022 |
Genre | : |
ISBN | : 9783030828561 |
This book is a major new contribution to the study of cultural identities in Britain and Ireland from the Reformation to Romanticism. It provides a fresh perspective on the rise of interest in British vernacular (or "folk") cultures, which has often been elided with the emergence of British Romanticism and its Continental precursors. Here the Romantics' discovery of and admiration for vernacular traditions is placed in a longer historical timeline reaching back to the controversies sparked by the Protestant Reformation. The book charts the emergence of a nuanced discourse about vernacular cultures, developing in response to the Reformers' devastating attack on customary practices and beliefs relating to the natural world, seasonal festivities, and rites of passage. It became a discourse grounded in humanist Biblical and antiquarian scholarship; informed by the theological and pastoral problems of the long period of religious instability after the Reformation; and, over the course of the eighteenth century, colored by new ideas about culture drawn from Enlightenment historicism and empiricism. This study shows that Romantic literary primitivism and Romantic social thought, both radical and conservative, grew out of this rich context. It will be welcomed by historians of early modern and eighteenth-century Britain and those interested in the study of religious and vernacular cultures. Celestina Savonius-Wroth is Assistant Professor, History Librarian, and Head of the History, Philosophy, and Newspaper Library at the University of Illinois at Urbana-Champaign, USA. She holds a doctorate in British history from Indiana University Bloomington.
Author | : Celestina Savonius-Wroth |
Publisher | : Springer Nature |
Total Pages | : 311 |
Release | : 2022-01-17 |
Genre | : History |
ISBN | : 3030828557 |
This book is a major new contribution to the study of cultural identities in Britain and Ireland from the Reformation to Romanticism. It provides a fresh perspective on the rise of interest in British vernacular (or “folk”) cultures, which has often been elided with the emergence of British Romanticism and its Continental precursors. Here the Romantics’ discovery of and admiration for vernacular traditions is placed in a longer historical timeline reaching back to the controversies sparked by the Protestant Reformation. The book charts the emergence of a nuanced discourse about vernacular cultures, developing in response to the Reformers’ devastating attack on customary practices and beliefs relating to the natural world, seasonal festivities, and rites of passage. It became a discourse grounded in humanist Biblical and antiquarian scholarship; informed by the theological and pastoral problems of the long period of religious instability after the Reformation; and, over the course of the eighteenth century, colored by new ideas about culture drawn from Enlightenment historicism and empiricism. This study shows that Romantic literary primitivism and Romantic social thought, both radical and conservative, grew out of this rich context. It will be welcomed by historians of early modern and eighteenth-century Britain and those interested in the study of religious and vernacular cultures.
Author | : D. Morse |
Publisher | : Springer |
Total Pages | : 339 |
Release | : 2000-02-17 |
Genre | : Literary Criticism |
ISBN | : 023028843X |
In the eighteenth century 'virtue' was a word to conjure with. It called to mind heroic predecessors from the Roman Republic such as Cato and Brutus and invoked qualities of personal integrity, selflessness and a concern for the common good, which, though urgently needed, seemed desperately lacking, both in the ruthless party struggles of the age of Anne and subsequently in the all-pervading political corruption of the Walpole administration. When the longed-for political saviour failed to materialize it was increasingly felt that if virtue existed at all then it would have to be sought for among the lower orders of society or else in provincial areas, where simpler and nobler values might still prevail. But with the coming of the French Revolution and Romanticism virtue began to lose its powerful resonances - it now seemed naive and simplistic, all too ready to deny both the complexities of human nature and the possibility of determination by external cultural forces.
Author | : Iain McCalman |
Publisher | : OUP Oxford |
Total Pages | : 794 |
Release | : 1999-07-01 |
Genre | : Literary Criticism |
ISBN | : 0191518212 |
For the first time in this innovative reference book the Romantic Age is surveyed across all aspects of British culture, rather than in literary or artistic terms alone. The Companion's two-part structure presents forty-two essays on major topics, by leading international experts, cross-referenced to an extensive alphabetical section covering all the principal figures, events, and movements in the broad culture of the period. Aimed at students and general readers as well as scholars, the essays constitute an accessible, pluralistic, and modern social history of the epoch; the alphabetical entries can either be used alongside them, for deeper information on specific subjects, or as a free-standing reference tool. The volume as a whole embraces both high and low culture, and explores its subject across the whole breadth of England, Scotland, Wales, and Ireland. The book's multi-disciplinary approach treats Romanticism both in aesthetic terms-its meaning for painting, music, design, architecture, and above all literature-and as a historical epoch of 'revolutionary' transformations which ushered in modern democratic and industrialized society. In this period Wedgwood turned taste into a commercial enterprise, Pierce Egan took Britain by storm with his sensational accounts of low-life in the capital, and Mary Shelley created, in Frankenstein, one of the enduring myths of scientific advance. The Companion revitalizes canonical Romantic figures in the context of the historical events, political and linguistic debates, commercial pressures, and plebeian subcultures of their day, as well as bringing back into historical focus individuals and events whose impact has often been muffled or forgotten. With over 100 integrated illustrations, bibliographies accompanying all the major essays, and an index to Part 1, this is the most comprehensive volume of its kind, offering a unique breadth of information to scholars and students of eighteenth- and nineteenth-century British culture, literature, and history. EDITORIAL BOARD: John Brewer (University of California) Marilyn Butler (Exeter College, University of Oxford) James Chandler (University of Chicago) Jerome J. McGann ( University of Virginia, Charlottesville) Mark Philp (Oriel College, Oxford) Robert Webb (University of Maryland)
Author | : M. Tomko |
Publisher | : Springer |
Total Pages | : 236 |
Release | : 2010-11-17 |
Genre | : Literary Criticism |
ISBN | : 0230300456 |
The debate over extending full civil rights to British and Irish Catholics not only preoccupied British politics but also informed the romantic period's most prominent literary works. This book offers the first comprehensive, interdisciplinary study of Catholic Emancipation, one of the romantic period's most contentious issues.
Author | : James Chandler |
Publisher | : Cambridge University Press |
Total Pages | : 324 |
Release | : 2005-10-13 |
Genre | : Literary Criticism |
ISBN | : 9780521839013 |
This 2005 collection of essays challenges the traditional conception that British Romanticism was rooted in nature and rural life, by showing that much of what was new about Romanticism was born in the city. The essays examine the works and events of the Romantic period from the point of view of the urban world, where rapid developments in population, industry, communication, trade, and technology set the stage and the tone for many of the great achievements in literature and culture. The great metropolis appears as both fact and figure: London is its paradigm, but the metropolitan perspective is also borrowed and projected elsewhere. In this volume, some of the most exciting critics of Romanticism explore diverse cultural productions from poems and paintings, to exhibition sites, panoramas, and political organizations to do long-overdue justice to the place of the city - both as topic and as location - in British Romanticism.
Author | : Celestina Savonius-Wroth |
Publisher | : Palgrave Macmillan |
Total Pages | : 0 |
Release | : 2023-02-01 |
Genre | : History |
ISBN | : 9783030828578 |
This book is a major new contribution to the study of cultural identities in Britain and Ireland from the Reformation to Romanticism. It provides a fresh perspective on the rise of interest in British vernacular (or “folk”) cultures, which has often been elided with the emergence of British Romanticism and its Continental precursors. Here the Romantics’ discovery of and admiration for vernacular traditions is placed in a longer historical timeline reaching back to the controversies sparked by the Protestant Reformation. The book charts the emergence of a nuanced discourse about vernacular cultures, developing in response to the Reformers’ devastating attack on customary practices and beliefs relating to the natural world, seasonal festivities, and rites of passage. It became a discourse grounded in humanist Biblical and antiquarian scholarship; informed by the theological and pastoral problems of the long period of religious instability after the Reformation; and, over the course of the eighteenth century, colored by new ideas about culture drawn from Enlightenment historicism and empiricism. This study shows that Romantic literary primitivism and Romantic social thought, both radical and conservative, grew out of this rich context. It will be welcomed by historians of early modern and eighteenth-century Britain and those interested in the study of religious and vernacular cultures.
Author | : D. Morse |
Publisher | : Palgrave Macmillan |
Total Pages | : 330 |
Release | : 2000-02-17 |
Genre | : Literary Criticism |
ISBN | : 9780333760314 |
In the eighteenth century 'virtue' was a word to conjure with. It called to mind heroic predecessors from the Roman Republic such as Cato and Brutus and invoked qualities of personal integrity, selflessness and a concern for the common good, which, though urgently needed, seemed desperately lacking, both in the ruthless party struggles of the age of Anne and subsequently in the all-pervading political corruption of the Walpole administration. When the longed-for political saviour failed to materialize it was increasingly felt that if virtue existed at all then it would have to be sought for among the lower orders of society or else in provincial areas, where simpler and nobler values might still prevail. But with the coming of the French Revolution and Romanticism virtue began to lose its powerful resonances - it now seemed naive and simplistic, all too ready to deny both the complexities of human nature and the possibility of determination by external cultural forces.
Author | : Helen Boyles |
Publisher | : Routledge |
Total Pages | : 218 |
Release | : 2016-10-14 |
Genre | : Literary Criticism |
ISBN | : 1317061411 |
Exploring the intense relationship between Romantic literature and Methodism, Helen Boyles argues that writers from both movements display an ambivalent attitude towards the expression of deep emotional and spiritual experience. Boyles takes up the disparaging characterization of William Wordsworth and other Romantic poets as 'Methodistical,' showing how this criticism was rooted in a suspicion of the 'enthusiasm' with which the Methodist movement was negatively identified. Historically, enthusiasm has generated hostility and embarrassment, a legacy that Boyles suggests provoked concerted efforts by Romantic poets such as Wordsworth and the Methodist leaders John and Charles Wesley to cleanse it of its derogatory associations. While they distanced themselves from enthusiasm's dangerous and hysterical manifestations, writers and religious leaders also identified with the precepts and inspiration of a language and religion of the heart. Boyles's analysis encompasses a range of literary genres from the Methodist sermon and hymn, to literary biography, critical review, lyric and epic poem. Balancing analysis of creative content with a consideration of its critical reception, she offers readers a detailed analysis of Wordsworth's relationship to popular evangelism within a analytical framework that incorporates Samuel Taylor Coleridge, Robert Southey, and William Hazlitt.
Author | : Andrew Thornton-Norris |
Publisher | : |
Total Pages | : 163 |
Release | : 2009 |
Genre | : Religion and literature |
ISBN | : 9781904863502 |
Modernity might be defined as the age when mankind tried to do without God. From the Renaissance and Reformation, through the Baroque reaction, the Enlightenment and Romanticism, and the Modernist reaction, Western culture has flourished. This title states that what Britain and America need is the religion buried with King Charles I and II.