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| Author | : L. Hubner |
| Publisher | : Springer |
| Total Pages | : 235 |
| Release | : 2011-04-05 |
| Genre | : Performing Arts |
| ISBN | : 0230305857 |
This volume gets to the heart of what films mean to people on personal, political and commercial levels. Exploring value judgements that underpin social, academic and institutional practices, it examines the diverse forms of worth attributed to a range of international films in relation to taste, passion, morality and aesthetics.
| Author | : J. Dudley Andrew |
| Publisher | : Oxford University Press |
| Total Pages | : 254 |
| Release | : 1984-03-15 |
| Genre | : Performing Arts |
| ISBN | : 0198020511 |
Concepts in Film Theory is a continuation of Dudley Andrew's classic, The Major Film Theories. In writing now about contemporary theory, Andrew focuses on the key concepts in film study -- perception, representation, signification, narrative structure, adaptation, evaluation, identification, figuration, and interpretation. Beginning with an introductory chapter on the current state of film theory, Andrew goes on to build an overall view of film, presenting his own ideas on each concept, and giving a sense of the interdependence of these concepts. Andrew provides lucid explanations of theories which involve perceptual psychology and structuralism; semiotics and psychoanalysis; hermeneutics and genre study. His clear approach to these often obscure theories enables students to acquire the background they need to enrich their understanding of film -- and of art.
| Author | : United States. Congress. House. Committee on the Judiciary. Subcommittee on Courts and Intellectual Property |
| Publisher | : |
| Total Pages | : 696 |
| Release | : 1996 |
| Genre | : Copyright |
| ISBN | : |
| Author | : Prof. Julian Hanich |
| Publisher | : Univ of California Press |
| Total Pages | : 429 |
| Release | : 2023-08-01 |
| Genre | : Performing Arts |
| ISBN | : 0520386825 |
For well over a century, going to the movies has been a favorite pastime for billions across the globe. But is film actually good for anything? This volume brings together thirty-six scholars, critics, and filmmakers in search of an answer. Their responses range from the most personal to the most theoretical—and, together, recast current debates about film ethics. Movie watching here emerges as a wellspring of value, able to sustain countless visions of "the good life." Films, these authors affirm, make us reflect, connect, adapt; they evoke wonder and beauty; they challenge and transform. In a word, its varieties of value make film invaluable.
| Author | : Jack Zipes |
| Publisher | : Routledge |
| Total Pages | : 374 |
| Release | : 2015-09-16 |
| Genre | : Performing Arts |
| ISBN | : 1134628137 |
The fairy tale has become one of the dominant cultural forms and genres internationally, thanks in large part to its many manifestations on screen. Yet the history and relevance of the fairy-tale film have largely been neglected. In this follow-up to Jack Zipes’s award-winning book The Enchanted Screen (2011), Fairy-Tale Films Beyond Disney offers the first book-length multinational, multidisciplinary exploration of fairy-tale cinema. Bringing together twenty-three of the world’s top fairy-tale scholars to analyze the enormous scope of these films, Zipes and colleagues Pauline Greenhill and Kendra Magnus-Johnston present perspectives on film from every part of the globe, from Hayao Miyazaki’s Spirited Away, to Jan Švankmajer’s Alice, to the transnational adaptations of 1001 Nights and Hans Christian Andersen. Contributors explore filmic traditions in each area not only from their different cultural backgrounds, but from a range of academic fields, including criminal justice studies, education, film studies, folkloristics, gender studies, and literary studies. Fairy-Tale Films Beyond Disney offers readers an opportunity to explore the intersections, disparities, historical and national contexts of its subject, and to further appreciate what has become an undeniably global phenomenon.
| Author | : Steve Presence |
| Publisher | : Routledge |
| Total Pages | : 373 |
| Release | : 2020-07-15 |
| Genre | : History |
| ISBN | : 1351006363 |
Comprising essays from some of the leading scholars and practitioners in the field, this is the first book to investigate twenty-first century radical film practices across production, distribution and exhibition at a global level. This book explores global radical film culture in all its geographic, political and aesthetic diversity. It is inspired by the work of the Radical Film Network (RFN), an organisation established in 2013 to support the growth and sustainability of politically engaged film culture around the world. Since then, the RFN has grown rapidly, and now consists of almost 200 organisations across four continents, from artists’ studios and production collectives to archives, distributors and film festivals. With this foundation, the book engages with contemporary radical film cultures in Africa, Asia, China, Europe, the Middle East as well as North and South America, and connects key historical moments and traditions with the present day. Topics covered include artists’ film and video, curation, documentary, feminist and queer film cultures, film festivals and screening practices, network-building, policy interventions and video-activism. For students, researchers and practitioners, this fascinating and wide-ranging book sheds new light on the political potential of the moving image and represents the activists and organisations pushing radical film forward in new and exciting directions. For more information about the Radical Film Network, visit www.radicalfilmnetwork.com.
| Author | : Marijke de Valck |
| Publisher | : Routledge |
| Total Pages | : 302 |
| Release | : 2016-02-26 |
| Genre | : Social Science |
| ISBN | : 1317267206 |
The last decade has witnessed an explosion of interest in film festivals, with the field growing to a position of prominence within the space of a few short years. Film Festivals: History, Theory, Method, Practice represents a major addition to the literature on this topic, offering an authoritative and comprehensive introduction to the area. With a combination of chapters specifically examining history, theory, method and practice, it offers a clear structure and systematic approach for the study of film festivals. Offering a collection of essays written by an international range of established scholars, it discusses well-known film festivals in Europe, North America and Asia, but equally devotes attention to the diverse range of smaller and/or specialized events that take place around the globe. It provides essential knowledge on the origin and development of film festivals, discusses the use of theory to study festivals, explores the methods of ethnographic and archival research, and looks closely at the professional practice of programming and film funding. Each section, moreover, is introduced by the editors, and all chapters include useful suggestions for further reading. This will be an essential textbook for students studying film festivals as part of their film, media and cultural studies courses, as well as a strong research tool for scholars that wish to familiarize themselves with this burgeoning field.
| Author | : John Hill |
| Publisher | : John Wiley & Sons |
| Total Pages | : 605 |
| Release | : 2019-07-18 |
| Genre | : Performing Arts |
| ISBN | : 1118477510 |
A stimulating overview of the intellectual arguments and critical debates involved in the study of British and Irish cinemas British and Irish film studies have expanded in scope and depth in recent years, prompting a growing number of critical debates on how these cinemas are analysed, contextualized, and understood. A Companion to British and Irish Cinema addresses arguments surrounding film historiography, methods of textual analysis, critical judgments, and the social and economic contexts that are central to the study of these cinemas. Twenty-nine essays from many of the most prominent writers in the field examine how British and Irish cinema have been discussed, the concepts and methods used to interpret and understand British and Irish films, and the defining issues and debates at the heart of British and Irish cinema studies. Offering a broad scope of commentary, the Companion explores historical, cultural and aesthetic questions that encompass over a century of British and Irish film studies—from the early years of the silent era to the present-day. Divided into five sections, the Companion discusses the social and cultural forces shaping British and Irish cinema during different periods, the contexts in which films are produced, distributed and exhibited, the genres and styles that have been adopted by British and Irish films, issues of representation and identity, and debates on concepts of national cinema at a time when ideas of what constitutes both ‘British’ and ‘Irish’ cinema are under question. A Companion to British and Irish Cinema is a valuable and timely resource for undergraduate and postgraduate students of film, media, and cultural studies, and for those seeking contemporary commentary on the cinemas of Britain and Ireland.
| Author | : Leon Hunt |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 240 |
| Release | : 2022-02-24 |
| Genre | : Performing Arts |
| ISBN | : 1501356526 |
How do we approach a figure like Mario Bava, a once obscure figure promoted to cult status? This book takes a new look at Italy's 'maestro of horror' but also uses his films to address a broader set of concerns. What issues do his films raise for film authorship, given that several of them were released in different versions and his contributions to others were not always credited? How might he be understood in relation to genre, one of which he is sometimes credited with having pioneered? This volume addresses these questions through a thorough analysis of Bava's shifting reputation as a stylist and genre pioneer and also discusses the formal and narrative properties of a filmography marked by an emphasis on spectacle and atmosphere over narrative coherence and the ways in which his lauded cinematic style intersects with different production contexts. Featuring new analysis of cult classics like Kill, Baby ... Kill (1966) and Five Dolls for an August Moon (1970), Mario Bava: The Artisan as Italian Horror Auteur sheds light on a body of films that were designed to be ephemeral but continue to fascinate us today.
| Author | : C.M. Alvarez |
| Publisher | : An Unexpected Journal |
| Total Pages | : 227 |
| Release | : 2019-06-12 |
| Genre | : Religion |
| ISBN | : |
The Impact of Film and Music Film and music are the language of modern culture. What messages are being conveyed in the movies and songs we love? An Unexpected Journal explores the truths embedded within popular media. Contributors "Serenity and the Theodicy of Joss Whedon" by C.M. Alvarez: An exploration of the themes of evil, free will, and the power of love in the 2005 film. "On Judging Movies" by Daniel Asperheim: A guide on film criticism and judging true value in movies. "A Sonnet to Music: The Language of the Soul" by Donald W. Catchings, Jr.: a poem on the beauty of music. "The Function of Absolute Music for Religious and Non-religous Minds" by Will Daniels: a reflection of the value and purpose of music focusing on the work of Johann Sebastian Bach. "Where are All the Great Christian Film?" by Joseph Holmes: A survey of the existing landcape in Christian filmmaking and suggestions for improvement. "The Value of Smuggled Theology in Music" by Sheila Krygsheld: an examination of the way music conveys meaning and deeper truths. "In Page and Film: Visions of Virtue in Harry Potter" by Roger Maxson: an analysis of the virtues illuminated in the Harry Potter series. "Lewisvaldi" by Seth Myers: a poem celebrating the joy of summer reflecting the work of C.S. Lewis. "Who Authors the Authority? A Discussion of Watchmen and Rightful Rule" by Jason Monroe: an examination of Watchmen's critique of authority. " Twenty Øne Piløts: In the Trenches " by Annie Nardone: on finding significance and meaning in modern music. "C.S. Lewis, Myth, and Filmmaking" by Timothy Nargi, Jr.: a reflection on the ability of C.S. Lewis to convey theological messages in his fiction and its implicatiaon for modern filmmaking. "Bridging the Gap" and "A Series of Unfortunate Events and the Persistence of Hope" by Zak Schmoll "The Witch and the Horror of Eternal Consequences" by Philip Tallon and Cameron McAllister: an examination of the way the portrayal of real evil in films provides real life lessons. "Analyzing the Fact/Value Dichotomy in Ready Player One: The Movie" by Charlotte B. Thomason: an analysis of the movie as a social commentary and cautionary tale. "Narnia Adapted to Film: the Triune Dance" by Kyoko Yuasa: a reflection of Lewis's search for the dance of the Triune in art. "Comedy-Drama in Film: Caught Between Good Friday and Easter Sunday" by Hannah Zarr: a reflection on the way dramedy helps viewers better perceive a Christian view of reality. Cover art by M.A. Listz Volume 2, Issue 2, Summer 2019: 300 pages.
