Vietnam And The Rise Of Photojournalism
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Author | : Derek Miller |
Publisher | : Cavendish Square Publishing, LLC |
Total Pages | : 114 |
Release | : 2018-12-15 |
Genre | : Young Adult Nonfiction |
ISBN | : 150263483X |
The Vietnam War gave rise to a brand new kind of journalism: photojournalism. Iconic photographs such as Napalm Girl not only changed journalism forever but also changed the minds of many Americans about their country's involvement in the war. This book contextualizes the war and demonstrates how modes of reporting can change the course of history.
Author | : Derek Miller |
Publisher | : Cavendish Square Publishing, LLC |
Total Pages | : 114 |
Release | : 2018-12-15 |
Genre | : Young Adult Nonfiction |
ISBN | : 1502634848 |
The Vietnam War gave rise to a brand new kind of journalism: photojournalism. Iconic photographs such as Napalm Girl not only changed journalism forever but also changed the minds of many Americans about their country's involvement in the war. This book contextualizes the war and demonstrates how modes of reporting can change the course of history.
Author | : Sönke Kunkel |
Publisher | : Berghahn Books |
Total Pages | : 276 |
Release | : 2015-12-01 |
Genre | : Social Science |
ISBN | : 1782388435 |
In Cold War historiography, the 1960s are often described as a decade of mounting diplomatic tensions and international social unrest. At the same time, they were a period of global media revolution: communication satellites compressed time and space, television spread around the world, and images circulated through print media in expanding ways. Examining how U.S. policymakers exploited these changes, this book offers groundbreaking international research into the visual media battles that shaped America's Cold War from West Germany and India to Tanzania and Argentina.
Author | : Liam Kennedy |
Publisher | : Routledge |
Total Pages | : 305 |
Release | : 2020-09-13 |
Genre | : Art |
ISBN | : 1000211746 |
Photography has visualized international relations and conflicts from the midnineteenth century onwards and continues to be an important medium in framing the worlds of distant, suffering others. Although photojournalism has been challenged in recent decades, claims that it is dead are premature. The Violence of the Image examines the roles of image producers and the functions of photographic imagery in the documentation of wars, violent conflicts and human rights issues; tackling controversial ideas such as 'witnessing', the making of appeals based on displays of human suffering and the much-cited concept of 'compassion fatigue'. In the twenty-first century, the advent of digital photography, camera phones and socialmedia platforms has altered the relationship between photographers, the medium and the audience- as well as contributing to an ongoing blurring of the boundaries between news and entertainment and professional and amateur journalism. The Violence of the Image explores how new vernacular and artistic modes of photographic production articulate international friction.This innovative, timely book makes a major contribution to discussions about the power of the image in conflict.
Author | : Philip Jones Griffiths |
Publisher | : Phaidon Press |
Total Pages | : 0 |
Release | : 2006-02-21 |
Genre | : Photography |
ISBN | : 9780714846033 |
Rare and highly sought-after photobook documenting the Vietnam War
Author | : Philip Jones Griffiths |
Publisher | : Trolley Press |
Total Pages | : 208 |
Release | : 2003 |
Genre | : History |
ISBN | : |
Philip Jones Griffiths, for a record five years the President of Magnum Photos, created in Vietnam, Inc. a record of the war there of almost Biblical proportions. No one who has seen it will forget its haunting images. In Agent Orange he has added a postscript that is equally memorable. In 1960 the United States war machine concluded that an efficient deterrent to the enemy troops and civilians would be the devastation of the crops and forestry that afforded them both succour and cover for their operations. Initial descriptions of the scheme included "Food Denial Program", later adapted to "depriving cover for enemy troops". They gave the idea the name "Operation Hades", but were advised that "Operation Ranch Hand" was a more suitable cognomen for PR purposes. The US had developed herbicides for the task. The most infamous became known as Agent Orange after the coloured stripe on the canisters used to distribute it. The planes that carried the canisters had 'only we can prevent forests!' as a logo on their fuselages. They were right. It was very effective. Unfortunately the herbicide also contained Dioxin, probably the world's deadliest poison. In Agent Orange Philip Jones Griffiths has photographed the children and grandchildren of the farmers whose faces were lifted to the gentle rain of the poison cloud. Some maintain that the connection between the maimed subjects of Griffiths' photographs and the exposure to Agent Orange is not scientifically established. However, the compensation payments made by the herbicide manufactures to those Americans sprayed in Viet Nam refute this assertion. Historians will find it sufficient to say that there will always be collateral damage, that useful PR phrase, in war and that Philip Jones Griffiths should understand the consequences of martial endeavours. He most certainly does. He has catalogued here a pitiless series of photographs, and there can be no doubt that they should and will be recognized.
Author | : Susan Sontag |
Publisher | : Farrar, Straus and Giroux |
Total Pages | : 146 |
Release | : 2013-10-01 |
Genre | : Social Science |
ISBN | : 1466853573 |
A brilliant, clear-eyed consideration of the visual representation of violence in our culture--its ubiquity, meanings, and effects. Considered one of the greatest critics of her generation, Susan Sontag followed up her monumental On Photography with an extended study of human violence, reflecting on a question first posed by Virginia Woolf in Three Guineas: How in your opinion are we to prevent war? "For a long time some people believed that if the horror could be made vivid enough, most people would finally take in the outrageousness, the insanity of war." One of the distinguishing features of modern life is that it supplies countless opportunities for regarding (at a distance, through the medium of photography) horrors taking place throughout the world. But are viewers inured—or incited—to violence by the depiction of cruelty? Is the viewer’s perception of reality eroded by the daily barrage of such images? What does it mean to care about the sufferings of others far away? First published more than twenty years after her now classic book On Photography, which changed how we understand the very condition of being modern, Regarding the Pain of Others challenges our thinking not only about the uses and means of images, but about how war itself is waged (and understood) in our time, the limits of sympathy, and the obligations of conscience.
Author | : Jeff Gates |
Publisher | : |
Total Pages | : 26 |
Release | : 2013-12 |
Genre | : Computers |
ISBN | : 9781907697982 |
In 2012, Facebook users added seven petabytes of images each month - 7,516,192,768 megabytes every four weeks. And the power of photographs to impact and move us diminishes as we are increasingly overwhelmed by the sheer number of images to which we are exposed. In this thought-provoking essay, author Jeff Gates examines how the nature of picture taking and picture making is changing, and explores how we interpret historic photographs in an environment in which sharing is starting to replace exhibiting. Jeff Gates taught college photography for 23 years before joining the Smithsonian, where he is Lead Producer, New Media Initiatives at the Smithsonian American Art Museum.
Author | : Patrice Sherman |
Publisher | : Cavendish Square Publishing, LLC |
Total Pages | : 114 |
Release | : 2018-12-15 |
Genre | : Young Adult Nonfiction |
ISBN | : 1502634694 |
From its earliest days, the press played a pivotal role in American politics and civic life. The trial of printer John Peter Zenger in 1735 established the principle of the free press, and publishers throughout the colonies quickly embraced the concept. The controversy over independence was hotly debated in newspapers. Through letters and debates, the press helped shape the idea of a uniquely American identity. This volume demonstrates how freedom of the press is part of American heritage from colonial times and how it remains essential to democracy to this day.
Author | : Jennifer Good |
Publisher | : |
Total Pages | : 0 |
Release | : 2014 |
Genre | : Vietnam War, 1961-1975 |
ISBN | : 9781443854429 |
The Vietnam War is evolving from contemporary memory into history. Fifty years on, it still serves as a benchmark in the history of war reporting and in the representation of conflict in popular culture and historical memory. However, as contemporary culture tries to come to terms with the events and their political, psychological and cultural implications, the â ~realâ (TM) Vietnam War has been appropriated and changed into a set of mythologies which implicate American and Vietnamese national identities specifically, and ideas of modern conflict more broadly, particularly in shaping the mediation of the twenty-first century â ~War on Terrorâ (TM). This collection of interdisciplinary critical essays explores the cultural legacies of the US involvement in South East Asia, considering this process of â ~mythologisingâ (TM) through the lenses of visual media and tracing the warâ (TM)s evolution from contemporary reportage to subsequent interpretation and consumption. It reassesses the role of visual media in covering and remembering the war, its memorialisation, mediation and memory. The origin of this collection of essays was an international conference, titled â oeConsidering Vietnamâ , held at the Imperial War Museum, London, in February 2012, co-organised by the museum and the University of the Arts London Photography and the Archive Research Centre (PARC).