Victorian Literature

Victorian Literature
Author: Lee Behlman
Publisher:
Total Pages: 0
Release: 2016
Genre: English literature
ISBN: 9780415830980

Victorian Literature: Criticism and Debates offers a comprehensive introduction to the critical debates about Victorian Literature, addressing the most popular and engaging topics in the field today.

Victorian Criticism of the Novel

Victorian Criticism of the Novel
Author: Edwin M. Eigner
Publisher: CUP Archive
Total Pages: 272
Release: 1985-11-07
Genre: Language Arts & Disciplines
ISBN: 9780521275200

By the end of the nineteenth century the novel unquestionably had become the most popular and influential of English literary forms. Yet it has not always been clear how the Victorians themselves regarded the nature of prose fiction. This volume is a collection of twelve 'landmark' essays that chart the development of English theories of fiction during the great age of the novel. Spanning the whole of the Victorian period, from Bulwer Lytton's 'On Art in Fiction' (1838) to Conrad's preface to The Nigger of the 'Narcissus' (1897), the volume also includes pieces by George Eliot, Henry James, Robert Louis Stevenson, and a number of the more important critics and reviewers of the time. The editors' introduction surveys the main issues, such as the debate between realism and romance, addressed by novel criticism throughout the period. Each of the selections that follow is set in its historical context by a prefatory essay and is fully annotated for the student. There is a helpful bibliography of further reading.

The Material Interests of the Victorian Novel

The Material Interests of the Victorian Novel
Author: Daniel Hack
Publisher: University of Virginia Press
Total Pages: 248
Release: 2005
Genre: Language Arts & Disciplines
ISBN: 9780813923451

Taking as his point of departure the competing uses of the critical term the materiality of writing, Daniel Hack turns to the past in this provocative new book to recover the ways in which the multiple aspects of writing now conjured by that term were represented and related to one another in the mid-nineteenth century. Diverging from much contemporary criticism, he argues that attention to the writing's material components and contexts does not by itself constitute reading against the grain. On the contrary, the Victorian discourse on authorship and the novels Hack discusses--including works by Thackeray, Dickens, Collins, and Eliot--actively investigate the significance and mutual relevance of the written word or printed word's physicality, the exchange of texts for money, the workings of signification, and the corporeality of writers, readers, and characters. Hack shows how these investigations, which involve positioning the novel in relation to such widely denigrated forms of writing as the advertisement and the begging letter, bring into play such basic novelistic properties as sympathetic identification, narrative authority, and fictionality itself. Combining formalist and historicist critical methods in innovative fashion, Hack changes the way we think about the Victorian novel's simultaneous status as text, book, and commodity.

Worlds Enough

Worlds Enough
Author: Elaine Freedgood
Publisher: Princeton University Press
Total Pages: 178
Release: 2022-01-11
Genre: Literary Criticism
ISBN: 0691227810

A short, provocative book that challenges basic assumptions about Victorian fiction Now praised for its realism and formal coherence, the Victorian novel was not always great, or even good, in the eyes of its critics. As Elaine Freedgood reveals in Worlds Enough, it was only in the late 1970s that literary critics constructed a prestigious version of British realism, erasing more than a century of controversy about the value of Victorian fiction. Examining criticism of Victorian novels since the 1850s, Freedgood demonstrates that while they were praised for their ability to bring certain social truths to fictional life, these novels were also criticized for their formal failures and compared unfavorably to their French and German counterparts. She analyzes the characteristics of realism—denotation, omniscience, paratext, reference, and ontology—and the politics inherent in them, arguing that if critics displaced the nineteenth-century realist novel as the standard by which others are judged, literary history might be richer. It would allow peripheral literatures and the neglected wisdom of their critics to come fully into view. She concludes by questioning the aesthetic racism built into prevailing ideas about the centrality of realism in the novel, and how those ideas have affected debates about world literature. By re-examining the critical reception of the Victorian novel, Worlds Enough suggests how we can rethink our practices and perceptions about books we think we know.

The Serious Pleasures of Suspense

The Serious Pleasures of Suspense
Author: Caroline Levine
Publisher: University of Virginia Press
Total Pages: 264
Release: 2003
Genre: Language Arts & Disciplines
ISBN: 9780813922171

Scholars have long recognized that narrative suspense dominates the formal dynamics of 19th-century British fiction. This study argues that various 19th-century thinkers - John Ruskin, Michael Faraday, Charlotte Bronte - saw suspense as a vehicle for a new approach to knowledge called "realism".

Victorian Literature and the Victorian State

Victorian Literature and the Victorian State
Author: Lauren M. E. Goodlad
Publisher: JHU Press
Total Pages: 317
Release: 2004-12-07
Genre: Literary Criticism
ISBN: 0801881544

Studies of Victorian governance have been profoundly influenced by Discipline and Punish, Michel Foucault's groundbreaking genealogy of modern power. Yet, according to Lauren Goodlad, Foucault's analysis is better suited to the history of the Continent than to nineteenth-century Britain, with its decentralized, voluntarist institutional culture and passionate disdain for state interference. Focusing on a wide range of Victorian writing—from literary figures such as Charles Dickens, George Gissing, Harriet Martineau, J. S. Mill, Anthony Trollope, and H. G. Wells to prominent social reformers such as Edwin Chadwick, Thomas Chalmers, Sir James Kay-Shuttleworth, and Beatrice Webb—Goodlad shows that Foucault's later essays on liberalism and "governmentality" provide better critical tools for understanding the nineteenth-century British state. Victorian Literature and the Victorian State delves into contemporary debates over sanitary, education, and civil service reform, the Poor Laws, and the century-long attempt to substitute organized charity for state services. Goodlad's readings elucidate the distinctive quandary of Victorian Britain and, indeed, any modern society conceived in liberal terms: the elusive quest for a "pastoral" agency that is rational, all-embracing, and effective but also anti-bureaucratic, personalized, and liberatory. In this study, impressively grounded in literary criticism, social history, and political theory, Goodlad offers a timely post-Foucauldian account of Victorian governance that speaks to the resurgent neoliberalism of our own day.

Victorian Poetry

Victorian Poetry
Author: Isobel Armstrong
Publisher: Routledge
Total Pages: 554
Release: 2002-09-11
Genre: Literary Collections
ISBN: 1134970668

In a work that is uniquely comprehensive and theoretically astute, Isobel Armstrong rescues Victorian poetry from its longstanding sepia image as `a moralised form of romantic verse', and unearths its often subversive critique of nineteenth-century culture and politics.

How to Do Things with Books in Victorian Britain

How to Do Things with Books in Victorian Britain
Author: Leah Price
Publisher: Princeton University Press
Total Pages: 360
Release: 2013-10-27
Genre: Literary Criticism
ISBN: 0691159548

How to Do Things with Books in Victorian Britain asks how our culture came to frown on using books for any purpose other than reading. When did the coffee-table book become an object of scorn? Why did law courts forbid witnesses to kiss the Bible? What made Victorian cartoonists mock commuters who hid behind the newspaper, ladies who matched their books' binding to their dress, and servants who reduced newspapers to fish 'n' chips wrap? Shedding new light on novels by Thackeray, Dickens, the Brontës, Trollope, and Collins, as well as the urban sociology of Henry Mayhew, Leah Price also uncovers the lives and afterlives of anonymous religious tracts and household manuals. From knickknacks to wastepaper, books mattered to the Victorians in ways that cannot be explained by their printed content alone. And whether displayed, defaced, exchanged, or discarded, printed matter participated, and still participates, in a range of transactions that stretches far beyond reading. Supplementing close readings with a sensitive reconstruction of how Victorians thought and felt about books, Price offers a new model for integrating literary theory with cultural history. How to Do Things with Books in Victorian Britain reshapes our understanding of the interplay between words and objects in the nineteenth century and beyond.

Novel Violence

Novel Violence
Author: Garrett Stewart
Publisher: University of Chicago Press
Total Pages: 278
Release: 2009-08-01
Genre: Literary Criticism
ISBN: 0226774600

Victorian novels, Garrett Stewart argues, hurtle forward in prose as violent as the brutal human existence they chronicle. In Novel Violence, he explains how such language assaults the norms of written expression and how, in doing so, it counteracts the narratives it simultaneously propels. Immersing himself in the troubling plots of Charles Dickens, Anne Brontë, George Eliot, and Thomas Hardy, Stewart uses his brilliant new method of narratography to trace the microplots of language as they unfold syllable by syllable. By pinpointing where these linguistic narratives collide with the stories that give them context, he makes a powerful case for the centrality of verbal conflict to the experience of reading Victorian novels. He also maps his finely wrought argument on the spectrum of influential theories of the novel—including those of Georg Lukács and Ian Watt—and tests it against Edgar Allan Poe’s antinovelistic techniques. In the process, Stewart shifts critical focus toward the grain of narrative and away from more abstract analyses of structure or cultural context, revealing how novels achieve their semantic and psychic effects and unearthing, in prose, something akin to poetry.

Problem Novels

Problem Novels
Author: Anna Maria Jones
Publisher: Ohio State University Press
Total Pages: 176
Release: 2007
Genre: Literary Criticism
ISBN: 0814210538

"In Problem Novels, Anna Maria Jones argues that, far from participating "invisibly" in disciplinary regimes, many Victorian novels articulate sophisticated theories about the role of the novel in the formation of the self. In fact, it is rare to find a Victorian novel in which questions about the danger or utility of novel reading are not embedded within the narrative. In other words, one of the stories that the Victorian novel tells, over and over again, is the story of what novels do to readers. This story occurs in moments that call attention to the reader's engagement with the text." "In chapters on Wilkie Collins, Anthony Trollope, and George Meredith, Jones examines "problem novels" - that is, novels that both narrate and invite problematic reading as part of their theorizing of cultural production. Problem Novels demonstrates that these works posit a culturally embedded, sensationally susceptible reader and, at the same time, present a methodology for critical engagement with cultural texts. Thus, the novels theorize, paradoxically, a reader who is both unconsciously interpellated and critically empowered. And, Jones argues, it is this paradoxical construction of the unconscious/critical subject that re-emerges in the theoretical paradigms of Victorian cultural studies scholarship. Indeed, as Problem Novels shows, Victorianists' attachments to critical "detective work" closely resemble the sensational attachments that we assume shaped Victorian novel readers."--BOOK JACKET.