Versions Of The North
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Author | : Ian Parks |
Publisher | : |
Total Pages | : 0 |
Release | : 2013 |
Genre | : English poetry |
ISBN | : 9781907869747 |
Ian Parks presents a collection that showcases the best of today's Yorkshire poets, featuring writers such as Maurice Rutherford and Helen Mort.
Author | : |
Publisher | : |
Total Pages | : 40 |
Release | : 1981-12-21 |
Genre | : |
ISBN | : |
InfoWorld is targeted to Senior IT professionals. Content is segmented into Channels and Topic Centers. InfoWorld also celebrates people, companies, and projects.
Author | : Margaret Deanesly |
Publisher | : |
Total Pages | : 512 |
Release | : 1920 |
Genre | : Bible |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 458 |
Release | : 1839 |
Genre | : |
ISBN | : |
Author | : Jamie C. Kassler |
Publisher | : Routledge |
Total Pages | : 387 |
Release | : 2016-04-01 |
Genre | : History |
ISBN | : 1317057767 |
In the early 1690s Roger North was preparing to remove from London to Rougham, Norfolk, where he planned to continue his search for truth, which for him meant knowledge of nature, including human nature. But this search was interrupted by three events. First, between c.1704 and the early part of 1706, he read Newton’s book on rational (quantitative) mechanics and, afterwards, his book on optics in Clarke’s Latin translation. Second, towards the latter part of 1706, he and Clarke, a Norfolk clergyman, corresponded about matters relating to Newton’s two books, after which Clarke removed to London and the correspondence ceased. Third, in 1712 North received a letter from Clarke, requesting him to read and respond to his new publication on the philosophy of the Godhead. As Kassler details, each of these events presented a number of challenges to North’s values, as well as the way of philosophising he had learned as a student and practitioner of the common law. Because he never made public his responses to the challenges, her book also includes editions of North's notes on reading Newton’s books, as well as what now remains of the 1706 and later correspondence with Clarke. In addition, she presents analyses of some of North’s ’second thoughts’ about the issues raised in the notes and 1706 correspondence and, from an examination of Clarke’s main writings, provides a context for understanding the correspondence relating to the 1712 book.
Author | : Paul Eggert |
Publisher | : Routledge |
Total Pages | : 252 |
Release | : 2014-04-04 |
Genre | : Literary Criticism |
ISBN | : 131777714X |
This collection of original essays brings international and multidisciplinary perspectives to the problem of how to understand and practice editorial mediation: How does editing alter what it seeks to represent? How does it condition the relationship between texts and readers? The different concerns shared by editors of a variety of genres, literary and otherwise, emerge here as constructive new approaches to the theory and practice of editing are explored. The essays make a concerted attempt to assess the implications of postmodern thought on one of the oldest and most fundamental cultural activities, editing The section on theory covers such important subjects as editorial responsibility, the death of the author, and the nature of the authorial voice. The practice section covers actual editing situations in various literary areas and in musicology, recorded music, and the preservation of oral literature. The multidisciplinary volume will find its readers among students of textual criticism, literature, music, and folklore as well as any readers of postmodern criticism.
Author | : Hugh Chisholm |
Publisher | : |
Total Pages | : 2080 |
Release | : 1910 |
Genre | : Encyclopedias and dictionaries |
ISBN | : |
Author | : Alejandro Enrique Planchart |
Publisher | : Routledge |
Total Pages | : 439 |
Release | : 2017-07-05 |
Genre | : Music |
ISBN | : 1351940724 |
After the imposition of Gregorian chant upon most of Europe by the authority of the Carolingian kings and emperors in the eighth and ninth centuries, a large number of repertories arose in connection with the new chant and its liturgy. Of these repertories, the tropes, together with the sequences, represent the main creative activity of European musicians in the ninth, tenth, and eleventh centuries. Because they were not an absolutely official part of the liturgy, as was Gregorian chant, they reflect local traditions, particularly in terms of melody, and more so than the new pieces that were composed at the time. In addition, the earlier layers of tropes represent, in many cases, a survival of the pre local pre Gregorian melodic traditions. This volume provides an introduction to the study of tropes in the form of an extensive anthology of major studies and a comprehensive bibliography and constitutes a classic reference resource for the study of one of the most important musico-liturgical genres of the central middle ages.
Author | : United States. Congress |
Publisher | : |
Total Pages | : 1680 |
Release | : |
Genre | : |
ISBN | : |
Author | : United States. Congress. House |
Publisher | : |
Total Pages | : 2200 |
Release | : |
Genre | : United States |
ISBN | : |