Visible Signs

Visible Signs
Author: David Crow
Publisher: Bloomsbury Publishing
Total Pages: 314
Release: 2017-07-06
Genre: Design
ISBN: 1474253857

Basic semiotic theories are taught in most art schools as part of a contextual studies program, but many students find it difficult to understand how these ideas might impact on their own practice. Visible Signs tackles this problem by introducing key theories and concepts, such as signs and signifiers, and language and speech, within the framework of visual communication. Each chapter provides an overview of a particular facet of semiotic theory, with inspiring examples from graphic design, typography, illustration, advertising and art to illustrate the ideas discussed in the text. Creative exercises at the end of the book will help exemplify these ideas through practical application. The third edition of Visible Signs features new material from international designers and new creative exercises to accompany each chapter. This new edition also features a new design and layout.

Visible Signs (Second Edition)

Visible Signs (Second Edition)
Author: David Crow
Publisher: AVA Publishing
Total Pages: 195
Release: 2011-01-13
Genre: Art
ISBN: 2940411425

"Visible Signs" explains semiotic terms and theories in relation to visual communication, with illustrative examples taken from contemporary art and design. This edition features new and revised content and includes 200 visuals created to illustrate the ideas discussed within the book.

The Visible Word

The Visible Word
Author: Johanna Drucker
Publisher: University of Chicago Press
Total Pages: 332
Release: 1994-06-25
Genre: Art
ISBN: 9780226165011

Drucker skillfully traces the development of this critical position, suggesting a methodology closer to the actual practices of the early avant-garde artists based on a rereading of their critical and theoretical writings. After reviewing theories of signification, the production of meaning, and materiality, she analyzes the work of four poets active in the typographic experimentation of the 1910s and 1920s: Ilia Zdanevich, Filippo Marinetti, Guillaume Apollinaire, and Tristan Tzara. Drucker explores the context for experimental typography in terms of printing, handwriting, and other practices concerned with the visual representation of language. Her book concludes with a brief look at the ways in which experimental techniques of the early avant-garde were transformed in both literary work and in applications to commercial design throughout the 1920s and early 1930s.

No Visible Bruises

No Visible Bruises
Author: Rachel Louise Snyder
Publisher: Bloomsbury Publishing USA
Total Pages: 337
Release: 2019-05-07
Genre: Social Science
ISBN: 1635570999

WINNER OF THE HILLMAN PRIZE FOR BOOK JOURNALISM, THE HELEN BERNSTEIN BOOK AWARD, AND THE LUKAS WORK-IN-PROGRESS AWARD * A NEW YORK TIMES TOP 10 BOOKS OF THE YEAR * NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST * LOS ANGELES TIMES BOOK PRIZE FINALIST * ABA SILVER GAVEL AWARD FINALIST * KIRKUS PRIZE FINALIST NAMED ONE OF THE BEST BOOKS OF 2019 BY: Esquire, Amazon, Kirkus, Library Journal, Publishers Weekly, BookPage, BookRiot, Economist, New York Times Staff Critics “A seminal and breathtaking account of why home is the most dangerous place to be a woman . . . A tour de force.” -Eve Ensler "Terrifying, courageous reportage from our internal war zone." -Andrew Solomon "Extraordinary." -New York Times ,“Editors' Choice” “Gut-wrenching, required reading.” -Esquire "Compulsively readable . . . It will save lives." -Washington Post “Essential, devastating reading.” -Cheryl Strayed, New York Times Book Review An award-winning journalist's intimate investigation of the true scope of domestic violence, revealing how the roots of America's most pressing social crises are buried in abuse that happens behind closed doors. We call it domestic violence. We call it private violence. Sometimes we call it intimate terrorism. But whatever we call it, we generally do not believe it has anything at all to do with us, despite the World Health Organization deeming it a “global epidemic.” In America, domestic violence accounts for 15 percent of all violent crime, and yet it remains locked in silence, even as its tendrils reach unseen into so many of our most pressing national issues, from our economy to our education system, from mass shootings to mass incarceration to #MeToo. We still have not taken the true measure of this problem. In No Visible Bruises, journalist Rachel Louise Snyder gives context for what we don't know we're seeing. She frames this urgent and immersive account of the scale of domestic violence in our country around key stories that explode the common myths-that if things were bad enough, victims would just leave; that a violent person cannot become nonviolent; that shelter is an adequate response; and most insidiously that violence inside the home is a private matter, sealed from the public sphere and disconnected from other forms of violence. Through the stories of victims, perpetrators, law enforcement, and reform movements from across the country, Snyder explores the real roots of private violence, its far-reaching consequences for society, and what it will take to truly address it.

Visible Identities

Visible Identities
Author: Linda Martín Alcoff
Publisher: Oxford University Press
Total Pages: 345
Release: 2005-12-22
Genre: Social Science
ISBN: 0199881316

In the heated debates over identity politics, few theorists have looked carefully at the conceptualizations of identity assumed by all sides. Visible Identities fills this gap. Drawing on both philosophical sources as well as theories and empirical studies in the social sciences, Martín Alcoff makes a strong case that identities are not like special interests, nor are they doomed to oppositional politics, nor do they inevitably lead to conformism, essentialism, or reductive approaches to judging others. Identities are historical formations and their political implications are open to interpretation. But identities such as race and gender also have a powerful visual and material aspect that eliminativists and social constructionists often underestimate. Visible Identities offers a careful analysis of the political and philosophical worries about identity and argues that these worries are neither supported by the empirical data nor grounded in realistic understandings of what identities are. Martín Alcoff develops a more realistic characterization of identity in general through combining phenomenological approaches to embodiment with hermeneutic concepts of the interpretive horizon. Besides addressing the general contours of social identity, Martín Alcoff develops an account of the material infrastructure of gendered identity, compares and contrasts gender identities with racialized ones, and explores the experiential aspects of racial subjectivity for both whites and non-whites. In several chapters she looks specifically at Latino identity as well, including its relationship to concepts of race, the specific forms of anti-Latino racism, and the politics of mestizo or hybrid identity.

The First Signs

The First Signs
Author: Genevieve von Petzinger
Publisher: Simon and Schuster
Total Pages: 320
Release: 2017-03-28
Genre: Art
ISBN: 1476785503

"Archaeologist Genevieve von Petzinger looks past the horses, bison, ibex, and faceless humans in the ancient paintings and instead focuses on the abstract geometric images that accompany them. She offers her research on the terse symbols that appear more often than any other kinds of figures--signs that have never really been studied or explained until now"--

In-Visible Simplicity

In-Visible Simplicity
Author: James Scott Rollo
Publisher: Xulon Press
Total Pages: 426
Release: 2012-06
Genre: Religion
ISBN: 1622304608

There is knowledge, understanding, and spiritual illumination in this book never seen or written, ever, in the recorded commentary of biblical history. This is a phenomenon of the moment arising out of Words in Daniel's book that have been "closed up and sealed till the time of the end". The challenge confronting every Christian, regardless of his spiritual age or position, is in recognizing that there is much more to know about God than we know but to know more we must be willing to continually repent and change our minds when the Lord allows us to see a clearer vision of the Truth. Those who set aside every influence outside of the simple literal Words of inspired scripture receive knowledge and understanding unavailable from any other source. Theologians of every degree have never seen the thoughts and observations illuminated in the precept upon precept chapters of this book. If we allow the theologian, tradition, or the worldly church to control our mind, we will miss the blessing of simply believing the purity of the Word. God gave us a good mind and He expects us to use it to His glory by understanding the Words He wants us to hear. The In-Visible Truth is an immeasurable blessing, hidden in simplicity. Identifying doctrinal errors in the church along with seeing biblical specifics of RAPTURE carries the believer far beyond the significance of knowing when Jesus will come again. The Lord is right on time every time and it is now time that we understand many things that the He did not allow us to understand in the past. Be blessed. James Scott Rollo

The Visible and the Invisible

The Visible and the Invisible
Author: Daniela Hammer-Tugendhat
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 394
Release: 2015-03-10
Genre: Art
ISBN: 3110423049

The book addresses the scientific debates on Rembrandt, Metsu, Vermeer, and Hoogstraten that are currently taking place in art history and cultural studies. These focus mainly on the representation of gender difference, the relationship between text and image, and the emotional discourse. They are also an appeal for art history as a form of cultural studies that analyses the semantic potential of art within discursive and social contemporary practices. Dutch painting of the seventeenth century reflects its relationship to visible reality. It deals with ambiguities and contradictions. As an avant-garde artistic media, it also contributes to the emergence of a subjectivity towards the modern “bourgeois”. It discards subject matter from its traditional fixation with iconology and evokes different imaginations and semantizations - aspects that have not been sufficiently taken into account in previous research. The book is to be understood as an appeal for art history as a form of cultural science that analyses the semantic potential of art within discursive and social contemporary practices, and, at the same time, demonstrates its relevance today. Works by Rembrandt, Metsu, Vermeer, Hoogstraten, and others serve as exemplary case studies for addressing current debates in art history and cultural studies, such as representation of gender difference, relationship between text and image, and emotional discourse.