Historical Painting Techniques, Materials, and Studio Practice

Historical Painting Techniques, Materials, and Studio Practice
Author: Arie Wallert
Publisher: Getty Publications
Total Pages: 241
Release: 1995-08-24
Genre: Art
ISBN: 0892363223

Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.

What Parish Are You From?

What Parish Are You From?
Author: Eileen M. McMahon
Publisher: University Press of Kentucky
Total Pages: 239
Release: 2014-07-11
Genre: Social Science
ISBN: 0813149274

For Irish Americans as well as for Chicago's other ethnic groups, the local parish once formed the nucleus of daily life. Focusing on the parish of St. Sabina's in the southwest Chicago neighborhood of Auburn-Gresham, Eileen McMahon takes a penetrating look at the response of Catholic ethnics to life in twentieth-century America. She reveals the role the parish church played in achieving a cohesive and vital ethnic neighborhood and shows how ethno-religious distinctions gave way to racial differences as a central point of identity and conflict. For most of this century the parish served as an important mechanism for helping Irish Catholics cope with a dominant Protestant-American culture. Anti-Catholicism in the society at large contributed to dependency on parishes and to a desire for separateness from the American mainstream. As much as Catholics may have wanted to insulate themselves in their parish communities, however, Chicago demographics and the fluid nature of the larger society made this ultimately impossible. Despite efforts at integration attempted by St. Sabina's liberal clergy, white parishioners viewed black migration into their neighborhood as a threat to their way of life and resisted it even as they relocated to the suburbs. The transition from white to black neighborhoods and parishes is a major theme of twentieth-century urban history. The experience of St. Sabina's, which changed from a predominantly Irish parish to a vibrant African-American Catholic community, provides insights into this social trend and suggests how the interplay between faith and ethnicity contributes to a resistance to change.

Catholic Churches of London

Catholic Churches of London
Author: Denis Evinson
Publisher: A&C Black
Total Pages: 288
Release: 1998-01-01
Genre: Religion
ISBN: 9781850758198

In this comprehensive survey of London's Catholic churches, Dr Evinson's inventory lists all 140 churches in the cities of London, Westminster and the inner surrounding boroughs. In each case the entries include the foundation of the mission, the building history of the church, the role of the clergy and lay patrons, an architectural description and an account of the church's permanent furnishings. A substantial introduction treats the subject in chronological terms, embracing the period of Catholic emancipation followed by the Gothic, Classical, Byzantine and Romanesque revivals. Post-1945 developments in structure and planning are also explored, followed by a survey of furnishings and artists. This book should appeal to Catholic Londoners and parish priests, as well as art historians and tourists.