Violence in American Drama

Violence in American Drama
Author: Alfonso Ceballos Muñoz
Publisher: McFarland
Total Pages: 296
Release: 2011-09-29
Genre: Performing Arts
ISBN: 0786488972

This interdisciplinary collection of 19 essays addresses violence on the American stage. Topics include the revolutionary period and the role of violence in establishing national identity, violence by and against ethnic groups, and females as perpetrators and victims, as well as state and psychological violence and violence within the family. The book works to assess whether representing violence may cause its cessation, or whether it generates further destruction. Featured playwrights include Susan Glaspell, Sophie Treadwell, Tennessee Williams, William Inge, Amiri Baraka, Luis Valdes, Cherrie Moraga, Sam Shepard, Tony Kushner, Neil LaBute, John Guare, Rebecca Gilman, and Heather MacDonald.

Verbal Violence in Contemporary Drama

Verbal Violence in Contemporary Drama
Author: Jeanette R. Malkin
Publisher: Cambridge University Press
Total Pages: 256
Release: 1992-04-23
Genre: Drama
ISBN: 0521383358

This book considers a spectrum of post-war plays in which characters are created, coerced and destroyed by language.

The Facts on File Companion to American Drama

The Facts on File Companion to American Drama
Author: Jackson R. Bryer
Publisher: Infobase Publishing
Total Pages: 657
Release: 2010
Genre: Biography & Autobiography
ISBN: 1438129661

Features a comprehensive guide to American dramatic literature, from its origins in the early days of the nation to the groundbreaking works of today's best writers.

Violent Acts

Violent Acts
Author: Severino João Medeiros Albuquerque
Publisher: Wayne State University Press
Total Pages: 306
Release: 1991
Genre: Latin American drama
ISBN: 9780814322444

Albuquerque analyzes the use of violence in Latin American theatre from the 1950s through the 1980s. He argues that in the face of repression and torture, some playwrights counter victimization with art as urgent as street confrontation. A study from both Spanish and Portuguese-speaking countries. Annotation copyrighted by Book News, Inc., Portland, OR

Pregones Theatre

Pregones Theatre
Author: Eva Cristina Vásquez
Publisher: Routledge
Total Pages: 254
Release: 2014-06-23
Genre: History
ISBN: 1317793811

This is a theatre history, performance studies and U.S. Latino theatre book that examines the artistic, social political contribution of Teatro Pregones to the larger American, Latin American and Puerto Rican theatre communities.

Wrestling with Shylock

Wrestling with Shylock
Author: Edna Nahshon
Publisher: Cambridge University Press
Total Pages: 457
Release: 2017-03-10
Genre: Literary Criticism
ISBN: 110816160X

Shakespeare's The Merchant of Venice occupies a unique place in world culture. As the fictional, albeit iconic, character of Shylock has been interpreted as exotic outsider, social pariah, melodramatic villain and tragic victim, the play, which has been performed and read in dozens of languages, has served as a lens for examining ideas and images of the Jew at various historical moments. In the last two hundred years, many of the play's stage interpreters, spectators, readers and adapters have themselves been Jews, whose responses are often embedded in literary, theatrical and musical works. This volume examines the ever-expanding body of Jewish responses to Shakespeare's most Jewishly relevant play.

Guide to American Drama Explication

Guide to American Drama Explication
Author: Rosalie C. Otero
Publisher: Macmillan Reference USA
Total Pages: 472
Release: 1995
Genre: Literary Criticism
ISBN:

This guide covers theatre as literature and offers listings of scholarly explications from colonial to contemporary, Edward Albee to Tennessee Williams. Arranged alphabetically by playwright and play title, the bibliography covers both periodicals and book-length criticism and reflects a variety of critical methods.

David Mamet's Glengarry Glen Ross

David Mamet's Glengarry Glen Ross
Author: Leslie Kane
Publisher: Routledge
Total Pages: 324
Release: 1996-10-01
Genre: Performing Arts
ISBN: 1136791701

The 12 original and two classic essays offer a dialectic on performance and structure, and substantially advance our knowledge of this seminal playwright. The commentaries examine feminism, pernicious nostalgia, ethnicity, the mythological land motif, the discourse of anxiety, gendered language, and Mamet's vision of America, providing insights on the theatricality, originality, and universality of the work. Although the dominant focus is on Glengarry Glen Ross, several essays look at the play against the background of Mamet's Edmund, Reunion, and American Buffalo, whereas others find fascinating parallels in Emerson, Baudrillard, Conrad, Miller, and Churchill. The book also includes an interview with Sam Mendes, the director of the highly acclaimed 1994 revival of Glengarry Glen Ross in London, conducted specifically for this collectio. A chronology of major productions and the most current and comprehensive bibliography of secondary references from 1983-1995 complete the volume.

The Plays, Screenplays and Films of David Mamet

The Plays, Screenplays and Films of David Mamet
Author: Steven Price
Publisher: Bloomsbury Publishing
Total Pages: 192
Release: 2008-09-09
Genre: Literary Criticism
ISBN: 1137050330

David Mamet is arguably the most important living American playwright. This Guide provides an up-to-date study of the key criticism on the full range of Mamet's work. It engages with his work in film as well as in the theatre, offering a synoptic overview of, and critical commentary on, the scholarly criticism of each play, screenplay or film.

Edward Albee

Edward Albee
Author: Phyllis T. Dircks
Publisher: McFarland
Total Pages: 181
Release: 2010-03-10
Genre: Literary Criticism
ISBN: 0786456590

This work covers the canon of playwright Edward Albee, perhaps best known as the author of Who's Afraid of Virginia Woolf? Comprehensive entries detail the plays and major characters. Other features include biographical information and insights into Albee's artistic beliefs, his understanding of the playwright's responsibility, the importance of music in drama, and the technical craft of writing plays.