Van Dyck Rembrandt And The Portrait Print
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| Author | : Victoria Sancho Lobis |
| Publisher | : Yale University Press |
| Total Pages | : 109 |
| Release | : 2016-01-01 |
| Genre | : Art |
| ISBN | : 0300218826 |
In the last decade of his life, Anthony van Dyck (1599-1641) undertook a printmaking project that changed the conventions of portraiture. In a series later named the Iconography, he portrayed artists alongside kings, courtiers, and diplomats--a radical departure from preexisting conventions. He also depicted his subjects in novel ways, focusing on their facial features often to the exclusion of symbolic costumes or props. In addition to illustrating approximately 60 works by Van Dyck and other artists from his era--particularly Rembrandt--this catalogue traces the artist's influence over hundreds of years. Showcasing both 17th century portraits in a variety of media and portrait prints by a wide range of artists spanning the 16th through the 20th centuries--including Albrecht Dürer, Hendrick Goltzius, Francisco de Goya, Edgar Degas, and Jim Dine--the book demonstrates the indelible mark that Van Dyck left on the genre.
| Author | : Stijn Alsteens |
| Publisher | : Yale University Press |
| Total Pages | : 321 |
| Release | : 2016-01-01 |
| Genre | : Art |
| ISBN | : 0300212054 |
The first major examination of Anthony van Dyck's work as a portraitist and an essential resource on this aspect of his illustrious career This landmark volume is a comprehensive survey of the portrait drawings, paintings, and prints of Anthony van Dyck (1599-1641), one of the most celebrated portraitists of all time. His supremely elegant style and ability to convey a sense of a sitter's inner life made him a favored portraitist among high-ranking figures and royalty across Europe, as well as among his fellow artists and art enthusiasts. Showcasing the full range of Van Dyck's fascinating international career with more than 100 works, this catalogue celebrates the artist's versatility, inventiveness, and influential approach to portraiture. Works include preparatory drawings and oil sketches that shed light on Van Dyck's working process, prints that allowed his work to reach a wider audience, and grand painted portraits. Some of the masterpieces are drawn from the exceptional holdings of The Frick Collection, while other works are presented here for the first time. Also included are drawings by some of Van Dyck's contemporaries--including his teacher Peter Paul Rubens--that illuminate the lineage of his working method. With insightful contributions by a team of international scholars, this unparalleled study of Van Dyck offers a compelling case for the distinctiveness and importance of the artist's work.
| Author | : Stephanie Dickey |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2017 |
| Genre | : Art |
| ISBN | : 9789462984004 |
"This book owes its genesis to a series of conferences held in 2009, 2011, and 2013 at Queen's University's Bader International Study Centre at Herstmonceux Castle in East Sussex, UK." (Acknowledgements).
| Author | : Albright-Knox Art Gallery |
| Publisher | : Albright Knox Art Gallery |
| Total Pages | : 104 |
| Release | : 2000 |
| Genre | : Biography & Autobiography |
| ISBN | : |
| Author | : Rembrandt Harmenszoon van Rijn |
| Publisher | : National Gallery London |
| Total Pages | : 272 |
| Release | : 1999 |
| Genre | : Art |
| ISBN | : 9780300077896 |
This book, written by authorities in the field, maps the many developments in Rembrandt’s self-portraiture during his life and attempts to explain exactly why this genre played such a dominant role in his work. The authors give new emphasis to the tradition of self-portrayal in Netherlandish art and the impact of his innovative style on his contemporaries (whether artists or collectors) and on his followers. Significant reinterpretations of Rembrandt’s approach also arise from a close investigation of lesser-known aspects of his work, such as his manipulation of his features or his depiction of himself in a variety of highly authentic historical costumes.
| Author | : Amy Golahny |
| Publisher | : Brill's Studies in Intellectua |
| Total Pages | : 258 |
| Release | : 2020 |
| Genre | : Art |
| ISBN | : 9789004382664 |
"Rembrandt: Studies in his Varied Approaches to Italian Art explores his engagement with imagery by Italian masters. His references fall into three categories: pragmatic adaptations, critical commentary, and conceptual rivalry. These are not mutually exclusive but provide a strategy for discussion. This study also discusses Dutch artists' attitudes toward traveling south, surveys contemporary literature praising and/or criticizing Rembrandt, and examines his art collection and how he used it. It includes an examination of the vocabulary used by Italians to describe Rembrandt's art, with a focus on the patron Don Antonio Ruffo, and closes by considering the reception of his works by Italian artists"--
| Author | : Alison Stoesser |
| Publisher | : Brepols Publishers |
| Total Pages | : 0 |
| Release | : 2018 |
| Genre | : Art |
| ISBN | : 9782503531755 |
In the seventeenth century, many young artists from the north and south of the Netherlands gained experience in Rome. However, that Flemish artists in Genoa contributed to lively artistic exchange and trade is less known. In this book the author Alison Johnston Stoesser throws new light on their activities during that day and age, particularly on those of the brothers Lucas and Cornelis de Wael. As artists and dealers, the brothers had connections with many key figures in the Flemish and Genoese art world, including the painter Anthony Van Dyck. For forty years Cornelis, the youngest brother, enjoyed great successes with his paintings of everyday scenes, fairs, and field and naval battles. In addition, the brothers sold the works of other artists as well as many other objects of devotion.
| Author | : H. Perry Chapman |
| Publisher | : |
| Total Pages | : 189 |
| Release | : 1992-10-01 |
| Genre | : Art |
| ISBN | : 9780691002965 |
H. Perry Chapman has produced the first comprehensive treatment of the entire body of Rembrandt's self-portraits in their cultural and historical setting and in the context of the artist's life. Prevailing scholarship has tried to discredit the idea that the self-portraits stemmed from any particular inner need, but Chapman counters by presenting fascinating evidence that they represent a conscious and progressive quest for individual identity in a truly modern sense. "H. Perry Chapman, in my view, gives us the Rembrandt we need in the 1990s. . . . [Her] sensitivity to questions of style and expression, combined with original research, leads to a conclusion . . . that `Rembrandt's lifelong preoccupation with self-portraiture can be seen as a necessary process of identity formation or self-definition'--in short, autobiography."--Walter Liedtke, The Journal of Art "Chapman is a graceful writer. Her arguments are balanced, well documented, and vigorously pursued. . . . The publication of this book is cause for gratitude and joy."--Thomas D'Evelyn, Christian Science Monitor
| Author | : Rudolf E. O. Ekkart |
| Publisher | : National Gallery Publications Limited |
| Total Pages | : 280 |
| Release | : 2007 |
| Genre | : Art |
| ISBN | : 9781857093636 |
In the Golden Age of the Dutch Republic, every gentleman of standing had himself eternalized in a portrait. In Holland, these gentlemen were burghers, not aristocrats, or princes of the church. They were prosperous merchants, scholars, generals, and stadholders, seen in official and private settings, alone or in the company of colleagues, or surrounded by their wives and children. Seventeenth-century Dutch portraiture is a remarkable phenomenon: never before had so many portraits been painted. Today, these pictures offer insight into the taste, fashion, occupations, and ambitions of affluent 17th-century individuals. The two great masters of Dutch portraiture, Rembrandt and Frans Hals, are both represented here.
| Author | : |
| Publisher | : Morgan Library & Museum |
| Total Pages | : 77 |
| Release | : 2016-06 |
| Genre | : |
| ISBN | : 9780875981765 |
Catalog of an exhibition held at the Morgan Library & Museum, June 3-September 18, 2016.
