Vietnam Blues
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Author | : Joseph F. Tuso |
Publisher | : Williams-Ford Texas A&M Univer |
Total Pages | : 292 |
Release | : 1990 |
Genre | : History |
ISBN | : |
The songs of the U.S. Air Force flyers during the Vietnam War, written in the cryptic language of pilots and navigators, aloft in their "beasts" a dozen "angels" up in the sky, uniquely reflect the stark emotions and black humors of that ill-fated war. Veteran navigator Joseph F. Tuso spent fifteen years collecting the lyrics for more than a hundred songs written or sung by U.S. Air Force flyers from about 1966 through 1969. Many of the songs' authors are unknown. But their lyrics, even such jarring lines as those of "Chocolate-covered Napalm," often are set to popular melodies, such as "The Wabash Cannonball." Some songs have original tunes as well. Twenty-five of the 148 songs whose lyrics are included here were written by Dick Jonas, the premier songwriter of the Vietnam era Air Force. Many other songs appear in print for the first time. Singing the Vietnam Blues begins with a personal overture that sets the stage for a play of war-evoked emotions and lines that are less than sacred, more than profane, and sometimes poignant. Some songs, such as the "Phu Cat Alert Pad," are based on historical events, while others have their origins in popular myths, such as "Wolf Pack's Houseboy." Whatever the direct source of the songs, it is the daily combat, rescue, or transport missions; the possibility of death; and the fear, bravado, and competition between pilots, navigators, planes, and enemy flyers or "bandits" that generated the lyrics. Most songs are preceded by Tuso's explanation of each song's origin, other versions, references to current events or "inside jokes," and sometimes personal insights and memories. A glossary is also included.
Author | : James E. Perone |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 216 |
Release | : 2019-02-15 |
Genre | : Music |
ISBN | : |
Listen to the Blues! Exploring A Musical Genre provides an overview of this distinctly American musical genre for fans of the blues and curious readers alike, with a focus on 50 must-hear artists, albums, and subgenres. Unlike other books on the blues, which tend to focus on musician biographies, Listen to the Blues! devotes time to the compositions, recordings, and musical legacies of blues musicians from the early 20th century to the present. Although the author references musical structure, harmony, form, and other musical concepts, the volume avoids technical language; therefore, it is a volume that should be of interest to the casual blues fan, to students of blues music and its history, and to more serious blues fans. The chapters on the impact of the blues on popular culture and the legacy of the blues also put the genre in a broader historical context than what is found in many books on the blues. The book opens with a background chapter that provides an overview of the history and structure of blues music. A substantial, encyclopedic chapter that focuses on 50 must-hear blues musicians follows, as does a chapter that explores the impact on popular culture of blues music and musicians and a chapter that focuses on the legacy of the genre. A bibliography rounds out the work.
Author | : Douglas Mark Ponton |
Publisher | : Vernon Press |
Total Pages | : 226 |
Release | : 2020-10-06 |
Genre | : Music |
ISBN | : 1622739566 |
The book is the fruit of Douglas Mark Ponton’s and co-editor Uwe Zagratzki’s enduring interest in the Blues as a musical and cultural phenomenon and source of personal inspiration. Continuing in the tradition of Blues studies established by the likes of Samuel Charters and Paul Oliver, the authors hope to contribute to the revitalisation of the field through a multi-disciplinary approach designed to explore this constantly evolving social phenomenon in all its heterogeneity. Focusing either on particular artists (Lightnin’ Hopkins, Robert Johnson), or specific texts (Langston Hughes’ Weary Blues and Backlash Blues, Jimi Hendrix’s Machine Gun), the book tackles issues ranging from authenticity and musicology in Blues performance to the Blues in diaspora, while also applying techniques of linguistic analysis to the corpora of Blues texts. While some chapters focus on the Blues as a quintessentially American phenomenon, linked to a specific social context, others see it in its current evolutions, as the bearer of vital cultural attitudes into the digital age. This multidisciplinary volume will appeal to a broad range of scholars operating in a number of different academic disciplines, including Musicology, Linguistics, Sociology, History, Ethnomusicology, Literature, Economics and Cultural Studies. It will also interest educators across the Humanities, and could be used to exemplify the application to data of specific analytical methodologies, and as a general introduction to the field of Blues studies.
Author | : Dick Weissman |
Publisher | : Routledge |
Total Pages | : 222 |
Release | : 2004-10-28 |
Genre | : Music |
ISBN | : 1135877114 |
Blues: The Basics offers a concise introduction to a century of the blues. Organized chronologically, it focuses on the major eras in the growth and development of this popular musical style. Material includes: a definition of the blues and the major genres within it key artists such as Ma Rainey, Bessie Smith, Robert Johnson and Blind Lemon Jefferson key recordings Complete with timelines and suggestions for further investigation, this fascinating overview is ideal for students and interested listeners.
Author | : Ulrich Adelt |
Publisher | : Rutgers University Press |
Total Pages | : 204 |
Release | : 2010 |
Genre | : Music |
ISBN | : 0813547504 |
In the 1960s, within the larger context of the civil rights movement and the burgeoning counterculture, the blues changed from black to white in its production and reception, as audiences became increasingly white. Yet, while this was happening, blackness-especially black masculinity-remained a marker of authenticity. Blues Music in the Sixties discusses these developments, including the international aspects of the blues. It highlights the performers and venues that represented changing racial politics and addresses the impact and involvement of audiences and cultural brokers.
Author | : |
Publisher | : |
Total Pages | : 64 |
Release | : 2003-09 |
Genre | : |
ISBN | : |
The Crisis, founded by W.E.B. Du Bois as the official publication of the NAACP, is a journal of civil rights, history, politics, and culture and seeks to educate and challenge its readers about issues that continue to plague African Americans and other communities of color. For nearly 100 years, The Crisis has been the magazine of opinion and thought leaders, decision makers, peacemakers and justice seekers. It has chronicled, informed, educated, entertained and, in many instances, set the economic, political and social agenda for our nation and its multi-ethnic citizens.
Author | : Allan Moore |
Publisher | : Cambridge University Press |
Total Pages | : 238 |
Release | : 2003-03-13 |
Genre | : Music |
ISBN | : 1107494532 |
From Robert Johnson to Aretha Franklin, Mahalia Jackson to John Lee Hooker, blues and gospel artists figure heavily in the mythology of twentieth-century culture. The styles in which they sang have proved hugely influential to generations of popular singers, from the wholesale adoptions of singers like Robert Cray or James Brown, to the subtler vocal appropriations of Mariah Carey. Their own music, and how it operates, is not, however, always seen as valid in its own right. This book provides an overview of both these genres, which worked together to provide an expression of twentieth-century black US experience. Their histories are unfolded and questioned; representative songs and lyrical imagery are analysed; perspectives are offered from the standpoint of the voice, the guitar, the piano, and also that of the working musician. The book concludes with a discussion of the impact the genres have had on mainstream musical culture.
Author | : Robert Ford |
Publisher | : Routledge |
Total Pages | : 905 |
Release | : 2019-07-24 |
Genre | : Music |
ISBN | : 1351398482 |
This book provides a sequel to Robert Ford's comprehensive reference work A Blues Bibliography, the second edition of which was published in 2007. Bringing Ford's bibliography of resources up to date, this volume covers works published since 2005, complementing the first volume by extending coverage through twelve years of new publications. As in the previous volume, this work includes entries on the history and background of the blues, instruments, record labels, reference sources, regional variations, and lyric transcriptions and musical analysis. With extensive listings of print and online articles in scholarly and trade journals, books, and recordings, this bibliography offers the most thorough resource for all researchers studying the blues.
Author | : Ronald D Cohen |
Publisher | : Routledge |
Total Pages | : 163 |
Release | : 2015-11-17 |
Genre | : Social Science |
ISBN | : 131725208X |
Wars have dominated the history of the United States since its founding, but there has also been a long history of antiwar activity. Peace songs have emerged out of every military conflict involving the United States. "Singing for Peace" vividly portrays this rich antiwar history, beginning in the eighteenth century and continuing into the twenty-first.Most of the twentieth-century output was dominated by folk groups and acoustic singer-songwriters. The Vietnam War saw the increased dovetailing of folk and rock music, so that rock and folk-rock took on an ever-larger share of protest activity, then punk, metal, hip-hop, and rap. The authors draw upon a wide range of primary and secondary sources, while quoting many popular and lesser-known song lyrics, and including a range of photos and illustrations. These songs have long served to both shape and reveal the feelings of citizens opposed to America s wars."
Author | : Mark Busby |
Publisher | : TCU Press |
Total Pages | : 228 |
Release | : 2001 |
Genre | : Fiction |
ISBN | : 9780875652382 |
Jeff Adams, drafted in 1969, faces a war he doesn't understand. The product of a patriotic Texas family, he knows he could never face his grandfather, the first Jefferson Bowie Adams, if he dodges the draft, so, to buy some time, he volunteers for Officer Candidate School in Fort Benning, Georgia.