Vaudeville Indians On Global Circuits 1880s 1930s
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| Author | : Christine Bold |
| Publisher | : Yale University Press |
| Total Pages | : 400 |
| Release | : 2022-06-30 |
| Genre | : History |
| ISBN | : 0300257058 |
Uncovering hidden histories of Indigenous performers in vaudeville and in the creation of western modernity and popular culture Drawing from little-known archives, Christine Bold brings to light forgotten histories of Indigenous performers in vaudeville and, by extension, popular culture and modernity. Vaudeville was both a forerunner of modern mass entertainment and a rich site of popular Indigenous performance and notions of Indianness at the turn of the twentieth century. Tracing the stories of artists Native to Turtle Island (North America) performing across the continent and around the world, Bold illustrates a network of more than 300 Indigenous and Indigenous-identifying entertainers, from Will Rogers to Go-won-go Mohawk to Princess Chinquilla, who upend vaudeville's received history. These fascinating stories cumulatively reveal vaudeville as a space in which the making of western modernity both denied and relied on living Indigenous presence, and in which Indigenous artists negotiated agency and stereotypes through vaudeville performance.
| Author | : Christine Bold |
| Publisher | : Yale University Press |
| Total Pages | : 400 |
| Release | : 2022-05-24 |
| Genre | : History |
| ISBN | : 0300264909 |
Uncovering hidden histories of Indigenous performers in vaudeville and in the creation of western modernity and popular culture
| Author | : Averill Earls |
| Publisher | : Cornell University Press |
| Total Pages | : 243 |
| Release | : 2024-10-15 |
| Genre | : History |
| ISBN | : 1501777289 |
In Spiritualism's Place, four friends and scholars who produce the acclaimed Dig: A History Podcast, share their curiosity and enthusiasm for uncovering stories from the past as they explore the history of Lily Dale. Located in western New York State, the world's largest center for Spiritualism was founded in 1879. Lily Dale has been a home for Spiritualists attempting to make contact with the dead, as well as a gathering place for reformers, a refuge for seekers looking for alternatives to established paths of knowledge, and a target for skeptics. This intimate history of Lily Dale reveals the role that this fascinating place has played within the history of Spiritualism, as well as within the development of the women's suffrage and temperance movements, and the world of New Age religion. As an intentional community devoted to Spiritualist beliefs and practices, Lily Dale brings together multiple strands in the social and religious history of New York and the United States over the past 150 years: feminism, social reform, utopianism, new religious movements, and cultural appropriation. Podcasters and historians alike, Averill Earls, Sarah Handley-Cousins, Elizabeth Garner Masarik, and Marissa C. Rhodes each identify one site in Lily Dale and one theme that its history illuminates. They use those sites and themes to approach Lily Dale not as debunkers but as inquisitive researchers and storytellers. At the same time, they also reflect on their own relationships contending that it's never quite possible to separate grief, hope, faith, and friendship from understandings of the past. Spiritualism's Place breaks myths, unveils unexpected stories, and finds new ways to contemplate Spiritualism's role in American history.
| Author | : Kirby Brown |
| Publisher | : Taylor & Francis |
| Total Pages | : 464 |
| Release | : 2022-09-19 |
| Genre | : Literary Criticism |
| ISBN | : 1000638324 |
The Routledge Handbook of North American Indigenous Modernisms provides a powerful suite of innovative contributions by both leading thinkers and emerging scholars in the field. Incorporating an international scope of essays, this volume reaches beyond traditional national or euroamerican boundaries to locate North American Indigenous modernities and modernisms in a hemispheric context. Covering key theoretical approaches and topics, this volume includes: Diverse explorations of Indigenous cultural and intellectual production in treatments of dance, poetry, vaudeville, autobiography, radio, cinema, and more Investigation of how we think about Indigenous lives, literatures, and cultural productions in North America from the late nineteenth and early twentieth centuries Surveys of critical geographies of Indigenous literary and cultural studies, including refocused and reframed exploration of the diverse cultures, knowledges, traditions, geographies, experiences, and formal innovations that inform Indigenous literary, intellectual, and cultural productions The Routledge Handbook of North American Indigenous Modernisms presents fresh insight to modernist studies, acknowledging and reconciling the occluded histories of Indigenous erasure, and inviting both students and scholars to expand their understanding of the field.
| Author | : James Fisher |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 691 |
| Release | : 2023-06-15 |
| Genre | : Performing Arts |
| ISBN | : 153811335X |
Vaudeville, as it is commonly known today, began as a response to scandalous variety performances appealing mostly to adult, male patrons. When former minstrel performer and balladeer Tony Pastor opened the Fourteenth Street Theatre in New York in 1881, he was guided by a mission to provide family-friendly variety shows in hopes of drawing in that portion of the audience – women and children – otherwise inherently excluded from variety bills prior to 1881. There he perfected a framework for family-oriented amusements of the highest obtainable quality and style. Historical Dictionary of Vaudeville contains a chronology, an introduction, an extensive bibliography, and the dictionary section has more than 1,000 cross-referenced entries on performing artists, managers and agents, theatre facilities, and the terminology central to the history of vaudeville. This book is an excellent resource for students, researchers, and anyone wanting to know more about vaudeville.
| Author | : Bethany Hughes |
| Publisher | : NYU Press |
| Total Pages | : 288 |
| Release | : 2024-12-03 |
| Genre | : Art |
| ISBN | : 1479829374 |
"Redface is the first book to consider Native American representation in U.S. theatre, how creating a racialized character severely constrains Indigenous nationhood and sovereignty, and what steps could be taken to address the challenges of representing Indigenous people on the stage"--
| Author | : Susan Bernardin |
| Publisher | : Routledge |
| Total Pages | : 522 |
| Release | : 2022-06-19 |
| Genre | : Social Science |
| ISBN | : 1351174266 |
This is the first major collection to remap the American West though the intersectional lens of gender and sexuality, especially in relation to race and Indigeneity. Organized through several interrelated key concepts, The Routledge Companion to Gender and the American West addresses gender and sexuality from and across diverse and divergent methodologies. Comprising 34 chapters by a team of international contributors, the Companion is divided into four parts: Genealogies Bodies Movements Lands The volume features leading and newer scholars whose essays connect interdisciplinary fields including Indigenous Studies, Latinx and Asian American Studies, Western American Studies, and Queer, Feminist, and Gender Studies. Through innovative methodologies and reclaimed archives of knowledge, contributors model fresh frameworks for thinking about relations of power and place, gender and genre, settler colonization and decolonial resistance. Even as they reckon with the ongoing gendered and racialized violence at the core of the American West, contributors forge new lexicons for imagining alternative Western futures. This pathbreaking collection will be invaluable to scholars and students studying the origins, myths, histories, and legacies of the American West. This is a foundational collection that will become invaluable to scholars and students across a range of disciplines including Gender and Sexuality Studies, Literary Studies, Indigenous Studies, and Latinx Studies.
| Author | : Ned Blackhawk |
| Publisher | : Yale University Press |
| Total Pages | : 611 |
| Release | : 2023-04-25 |
| Genre | : Social Science |
| ISBN | : 0300244053 |
A sweeping and overdue retelling of U.S. history that recognizes that Native Americans are essential to understanding the evolution of modern America The most enduring feature of U.S. history is the presence of Native Americans, yet most histories focus on Europeans and their descendants. This long practice of ignoring Indigenous history is changing, however, with a new generation of scholars insists that any full American history address the struggle, survival, and resurgence of American Indian nations. Indigenous history is essential to understanding the evolution of modern America. Ned Blackhawk interweaves five centuries of Native and non‑Native histories, from Spanish colonial exploration to the rise of Native American self-determination in the late twentieth century. In this transformative synthesis he shows that * European colonization in the 1600s was never a predetermined success; * Native nations helped shape England's crisis of empire; * the first shots of the American Revolution were prompted by Indian affairs in the interior; * California Indians targeted by federally funded militias were among the first casualties of the Civil War; * the Union victory forever recalibrated Native communities across the West; * twentieth-century reservation activists refashioned American law and policy. Blackhawk's retelling of U.S. history acknowledges the enduring power, agency, and survival of Indigenous peoples, yielding a truer account of the United States and revealing anew the varied meanings of America.
| Author | : Ruben Espinosa |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 353 |
| Release | : 2024-07-11 |
| Genre | : Literary Criticism |
| ISBN | : 1350261629 |
This volume offers a comprehensive array of readings of 'skin' in Shakespeare's works, a term that embraces the human and animal, noun and verb. Shakespeare / Skin departs from previous studies as it deliberately and often explicitly engages with issues of social and racial justice. Each of the chapters interrogates and centres 'skin' in relation to areas of expertise that include performance studies, aesthetics, animal studies, religious studies, queer theory, Indigenous studies, history, food studies, border studies, postcolonial studies, Black feminism, disease studies and pedagogy. By considering contemporary understandings of skin, this volume examines how the literature of the early modern past creates paths to constructing racial hierarchies. With contributors from the USA, UK, South Africa, India, Sri Lanka, Singapore and Australia, chapters are informed by an array of histories, shedding light on how skin was understood in Shakespeare's time and at key moments during the past 400 years in different media and cultures. Chapters include considerations of plays such as Titus Andronicus, The Tempest and A Midsummer Night's Dream, and work by Borderlands Theater, Los Colochos and Satyajit Ray, among many others. For researchers and instructors, this book will help to shape teaching and inform research through its modelling of antiracist critical practice. Collectively, the chapters in this collection allow us to consider how sustained attention to skin via cross-historical and innovative approaches can reveal to us the various uses of Shakespeare that shed light on the fraught nature of our interrelatedness. They set a path for readers to consider how much skin they have in the game when it comes to challenging structures of racism.
| Author | : Matthew D. Morrison |
| Publisher | : Univ of California Press |
| Total Pages | : 324 |
| Release | : 2024-03-05 |
| Genre | : Music |
| ISBN | : 0520390601 |
A new concept for understanding the history of the American popular music industry. Blacksound explores the sonic history of blackface minstrelsy and the racial foundations of American musical culture from the early 1800s through the turn of the twentieth century. With this namesake book, Matthew D. Morrison develops the concept of "Blacksound" to uncover how the popular music industry and popular entertainment in general in the United States arose out of slavery and blackface. Blacksound as an idea is not the music or sounds produced by Black Americans but instead the material and fleeting remnants of their sounds and performances that have been co-opted and amalgamated into popular music. Morrison unpacks the relationship between performance, racial identity, and intellectual property to reveal how blackface minstrelsy scripts became absorbed into commercial entertainment through an unequal system of intellectual property and copyright laws. By introducing this foundational new concept in musicology, Blacksound highlights what is politically at stake—for creators and audiences alike—in revisiting the long history of American popular music.
