Visions Immanence
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| Author | : Peter Lurie |
| Publisher | : JHU Press |
| Total Pages | : 254 |
| Release | : 2020-03-03 |
| Genre | : Literary Criticism |
| ISBN | : 1421427559 |
William Faulkner occupied a unique position as a modern writer. Although famous for his modernist novels and their notorious difficulty, he also wrote extensively for the "culture industry," and the works he produced for it—including short stories, adaptations, and screenplays—bore many of the hallmarks of consumer art. His experiences as a Hollywood screenwriter influenced him in a number of ways, many of them negative, while the films turned out by the "dream factories" in which he labored sporadically inspired both his interest and his contempt. Faulkner also disparaged the popular magazines—though he frequently sold short stories to them. To what extent was Faulkner's deeply ambivalent relationship to—and involvement with—American popular culture reflected in his modernist or "art" fiction? Peter Lurie finds convincing evidence that Faulkner was keenly aware of commercial culture and adapted its formulae, strategies, and in particular, its visual techniques into the language of his novels of the 1930s. Lurie contends that Faulkner's modernism can be best understood in light of his reaction to the popular culture of his day. Using Theodor Adorno's theory about modern cultural production as a framework, Lurie's close readings of Sanctuary, Light in August, Absalom! Absalom!, and If I Forget Thee, Jerusalem uncover the cultural history that surrounded and influenced the development of Faulkner's art. Lurie is particularly interested in the influence of cinema on Faulkner's fiction and especially the visual strategies he both deployed and critiqued. These include the suggestion of cinematic viewing on the part of readers and of characters in each of the novels; the collective and individual acts of voyeurism in Sanctuary and Light in August; the exposing in Absalom! Absalom! and Light in Augustof stereotypical and cinematic patterns of thought about history and race; and the evocation of popular forms like melodrama and the movie screen in If I Forget Thee, Jerusalem. Offering innovative readings of these canonical works, this study sheds new light on Faulkner's uniquely American modernism.
| Author | : Peter Lurie |
| Publisher | : JHU Press |
| Total Pages | : 254 |
| Release | : 2004-08 |
| Genre | : Literary Criticism |
| ISBN | : 0801879299 |
"Lurie takes particular interest in the influence of cinema on Faulkner's fiction and the visual strategies he both deployed and critiqued. These include the suggestion of cinematic viewing on the part of readers and of characters in each of the novels; the collective and individual acts of voyeurism in Sanctuary and Light in August; the exposing in Absalom! Absalom! and Light in August of stereotypical and cinematic patterns of thought about history and race; and the evocation of popular forms like melodrama and the movie screen in If I forget thee, Jerusalem. Offering innovative readings of these canonical works, this study sheds new light on Faulkner's uniquely American modernism."--BOOK JACKET.
| Author | : Singh |
| Publisher | : Gyan Publishing House |
| Total Pages | : 328 |
| Release | : 2008 |
| Genre | : Climatic changes |
| ISBN | : 9788178357102 |
The Section I of the book entitled The Immanent Disaster : A Vision of Climate Change consists of Ch. I to IX. It discusses that every event/organism is governed by immutable laws of Life, by Cosmic Consciousness, by Life Field. The truth of man or the truth of nature is the Oneness or Wholeness of Life. Only the Intelligence of Love and Compassion can resolve the problems of life. The Section II of the book is entitled Creativity and Innovation and consist of Ch. X to XXI. If the researcher is interested in profit making [materialism], the intuition falls to innovation [symbolic-dualistic frame of reference]. The research will have to repeat the whole process of quantum leap form innovation to intuition. Hideki Yukawa, Nobel prize in physics, wrote, The need for a reform is not without, but within . Mutation is not in future, it can only be now. Prof. R.K. Pachauri, in November 2007 predicted that only a few years are left to avert the worst. The Prime Minister Dr. Manmohan Singh releases an Action Plan on Climate Change on June 30, 2008.We need Understanding, Direct Perception, Freedom, Science of the Wholeness of Life and art of living in Universal Consciousness. If India is to avoid the crisis of turning into disaster, it has to understand Consciousness here and now and to live that understanding.
| Author | : Steve Taylor |
| Publisher | : SCM Press |
| Total Pages | : 193 |
| Release | : 2019-12-30 |
| Genre | : Religion |
| ISBN | : 0334058473 |
Seeking insight from the real-life development of the earliest expressions of emerging church from their birth, through times of adolescent angst and into the reality of adulthood, this book offers a unique insight into the long-term sustainability of fresh expressions. Presenting the lived practice of the church in mission through a longitudinal lens, and eschewing the rose-tinted approach, it considers the reality of emerging churches - their birth and death, their creativity and conflict, their dreams and despair. A picture of a church that is neither gathered and parish nor independent and networked emerges as the biographies of mission are brought into dialogue with a very ancient expression of mission, the birth of Philippians as a first expression of church in Europe..
| Author | : John Caruana |
| Publisher | : State University of New York Press |
| Total Pages | : 308 |
| Release | : 2018-05-31 |
| Genre | : Performing Arts |
| ISBN | : 1438470185 |
For some time now, thinkers across the humanities and social sciences have increasingly called into question the once-dominant view of the relationship between modernity and secularism, prompting some to speak of a "postsecular turn." Until now, film studies has largely been silent about this development, even though cinema itself has been a major vehicle for such reflection. This fact became inescapable in 2011 when Terrence Malick's The Tree of Life and Lars von Trier's Melancholia were released within days of each other. While these two audacious and controversial films present seemingly opposite perspectives—the former a thoughtful meditation on faith, the latter a portrayal of nontriumphalist atheism—together they raise critical questions about transcendence and immanence in modern life. These films are, however, only the most conspicuous of a growing body of works that call forth similar and related questions—what this collection aptly calls "postsecular cinema." Taking the nearly simultaneous release of The Tree of Life and Melancholia as its starting point and framing device, this pioneering collection sets out to establish the idea of postsecular cinema as a distinct body of films and a viable critical category. Adopting a film-philosophy approach, one group of essays examines Malick's and von Trier's films, while another looks at works by Chantal Akerman, Denys Arcand, the Dardenne brothers, and John Michael McDonagh, among others. The volume closes with two important interviews with Luc Dardenne and Jean-Luc Nancy that invite us to reflect more deeply on some of the central concerns of postsecular cinema.
| Author | : Claudia Olk |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 289 |
| Release | : 2014-08-19 |
| Genre | : Literary Criticism |
| ISBN | : 3110393514 |
The category of vision is significant for Modernist texts as well as for the unfolding discourse of Modernism itself. Within the general Modernist fascination with the artistic and experimental possibilities of vision and perception this study looks at Virginia Woolf’s novels and her critical writings and examines the relation between visuality and aesthetics. An aesthetics of vision, as this study argues, becomes a productive principle of narrative. The visual is not only pertinent to Woolf’s processes of composition, but her works create a kind of vision that is proper to the text itself – a vision that reflects on the experience of seeing and renegotiates the relation between the reader and the text. The study investigates key dimensions of aesthetic vision. It addresses vision in the context of theories of aesthetic experience and identifies a semantics of seeing. It analyses functions of symbolic materiality in the presentation of boundaries of perception, modes of temporality and poetic potentialities. In exploring the connections between vision and language, it seeks to provide new perspectives for a reassessment of what occurs in Modernism's relation to vision.
| Author | : Douglas Harink |
| Publisher | : Wipf and Stock Publishers |
| Total Pages | : 351 |
| Release | : 2010-02-12 |
| Genre | : Religion |
| ISBN | : 1606086626 |
The apostle Paul was a man of many journeys. We are usually familiar with the geographical ones he made in his own time. This volume traces others--Paul's journeys in our time, as he is co-opted or invited to travel (sometimes as abused slave, sometimes as trusted guide) with modern and recent Continental philosophers and political theorists. Kierkegaard, Nietzsche, Heidegger, and Benjamin; Taubes, Badiou, Zizek, and Agamben--Paul journeys here among the philosophers. In these essays you are invited to travel with them into the regions of philosophy, hermeneutics, political theory, and theology. You will certainly hear the philosophers speak. But Paul will not remain silent. Above the sounds of the journey his voice comes through, loud and clear.
| Author | : Leonard Lawlor |
| Publisher | : Fordham Univ Press |
| Total Pages | : 222 |
| Release | : 2006 |
| Genre | : Philosophy |
| ISBN | : 0823226530 |
Leonard Lawlor develops a philosophy of life in opposition to the notion of 'bio-power, ' which reduces the human to the question of power over what Giorgio Agamben terms 'bare life', mere biological existence. He provides conceptual tools for intervening in issues such as the AIDS epidemic & life-support for the infirm.
| Author | : David Brown |
| Publisher | : Routledge |
| Total Pages | : 239 |
| Release | : 2016-05-26 |
| Genre | : Religion |
| ISBN | : 1317126637 |
In the ancient conversation between Western philosophy and Christian theology, powerful contemporary voices are arguing for monologue rather than dialogue. Instead of these two disciplines learning from and mutually informing each other, both philosophers and theologians are increasingly disconnected from, and thus unable to hear, what the other is saying, especially in Anglo-American scholarship. Some Christian philosophers are now found claiming methodological authority over doctrine, while some Christian theologians even deny that philosophy has its own integrity as a separate discipline. Against these trends, David Brown has argued over the past thirty years that philosophy and theology are both necessary in order to grapple with the reality of divine mystery and Christian faith. Neither discipline can be reduced to the other, and each has its own contribution to make for a full understanding of what Brown describes as 'a single vision' of God. In this volume, Brown addresses some key topics in philosophical theology, including the created order, experience and revelation, incarnation and redemption, and heaven and our communal destiny. Combining analytic clarity, doctrinal substance, and historical depth, this volume exemplifies Brown's project of truly integrating philosophy and theology. It thus provides an ideal introduction to this vital conversation for undergraduate and postgraduate students, as well as a connected argument of interest to specialists in both disciplines.
| Author | : Fred R. Sanders |
| Publisher | : Peter Lang |
| Total Pages | : 224 |
| Release | : 2005 |
| Genre | : Philosophy |
| ISBN | : 9780820467108 |
If the economic Trinity is the immanent Trinity , as Karl Rahner said, then what difference does it make for how we read the Bible? This book takes up the discussion that has dominated the last several decades of Trinitarian theology - that of Rahner's Rule - and brings it into dialogue with the longer history of the doctrine, particularly with the history of interpretation of scripture. The history of Trinitarianism is the history of complex interpretive moves, a long conversation in which the Christian church has sought to learn how to ask the right questions of scripture. Surveying recent theological projects and learning from their successes and failures, The Image of the Immanent Trinity argues that the eternally perfect fellowship of Father, Son, and Spirit is truly present for our salvation in Christ who, as the image of the invisible God, secures God's presence in the economy of salvation as the image of the immanent Trinity.
