Victorian Gender Roles And Dickenss Image Of Women As Represented In The Female Characters In Great Expectations
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| Author | : Anja Dinter |
| Publisher | : GRIN Verlag |
| Total Pages | : 29 |
| Release | : 2012-06 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 3656208794 |
Seminar paper from the year 2004 in the subject English Language and Literature Studies - Literature, grade: 1,3, University of Potsdam (Institut für Anglistik und Amerikanistik), course: Great Expectations and Hard Times by Charles Dickens, 15 entries in the bibliography, language: English, abstract: Introduction The following work is an analysis of the female characters in Charles Dickens's Great Expectations especially with regard to Victorian gender constructions and Dickens's image of women. Dickens's biography and the depiction of very diverse female characters in his novels stimulated the idea of a closer analysis. First of all, a short summary of Great Expectations is provided. Then, the Victorian construction of gender will be discussed. As will be shown, a very strict ideology regarding gender roles existed during the Victorian age. Obviously, Dickens must have been influenced by the ideas of his contemporaries which should then be presented in the novel. Another focus will be on how his relationships to women influenced his image of women and also, consequently, the depiction of his female characters in Great Expectations. Finally the female characters, with reference to Victorian gender roles and Dickens's image of women, will be analyzed in greater detail. The focus is on four women who I believe to be the most important female characters in the novel and powerful representatives of the author's image of women and Victorian gender construction.
| Author | : Anja Dinter |
| Publisher | : GRIN Verlag |
| Total Pages | : 24 |
| Release | : 2007-06-08 |
| Genre | : Literary Criticism |
| ISBN | : 3638785254 |
Seminar paper from the year 2004 in the subject English Language and Literature Studies - Literature, grade: 1,3, University of Potsdam (Institut für Anglistik und Amerikanistik), course: Great Expectations and Hard Times by Charles Dickens, language: English, abstract: Introduction The following work is an analysis of the female characters in Charles Dickens’s Great Expectations especially with regard to Victorian gender constructions and Dickens’s image of women. Dickens’s biography and the depiction of very diverse female characters in his novels stimulated the idea of a closer analysis. First of all, a short summary of Great Expectations is provided. Then, the Victorian construction of gender will be discussed. As will be shown, a very strict ideology regarding gender roles existed during the Victorian age. Obviously, Dickens must have been influenced by the ideas of his contemporaries which should then be presented in the novel. Another focus will be on how his relationships to women influenced his image of women and also, consequently, the depiction of his female characters in Great Expectations. Finally the female characters, with reference to Victorian gender roles and Dickens’s image of women, will be analyzed in greater detail. The focus is on four women who I believe to be the most important female characters in the novel and powerful representatives of the author’s image of women and Victorian gender construction.
| Author | : Nina Auerbach |
| Publisher | : Harvard University Press |
| Total Pages | : 276 |
| Release | : 1982 |
| Genre | : Literary Criticism |
| ISBN | : 9780674954076 |
Analyzes the Victorian conception of both demonic and divine nature of women in Victorian art and literature.
| Author | : Sharon Marcus |
| Publisher | : Princeton University Press |
| Total Pages | : 369 |
| Release | : 2009-07-10 |
| Genre | : Literary Criticism |
| ISBN | : 1400830850 |
Women in Victorian England wore jewelry made from each other's hair and wrote poems celebrating decades of friendship. They pored over magazines that described the dangerous pleasures of corporal punishment. A few had sexual relationships with each other, exchanged rings and vows, willed each other property, and lived together in long-term partnerships described as marriages. But, as Sharon Marcus shows, these women were not seen as gender outlaws. Their desires were fanned by consumer culture, and their friendships and unions were accepted and even encouraged by family, society, and church. Far from being sexless angels defined only by male desires, Victorian women openly enjoyed looking at and even dominating other women. Their friendships helped realize the ideal of companionate love between men and women celebrated by novels, and their unions influenced politicians and social thinkers to reform marriage law. Through a close examination of literature, memoirs, letters, domestic magazines, and political debates, Marcus reveals how relationships between women were a crucial component of femininity. Deeply researched, powerfully argued, and filled with original readings of familiar and surprising sources, Between Women overturns everything we thought we knew about Victorian women and the history of marriage and family life. It offers a new paradigm for theorizing gender and sexuality--not just in the Victorian period, but in our own.
| Author | : |
| Publisher | : |
| Total Pages | : 572 |
| Release | : 1996 |
| Genre | : Dissertations, Academic |
| ISBN | : |
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 276 |
| Release | : 2009-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 9042027150 |
Semiotic Encounters: Text, Image and Trans-Nation aims at opening up scholarly debates on the contemporary challenges of intertextuality in its various intersections with postcolonial and visual culture studies. Commencing with three theoretical contributions, which work towards the creation of frameworks under which intertextuality can be (re)viewed today, the volume then explores textual and visual encounters in a number of case studies. While (a) the dimension of the intertextual in the traditional sense (as specified e.g. by Genette) and (b) the widening of the concept towards visual and digital culture govern the structure of the volume, questions of the transnational and/or postcolonial form a recurrent subtext. The volume’s combination of theoretical discussions and case studies, which predominantly deal with ‘English classics’ and their rewritings, film adaptations and/or rereadings, will mainly attract graduate students and scholars working on contemporary literary theory, visual culture and postcolonial literatures.
| Author | : Anna Clark |
| Publisher | : Univ of California Press |
| Total Pages | : 440 |
| Release | : 1997-04-18 |
| Genre | : Business & Economics |
| ISBN | : 9780520208834 |
"In its analysis of gender and class relations and their political forms, in giving voice to the many who have left only a fleeting trace in the historical record, Clark's study is a pioneering classic. . . . It also has a salience for many of our present social and political dilemmas."—Leonore Davidoff, Editor, Gender and History "Deeply researched, scholarly, serious, important. This is a big book that develops a significant new line of inquiry on a classic story in modern history—the making of the English working class. Clark shows in great and persuasive detail how we might read this tale through the lens of gender."—Thomas Laqueur, author of Making Sex
| Author | : Patricia Ingham |
| Publisher | : |
| Total Pages | : 164 |
| Release | : 1992 |
| Genre | : Literary Criticism |
| ISBN | : |
This is the first full-length study of the treatment of women in Dickens' novels to make use of modern critical approaches. It replaces traditional biographical methods with a new linguistic model which directs attention back to the texts. Patricia Ingham's innovatory approach characterises Dickens' novelistic language by relating it to linguistic representations of women in contemporary non-fictional works (handbooks on womanly conduct, documentary works on prostitution, and Florence Nightingale's Cassandra). This analysis reveals that Dickens' individual account of the womanly ideal is shot through with contradiction. Fallen women are both degraded and valuable, worthless and powerful; 'ideal' women are desirable and undesirable, passive and destructive of the very social structure they are supposed to sustain. The book's conclusion is that the ambiguous struggle between convention and dissent in the language he uses for representing women charges Dickens' novels with their uneasy excitement and power.
| Author | : Lillian Nayder |
| Publisher | : Routledge |
| Total Pages | : 569 |
| Release | : 2017-03-02 |
| Genre | : Literary Criticism |
| ISBN | : 135194438X |
This volume of essays examines Dickens's complex representations of sexuality and gender as well as his use of gender ideologies and sexual and gender differences over the course of his literary career, from his first sketches and early novels to his late works of fiction. The essays approach gender issues in Dickens's writing by focusing on a number of topics: his treatment of gender ideals and transgressions; the intersections and displacements among gender, class and race; the ties between gender and the body, and among gender, voice and language; his depiction of the homosocial and the homoerotic; and the relation between gender and the law. The essays provide an introduction to the most recent approaches to Dickens's fiction in addition to those now considered classic, draw on queer theory and also feature a variety of methodologies, ranging across feminist, historicist and psychoanalytic methods of interpretation. The collection represents the best of previously published research by Dickens's scholars and illuminates for students and scholars alike the meaning of gender in such novels as The Pickwick Papers, Dombey and Son, and Our Mutual Friend.
| Author | : Ellen Wiley Todd |
| Publisher | : Univ of California Press |
| Total Pages | : 464 |
| Release | : 1993-01-01 |
| Genre | : Art |
| ISBN | : 9780520074712 |
In the years between the world wars, Manhattan's Fourteenth Street-Union Square district became a center for commercial, cultural, and political activities, and hence a sensitive barometer of the dramatic social changes of the period. It was here that four urban realist painters--Kenneth Hayes Miller, Reginald Marsh, Raphael Soyer, and Isabel Bishop--placed their images of modern "new women." Bargain stores, cheap movie theaters, pinball arcades, and radical political organizations were the backdrop for the women shoppers, office and store workers, and consumers of mass culture portrayed by these artists. Ellen Wiley Todd deftly interprets the painters' complex images as they were refracted through the gender ideology of the period. This is a work of skillful interdisciplinary scholarship, combining recent insights from feminist art history, gender studies, and social and cultural theory. Drawing on a range of visual and verbal representations as well as biographical and critical texts, Todd balances the historical context surrounding the painters with nuanced analyses of how each artist's image of womanhood contributed to the continual redefining of the "new woman's" relationships to men, family, work, feminism, and sexuality.
