Virginia Woolf Music
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| Author | : Adriana Varga |
| Publisher | : Indiana University Press |
| Total Pages | : 348 |
| Release | : 2014-05-20 |
| Genre | : Music |
| ISBN | : 0253012643 |
“A truly comprehensive, multi-perspective, and up-to-date survey of the undeniable role of music in Woolf ’s life and writings” (Music and Letters). Through Virginia Woolf's diaries, letters, fiction, and the testimony of her contemporaries, this fascinating volume explores the inspiration and influences of music—from classical through mid-twentieth century—on the preeminent Modernist author of Mrs. Dalloway, To the Lighthouse, Orlando, A Room of One’s Own, and other masterful compositions. In a letter to violinist Elizabeth Trevelyan, Woolf revealed: “I always think of my books as music before I write them.” In a journal entry she compared herself to an “improviser with [my] hands rambling over the piano.“ Approaching the author’s career from a unique perspective, Virginia Woolf and Music examines her musical background; music in her fiction and her own critical writings on the subject; its importance in the Bloomsbury milieu; and its role within the larger framework of aesthetics, politics, gender studies, language, and Modernism. Illuminating the rich nature of Woolf's works, these essays from scores of literary and music scholars are “a fascinating and important contribution to scholarship about Virginia Woolf, music, and interdisciplinary art” (Music Reference Services Quarterly).
| Author | : Elicia Clements |
| Publisher | : University of Toronto Press |
| Total Pages | : 301 |
| Release | : 2019-04-08 |
| Genre | : Literary Criticism |
| ISBN | : 1487519796 |
Arguing that sound is integral to Virginia Woolf's understanding of literature, Elicia Clements highlights how the sonorous enables Woolf to examine issues of meaning in language and art, elaborate a politics of listening, illuminate rhythmic and performative elements in her fiction, and explore how music itself provides a potential structural model that facilitates the innovation of her method in The Waves. Woolf's investigation of the exchange between literature and music is thoroughly intermedial: her novels disclose the crevices, convergences, and conflicts that arise when one traverses the intersectionality of these two art forms, revealing, in the process, Woolf's robust materialist feminism. This book focuses, therefore, on the conceptual, aesthetic, and political implications of the musico-literary pairing. Correspondingly, Clements uses a methodology that employs theoretical tools from the disciplines of both literary criticism and musicology, as well as several burgeoning and newly established fields including sound, listening, and performance studies. Ultimately, Clements argues that a wide-ranging combination of these two disciplines produces new ways to study not only literary and musical artifacts but also the methods we employ to analyze them.
| Author | : Emma Sutton |
| Publisher | : Edinburgh University Press |
| Total Pages | : 182 |
| Release | : 2013-09-16 |
| Genre | : Literary Criticism |
| ISBN | : 0748637885 |
This study is a groundbreaking investigation into the formative influence of music on Virginia Woolf's writing. In this unique study Emma Sutton discusses all of Woolf's novels as well as selected essays and short fiction, offering detailed commentaries on Woolf's numerous allusions to classical repertoire and to composers including Bach, Mozart, Beethoven and Wagner. Sutton explores Woolf's interest in the contested relationship between politics and music, placing her work in a matrix of ideas about music and national identity, class, anti-Semitism, pacifism, sexuality and gender. The study also considers the formal influence of music - from fugue to Romantic opera - on Woolf's prose and narrative techniques. The analysis of music's role in Woolf's aesthetics and fiction is contextualized in accounts of her musical education, activities as a listener, and friendships with musicians; and the study outlines the relationship between her 'musicalized' work and that of contemporaries including Joyce, Lawr
| Author | : Virginia Woolf |
| Publisher | : Lindhardt og Ringhof |
| Total Pages | : 3 |
| Release | : 2021-11-02 |
| Genre | : Fiction |
| ISBN | : 8726507692 |
"Sir, I would trust you with my heart. Moreover, we have left our bodies in the banqueting hall. Those on the turf are the shadows of our souls." Our narrator is attenting a classical music concert given by a string quartet, and while seated there, she catches snippets of conversations around her, and reflects upon the different responses listening to music can inspire. Writing about music is difficult, but Virginia Woolf manages with poetic language and impressionistic images that awake with the reader exactly the music she's trying to convey. 'The String Quartet' was published in her short-story collection 'Monday or Tuesday' in 1921. Adeline Virginia Woolf (1882-1941) was an English writer who, despite growing up in a progressive household, was not allowed an education. When she and her sister moved in with their brothers in a rough London neighborhood, they joined the infamous The Bloomsbury Group, which debated philosophy, art and politics. Woolf's most famous novels include 'Mrs Dalloway' (1925) and 'To the Lighthouse' (1927).
| Author | : |
| Publisher | : |
| Total Pages | : 48 |
| Release | : 2004-06 |
| Genre | : |
| ISBN | : 9781540023216 |
(Boosey & Hawkes Voice). Contents: The Diary * Anxiety * Fancy * Hardy's Funeral * Rome * War * Parents * Last Entry.
| Author | : Maggie Humm |
| Publisher | : Edinburgh University Press |
| Total Pages | : 512 |
| Release | : 2010-04-20 |
| Genre | : Literary Criticism |
| ISBN | : 074863553X |
The Edinburgh Companion to Virginia Woolf and the Arts is the most authoritative and up-to-date guide to Virginia Woolf's artistic influences and associations. In original, extensive and newly researched chapters by internationally recognised authors, the Companion explores Woolf's ideas about creativity and the nature of art in the context of the recent 'turn to the visual' in modernist studies with its focus on visual technologies and the significance of material production. The in-depth chapters place Woolf's work in relation to the most influential aesthetic theories and artistic practices, including Bloomsbury aesthetics, art and race, Vanessa Bell and painting, art galleries, theatre, music, dance, fashion, entertaining, garden and book design, broadcasting, film, and photography. No previous book concerned with Woolf and the arts has been so wide ranging or has paid such close attention to both public and domestic art forms.Illustrated with 16 olour as well as 39 black and white illustrations and with guides to further reading, the Companion will be an essential reference work for scholars, students and the general public.Key Features* An essential reference tool for all those working on or interested in Virginia Woolf, the arts, visual culture and modernist studies* Provides a new intellectual framework for the exciting discoveries of the past decades*Draws on archival and historical research into Virginia Woolf's manuscripts and her Bloomsbury milieu*Original chapters from expert contributors newly commissioned by Maggie Humm, widely known for her important work on Virginia Woolf and visual culture*Combines broad synthesis and original reflection setting Woolf's work in historical, cultural and artistic contexts
| Author | : Virginia Woolf |
| Publisher | : Modernista |
| Total Pages | : 111 |
| Release | : 2024-05-30 |
| Genre | : Literary Collections |
| ISBN | : 9180949509 |
Virginia Woolf's playful exploration of a satirical »Oxbridge« became one of the world's most groundbreaking writings on women, writing, fiction, and gender. A Room of One's Own [1929] can be read as one or as six different essays, narrated from an intimate first-person perspective. Actual history blends with narrative and memoir. But perhaps most revolutionary was its address: the book is written by a woman for women. Male readers are compelled to read through women's eyes in a total inversion of the traditional male gaze. VIRGINIA WOOLF [1882–1941] was an English author. With novels like Jacob’s Room [1922], Mrs Dalloway [1925], To the Lighthouse [1927], and Orlando [1928], she became a leading figure of modernism and is considered one of the most important English-language authors of the 20th century. As a thinker, with essays like A Room of One’s Own [1929], Woolf has influenced the women’s movement in many countries.
| Author | : Julia Briggs |
| Publisher | : Houghton Mifflin Harcourt |
| Total Pages | : 548 |
| Release | : 2006 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780156032292 |
Julia Briggs has written a chronological exploration of Woolf's life that reads her life through her books, using the novels to create a new form of biography. Each chapter is illustrated with a sample of Woolf's original manuscript.
| Author | : |
| Publisher | : |
| Total Pages | : 234 |
| Release | : 2019-08 |
| Genre | : |
| ISBN | : 9781862181618 |
This collection of essays has been assembled and developed from papers given at the Ambient@40 International Conference held in February 2018 at the University of Huddersfield. The original premise of the conference was not merely to celebrate Enos work and the landmark release of Music for Airports in 1978, but to consider the development of the genre, how it has permeated our wider musical culture, and what the role of such music is today given the societal changes that have occurred since the release of that album. In the context of the conference, ambient was considered from the perspectives of aesthetic, influence, appropriation, process, strategy and activity. A detailed consideration of each of these topics could fill many volumes. With that in mind, this book does not seek to provide an in-depth analysis of each of these topics or a comprehensive history of the last 40 years of ambient music. Rather it provides a series of provocations, observations and reflections that each open up seams for further discussion. As such, this book should be read as a starting point for future research, one that seeks to critically interrogate the very meaning of ambient, how it creates its effect, and how the genre can remain vital and relevant in twenty-first century music-making.
| Author | : S. Kirk Walsh |
| Publisher | : Catapult |
| Total Pages | : 291 |
| Release | : 2021-04-06 |
| Genre | : Fiction |
| ISBN | : 1640094016 |
Inspired by true events, this vivid and moving story of a young woman zookeeper and the elephant she's compelled to protect through the German blitz of Belfast during WWll speaks to not only the tragedy of the times, but also to the ongoing sectarian tensions that still exist in Northern Ireland today—perfect for readers of historical and literary fiction alike. Belfast, October 1940. Twenty-year-old zookeeper Hettie Quin arrives at the city docks in time to meet her new charge: an orphaned three-year-old Indian elephant named Violet. As Violet adjusts to her new solitary life in captivity and Hettie mourns the recent loss of her sister and the abandonment of her father, new storm clouds gather. A world war rages, threatening a city already reeling from escalating tensions between British Loyalists and those fighting for a free and unified Ireland. The relative peace is shattered by air-raid sirens on the evening of Easter Tuesday 1941. Over the course of the next five hours, hundreds of bombs rain down upon Belfast, claiming almost a thousand lives and decimating the city. Dodging the debris and carnage of the Luftwaffe attack, Hettie runs to the zoo to make sure that Violet is unharmed. The harrowing ordeal and ensuing aftermath set the pair on a surprising path that highlights the indelible, singular bond that often brings mankind and animals together during horrifying times. Inspired by a largely forgotten chapter of World War II, S. Kirk Walsh deftly renders the changing relationship between Hettie and Violet, and their growing dependence on each other for survival and solace. The Elephant of Belfast is a complicated and beguiling portrait of hope and resilience--and how love can sustain us during the darkest moments of our lives.
